Paul Russo - Black Abstracts

Archive for the 'United States of America' Category

Grand Opening of Verdadism Art Gallery. Featuring Paintings on Peace and Tolerance from Soraida, the Artist Kn own for Promoting Social Change.

Sunday, November 2nd, 2008

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Artist, Soraida, in Verdadism Art Gallery

Since 1992, Soraida has created didactic art that addresses racism, sexism, stereotyping, interracial relationships and many of the social issues that only now are being addressed in American society. Known as the creator of Verdadism paintings with written social commentaries, Soraida is an artist, author and social advocate who promotes tolerance, peace and social change. The grand opening of the Verdadism art gallery in Lindenwold, New Jersey, features coming-of-age original paintings and drawings from 1992 to the present.

Some of the paintings on exhibition include: What Prejudice Looks Like; Woman On A String; Puerto Rican Stereotype: The Way You See Me Without Looking At Me; Please Stop Calling Us Minorities: We All Know That’s An Unfair Label With Negative Connotations; Between Two Islands; The Jazz Musicians of Atlantic City; Piano Man: The Survival of Hope; Portrait of Julia Burgos.

Opening reception: Friday, November 7, 2008 from 6-9pm. Regular gallery hours: by appointment only. For more information and directions to the Verdadism Art Gallery, please call 856-346-3131 or visit http://www.soraida.com.

Paul Russo - Black Abstracts

Brooklyn Arts Council presents Days of the Dead in Brooklyn

Wednesday, October 29th, 2008

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Details of a traditional Mexican ofrenda (offering altar) created by John and Glen in their East Village home to honor friends who have died of AIDS. Photo: Kay Turner, 2005

Each of the events below is part of Days of the Dead in Brooklyn (DODB), BAC Folk Arts’ year-long public presentation and research project on diverse traditions of death, mourning and remembrance. The primary goal of DODB is to heighten public awareness of Brooklyn-based community and family arts practices related to mourning and remembrance. Public programs including performances, lecture-demos, and symposia will be presented at a range of venues throughout 2008-2009. Visit: http://www.brooklynartscouncil.org/documents/1027 for more information.

WHAT: Brooklyn Arts Council presents Mexican Days of the Dead and Chinese Ancestral Traditions: Day 1

Mexican ofrenda altar-making workshops. Learn traditional paper arts, how to make sugar skulls, and decorate an ofrenda altar.

This event is part of the year-long presentation and research project Days of the Dead in Brooklyn.

WHEN: Tuesday, October 28, 3:30 – 5pm
WHERE: Sunset Park Library, 5108 4th Ave. at 51st St., Brooklyn

WHAT: Brooklyn Arts Council presents Mexican Days of the Dead and Chinese Ancestral Traditions: Day 1

Mexican ofrenda altar-making workshops. Learn traditional paper arts, how to make sugar skulls, and decorate an ofrenda altar.

This event is part of the year-long presentation and research project Days of the Dead in Brooklyn.

WHEN: Wednesday, October 29, 3:30 – 5pm
WHERE: Sunset Park Library, 5108 4th Ave. at 51st St., Brooklyn

WHAT: Brooklyn Arts Council presents All Saints’ Day Ofrenda Dedication

All Saints’ Day ofrenda dedication and Chinese ancestral altar presentation with Mariachi Tapatio, danza azteca, Chinese dance and more!

(Thursday, October 30: 3:30 - 5pm and Saturday, November 1, 10am - 1pm, public invited to bring offerings to the ofrenda)

This event is part of the year-long presentation and research project Days of the Dead in Brooklyn.

WHEN: Saturday, November 1, 12:00PM - 2:00PM

WHERE: Sunset Park Library, 5108 4th Ave. at 51st St., Brooklyn

WHAT: Brooklyn Arts Council presents All Souls’ Day “Symbols, Stories and Trumpets” at Green-Wood Cemetery

Tour historic Green-wood cemetery with Steve Estroff and experience a Haitian rara procession with trumpet band Dja’rara. Join the procession to the cemetery! Meet at 3:30pm at N/R subway stop on 25th St. and 4th Ave. Program at cemetery begins at the main gate at 4pm.

This event is part of the year-long presentation and research project Days of the Dead in Brooklyn.

WHEN: Sunday, November 2, 3:30PM - 6:00PM

WHERE: Green-Wood Cemetery, 500 25th Street at Fifth Ave, Brooklyn

WHAT: Brooklyn Arts Council presents Prayers for the Dead

Jewish Memorial Song, Buddhist Chants, and African Invocations. Featuring Cantor Janet Leuchter, CBE Singers, monks from the Gold Street Monastery, and more.

This event is part of the year-long presentation and research project Days of the Dead in Brooklyn.

WHEN: Sunday, November 23, 3pm – 5pm

WHERE: Congregation Beth Elohim Rotunda, 271 Garfield Place at 8th Ave, Brooklyn

**Images available upon request.

TCM Exhibition Honors Toshiko Takaezu

Friday, October 24th, 2008

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Toshiko Takaezu, Closed Form, 1990s

The Contemporary Museum – Makiki Heights
2411 Makiki Heights Drive, Honolulu, HI 96822
Main: (808) 526-1322; Exhibition Info: 526-0232; Café Reservations: 523-3362

PRESS RELEASE
For Immediate Release October 22, 2008
Contact: Charlie Aldinger, Director of Museum Advancement;
Ph: (808) 237-5231; Fax: (808) 536-5970; E-mail: caldinger@tcmhi.org
Web Site: http://www.tcmhi.org

TCM New Year Exhibition Honors Toshiko Takaezu
Toshiko Takaezu’s Ceramics: Gifts from the Artist in Honor of The Contemporary Museum’s 20th Anniversary and Promised Gifts from Hawai’i Collections opens January 16, 2009 and remains on view through February 22, 2009 at The Contemporary Museum (TCM) in Makiki Heights.
Hawaii-born Toshiko Takaezu (born 1922), recognized internationally as one of the innovators and masters of contemporary ceramic art, has had a long association with The Contemporary Museum, beginning with an exhibition of her work in 1967 at the Honolulu Advertiser Gallery. She donated some of her works to the collection in the 1980s when The Contemporary Museum grew out of its beginnings in the news building and opened in Makiki Heights.
In 1993 TCM, in conjunction with the Honolulu Academy of Arts, honored Toshiko with a retrospective of her career, although some of her largest and most important works were still to follow. TCM has also been a beneficiary of three sales of works that she had donated to the Toshiko Takaezu Foundation. The sales in 2004 and 2006 provided TCM funds for acquisitions, particularly of contemporary ceramics, and collection care. The most recent sale, earlier this year, produced nearly $100,000 for TCM’s capital campaign for its planned expansion.
One of Toshiko’s most extraordinary gifts to TCM occurred in 2007, when she donated 23 works spanning her career, which when added to TCM’s other holdings of her works gave the museum 62 ceramics, two paintings and one tapestry, the largest representation of her work in a museum collection. The 2007 gifts fill gaps which had existed in TCM’s holdings, and include a rare double-spouted vessel from, an exquisite early glazed porcelain tea bowl, a Momo form with a cleft top, a large Moon, a large anagama or wood-fired closed form, a major example of the Ocean Edge series, and Haru, one of Toshiko’s signature monumental closed forms.
In addition, the exhibition will include other Takaezu works from local private collections, which are gifts and promised gifts to TCM in honor of the artist and of the museum’s 20th anniversary.
Takaezu was born to Japanese immigrant parents in Pepeekeo, Hawaii. She studied at the Honolulu Academy of Arts and then at the University of Hawaii at Manoa under Claude Horan from 1948 to 1951. She continued her art studies at Cranbrook Academy of Art in Bloomfield Hills, Michigan, under ceramist Maija Grotell, who became her mentor. In 1955 Takaezu traveled to Japan to study Buddhism and traditional techniques of Japanese pottery. Takaezu taught at the Cleveland Institute of Art for nearly a decade, and subsequently was head of the ceramics department for 25 years at Princeton University. Princeton awarded her an honorary doctorate.
In the late 1950s, Toshiko was at the forefront of the movement that took ceramics from a craft medium for functional vessels to a fine art medium for sculpture. She began making small vessels, but gradually developed the closed form for which she became well known. Her closed forms, ranging from a few inches in diameter to several feet tall became sculptural objects in space and surfaces for painting with glazes.
In 1992, she retired from teaching to focus on her work including her monumental ceramics, thrown and fired at Skidmore College in Saratoga Springs, New York, and large bronze sculptures. Toshiko stopped throwing clay in recent years and since then has been donating her works to museum collections around the U.S. and abroad.
Due to a recent staffing reorganization, the previously announced presentations of Japan Fantastic and At 20: Recent Acquisitions from the Collection of The Contemporary Museum will not be presented at this time.
For more information about The Contemporary Museum, visit our website at www.tcmhi.org; Exhibition Info: (808) 526-0232; Reception: (808) 526-1322. Third Thursdays are free entry days!
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Photo Captions:

Toshiko Takaezu, American, born 1922
Closed Form, 1990s
glazed porcelain
20 x 10 1/2 x 10 1/2 inches
Gift of the artist in honor of The Contemporary Museum’s 20th Anniversary, 2007
Photo Credit: The Contemporary Museum

Westermann Collection Promised to Hawaii Museum

Friday, October 24th, 2008

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H.C. Westermann, The Reluctant Acrobat (self-portrait), 1949

The Contemporary Museum – Makiki Heights
2411 Makiki Heights Drive, Honolulu, HI 96822
Main: (808) 526-1322; Exhibition Info: 526-0232; Café Reservations: 523-3362

PRESS RELEASE
For Immediate Release October 24, 2008
Contact: Charlie Aldinger, Director of Museum Advancement;
Ph: (808) 237-5231; Fax: (808) 536-5970; E-mail: caldinger@tcmhi.org
Web Site: http://www.tcmhi.org

Major Collection of Westermann Artwork Promised to Hawaii Museum
Exhibition Planned in December 2008

Honolulu, HI…Georgianna Lagoria, Executive Director at The Contemporary Museum (TCM) in Honolulu, has announced the promised gift of an extraordinary private collection of artwork created by renowned contemporary artist H. C. Westermann (1922-1981) by two of the art world’s most generous philanthropists and collectors, Thurston and Sharon Twigg-Smith of Honolulu, Hawaii. Both Twigg-Smiths are long term Trustees of the museum.

Their Westermann collection has been sought by several mainland U.S. museums. It comprises one painting, 16 sculptures, 13 drawings/watercolors and 34 prints valued at nearly $2 million. It spans from an early 1949 self-portrait to one of the artist’s last and most monumental works.

“Through the generosity of the Twigg-Smiths, The Contemporary Museum will have one of the most in-depth representations of Westermann’s work in a public collection,” Lagoria said. “The other is at The David and Alfred Smart Museum of Art at the University of Chicago, and another major public collection is at the Museum of Contemporary Art, Chicago,” she continued.

The Twigg-Smith holdings will join a set of eight Westermann prints, The Connecticut Ballroom, and the recently rediscovered early Westermann painting, Metaphysical Meaning, already in the museum’s collection, making TCM a major center for the study and appreciation of Westermann’s art. The painting was purchased last year by TCM with funds donated by the Twigg-Smiths.

“This extraordinary gift at our 20th anniversary reaffirms our commitment and long legacy of bringing the world’s best contemporary art to our remote Hawaiian islands for the benefit of our greater community and to inspire our regional artists,” said Lagoria. “Twigg and Sharon have both established the museum’s legacy and ensured its importance in the greater art world through this contribution, and the many others they have donated over the past 40 years.”

TCM will present an exhibition of a selection of these promised gifts, curated by James Jensen, Deputy Director for Exhibitions and Collections, in December 2008. At 20: The Sharon and Thurston Twigg-Smith Collection of H.C. Westermann—A Gift/Promised Gift in Honor of The Contemporary Museum’s 20th Anniversary will debut at TCM December 18, 2008 and remain on view through February 22, 2009. Jensen will lead a walk-through lecture of the exhibition on January 24 at 11 a.m. This program is free with admission.

Born and raised in Los Angeles, Horace Clifford Westermann (1922-1981), known as “Cliff” to his friends, worked briefly in the Pacific Northwest logging industry and during World War II served as a gunner in the U.S. Marine Corps aboard the USS Enterprise.

He toured the Far East as an acrobat with the United Service Organization (USO) and later re-enlisted with the Marines for combat infantry service in the Korean War. In 1947, he enrolled at the School of the Art Institute of Chicago, returning there after his Korean War service to finish his education and pursue a career as an artist.

After a brief period working in painting, Westermann gradually became known for his idiosyncratic but meticulously crafted wood sculptures (he had perfected the techniques of carpentry to support himself). Declaring his independence from the formal concerns and received cultural tradition imbued in most young artists, Westermann took his inspiration from personal experience and his own vivid imagination.

One theme, which emerged early and recurred frequently in his work, was the “death ship,” based on his witnessing kamikaze attacks and the sinking of several ships during World War II in the Pacific. In an effort to exorcise the psychological effects of war, Westermann explored the subject in numerous works, making a statement about the powerlessness of the individual in the face of destruction. This theme is reflected in a bronze sculpture and several prints in the Twigg-Smith collection, both titled Death Ship of No Port, and in the painting Metaphysical Meaning, which is a very early, if not the first, depiction by Westermann of this theme.

Westermann was also known for his formal inventiveness with found materials and could transform the commonplace into things unexpected and magical. Often he placed objects and assemblages in glass-enclosed boxes like museum specimens, creating works that are hermetic universes, inaccessible and mysterious. This aspect of his work is represented by Red Rock Canyon and U.F.O. Landing in Africa in the Twigg-Smith collection.

The ominous and threatening situations in many of Westermann’s drawings, many of which are self-portrait fantasies of the artist as a square-jawed, slicked-hair adventurer braving all manner of temptations and perils, are mitigated by the artist’s witty, cartoon-like style, as in the tropical-themed watercolor An Affair in the Islands in the Twigg-Smith collection. Frequently, Westermann used drawings to illustrate his letters to friends or the texts of other writers. At times, Westermann was more whimsical, expressing a key sense of humor and irony, as in the Twigg-Smith collection sculpture This Great Rock was Buried Once for a Million Years, in which a fieldstone lies tethered by a chain to its base like some captive curiosity.

The Westermann promised gift marks the 20th anniversary of TCM and celebrates the remarkable growth over the past two decades of the museum’s collection, which now comprises approximately 3,000 works. When TCM opened in Makiki Heights in 1988, its collection was less than one thousand works, the majority representing artists of Hawaii. Twenty years later, while works by artists of Hawaii still comprise about 40 percent of the holdings, the collection also includes works by nationally and internationally known American artists, both established masters and emerging artists, as well as works by artists from Europe, Latin America and Asia.

For more information about Westermann promised gift, exhibition or The Contemporary Museum, visit our website at www.tcmhi.org; Exhibition Info: (808) 526-0232; Reception: (808) 526-1322.
-end-

Photo Captions:
File Name:
H.C. Westermann (1922-1981)

The Reluctant Acrobat (self-portrait), 1949

oil on canvas

13 x 10 inches

Collection of Sharon and Thurston Twigg-Smith, promised gift to The Contemporary Museum, Honolulu, on the occasion of its 20th anniversary
Copyright: Estate of H. C. Westermann/Licensed by VAGA, New York.
Photo Credit: Brad Goda, The Contemporary Museum
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General Information:
The Contemporary Museum - Makiki Heights
Entry: One-Day Membership Pass - $5 Adults; $3 Students & Seniors; Members & Children 12 and under are free. (Cost of a one-day pass may be applied to the cost of an annual membership on the day of issue.) It is always free to visit the Museum Shop or The Contemporary Café. Third Thursdays are always free. Museum and Shop Hours: Tuesday-Saturday from 10 a.m. to 4 p.m.; Sunday from Noon to 4 p.m.; Closed Mondays and major holidays. The Contemporary Café Hours: Tuesday-Saturday from 11:30 a.m. to 2:30 p.m.; Sunday from Noon to 2:30 p.m. Café Reservations: (808) 523-3362. Docent Tours: Tuesday-Sunday at 1:30 p.m. Cades Library Hours: Tuesday & Thursday from 3 to 5 p.m.; or by special appointment. Parking: Free. On The Bus: #15 to Makiki Heights Drive-stops in front of the Museum. Address: 2411 Maikiki Heights Drive, Honolulu, HI 96822. Exhibitions/Events Line: (808) 526-0232. Tours/Administration: (808) 526-1322; Web Site: www.tcmhi.org. Membership: (808) 237-5219.

The Contemporary Museum at First Hawaiian Center: Entry: Free. Hours: Monday-Thursday from 8:30 a.m. to 4 p.m.; Friday from 8:30 a.m. to 6 p.m.; Closed on weekends and banking holidays; First Fridays: 7-9 p.m. Docent Tours: Third Thursdays at Noon. Parking: TCM Members enjoy validated parking at FHC. Address: 999 Bishop Street, Honolulu, HI 96813.

Thinking in Time/ Shuli Sade at Reeves Contemporary Gallery

Tuesday, October 21st, 2008

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Duree, 120 lumnious video stills

SHULI SADÉ

OCTOBER 10th – NOVEMBER 8th

Videoshooting a trip across the Brooklyn Bridge might capture motion, but it inadequately conveys the caprices of time and memory that fascinate Shuli Sadé. Her work Dureé superficially documents such a trip, but transforms the filmic qualities into visually stunning meditations on the velocity of experience. An arresting arrangement of one hundred and twenty lit video stills, mounted onto units of square-foot Duraclear, Dureé refracts scenes from the bridge into a two-fold array of high-contrast positive and negative images. Illuminated from below, the piece highlights the blurred demarcations of night/ day, familiar/ unfamiliar, remembered/ invented.

By their nature, video stills suggest the infinite contained in bounded
journeys, in which innumerable instants define perceptions of space and
“duration.” Sadé’s imprecise yet impeccable images of urban landmarks expose how subjectivity prevails over linear time.

Sadé’s video piece, Thinking in Time, re-instates movement in her thesis.
Seven video screens play manipulations of the same scene, shot every night through the same window for two consecutive summers. In this installation, she employs her signature color-coding language: green for the future, sepia for the past, and blue for, as she puts it, “an in-between,” or the perceived present. Along with projected sound, Thinking in Time’s screens allow the viewer further entrée into Sadé’s determined representation of the facets of experience well beyond our usual vocabularies. Through Dureé’s elegance and magnitude and Thinking in Time’s sensory expansiveness, the physical presence of Sadé’s vision makes manifest its conceptual foundations.

Shuli Sadé also known for documenting industrial ruins and
architectural sites throughout the world. In the past decade she works with
video combined with her photographic images, arresting time in search for
metaphors for the cycle of life. Sadé received her B.F.A. in 1976 from
Bezalel Academy of Art and Design in Jerusalem. She continued her art
studies in New York at the School of Visual Arts. A recipient of the
National Endowment for the Arts visual arts fellowship, her recent solo
shows have appeared at Amelie A. Wallace Gallery in SUNY Old
Westbury (2008), the Hungarian Cultural Center, New York (2006), Reeves Contemporary Gallery New York (2006), Kolok Gallery, in North Adams, MA (2006), and two group shows at Mead Museum, Amherst, MA (2003, 2007). Sadé’s work is included in numerous corporate and private collections.

Reeves Contemporary is located at 535 West 24th Street, second floor.
Gallery hours are Tuesday – Saturday, 10 – 6 p.m. or by appointment. For
more information, call 212 714 0044 or view the online gallery at
reevescontemporary.com http://reevescontemporary.com> .

Jason Douglas Griffin at Leo Kesting Gallery Oct 16 — Nov 2

Thursday, October 9th, 2008

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Jason Douglas Griffin, Cool Grey, 72” x 52”, mixed media on canvas, 2008

Leo Kesting Gallery Presents:
Jason Douglas Griffin – 80’s Babies
October 16 – November 2, 2008
Opening Night Reception: Thur Oct 16th from 7 - 10 pm
812 Washington St (at Gansevoort) NY NY 10014
8th Ave A, C, E and L train Stop or 1,2,3 to 14th St
Tuesday - Saturday from 11:00 am until 7:00 pm Sunday 1:00 – 6:00 pm
Admission is free to the public phone: 917-650-3760 / 917-292-8865
http://www.leokesting.com

Jason Douglas Griffin, the critically acclaimed New York street painter who is preparing a monograph to be released on HarperCollins, presents a collection of figurative, narrative paintings and illustrations debuting at Leo Kesting on October 16th. The series of artworks entitled “80’s Babies” showcases Jason’s signature graphic style of strong line and color to capture what he refers to as collaboration or narrative of his sitters.

“For me it represents a passion for people, meeting a person getting to know them and collaborating with them to discover their story,“ Jason explains about his work. “In this collection I am trying to discover the sitter’s narrative and reflect that on my canvas, a representation of who they are as a person as opposed to a portrait.”

”Jason’s artwork is a brand of illustration and painting creating a balance in his artwork that allows the viewer to get caught in the emotion and drama depicted in the subjects’ own visual story,” galleriest David Kesting stated. “These artworks are an example of how young artists, enculturated in our graphic society, reflect upon the roots and foundations of painting which is the portrait. Afterwards the challenge is to discover your own voice from within that foundation and make it into your own. With 80’s Babies, Jason shows he can do that in a unique and original way.”

80’s Babies opens to the public with a reception for the artist at Leo Kesting Gallery on Thursday October 16th from 7:00 until 10:00 pm.

From its origins as Capla Kesting Fine Art in Brooklyn, the Leo Kesting Gallery launched in 2003 and developed an aggressive campaign to introduce new figurative artists to collectors and art supporters. Leo Kesting offers the art viewing public an opportunity to see forthcoming talents in an intimate setting where undiscovered, cutting-edge artists are presented to the contemporary art scene.

Leo Kesting Gallery is located at 812 Washington St at the corner of Gansevoort in Manhattan’s Meat Packing District. A, C, E, or L train to 8th Ave and 14th Street or 1,2,3 train to 14th Street. Gallery hours are Tuesday to Sunday from 11am until 7pm.

about the artist:

Intensely personal, while at the same time unpretentious and accessible, Jason Douglas Griffin’s paintings borrow equally from classical artistic traditions, urban aesthetic, and pop culture. In Griffin’s work, the intersection of cultures and ideologies produce an innovative style that challenges the common perceptions of art and identity.

Griffin’s art has been featured in several cities around the country, including Miami, Chicago, Washington DC, and New York, as well internationally, in China and Holland. He has been written about in magazines like, NY Arts Magazine and The Economist, and has been featured in The Washington Post, numerous times.

Griffin not only works to exhibit his art in galleries, but he has also tapped into the literary world with his upcoming HarperCollins release, “My Name is Jason. Mine Too.,” scheduled to be released, Spring 2009.

Griffin currently resides in Queens, New York.

Perspective Photo Show

Tuesday, October 7th, 2008

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Top of the Golden Gate Bridge Robert Chaponot

The Center for Fine Art Photography call for entries for
Perspective
Deadline December 9, 2008
$900 in Cash Awards
Over $1000 in Awards
More Info at http://www.c4fap.org

Theme: Perspective can be the point of view from which you are standing when you release the shutter, or reflect your state of mind at the time when the image is created. Are you up high, or low to the ground? Maybe you are high on life, or down in the dumps. All these perspectives can greatly influence the message and impact of your photograph. What is your Perspective?
Eligibility: The exhibition is open to all domestic and international, professional and amateur, photographers working with digital or traditional photography or combinations of both. The Center for Fine Art Photography invites photographers working in all mediums, styles and schools of thought to participate in its exhibitions. Traditional, contemporary, avant-garde, creative and experimental and mixed techniques are welcome.

Exhibition and Awards:
With selection for this exhibition, through the Center’s many media, artists and their work will be seen by an international audience of collectors, curators, art consultants and others who appreciate and acquire fine art of photography.
• Juror’s Selection award: $500
• Director’s Selection award: $300
• Gallery Visitor’s Choice Award: $100
• Two one-year subscriptions, valued at $120 each for the Artists’ ShowCase Online– the Center’s online image marketing website (preview at www.artists-showcase.org)
• All exhibitors are included in the Center’s online gallery
• Inclusion in the Center’s 2008 Exhibition Collection CD which is distributed to selected galleries, collectors, design houses and corporations world wide
For more information and how to submit your images go to http://www.c4fap.org and follow the links for this or other Call for Entries. Send questions to cfe@c4fap.org

Idea of Self Photography Show

Tuesday, October 7th, 2008

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Untitled (Stand), Richard Koening

The Center for Fine Art Photography call for entries for
Idea of Self
Deadline November 12, 2008
$900 in Awards
More Info at http://www.c4fap.org

How do you see yourself? How do you think of yourself? How do you think other people see you? Are you the fly on the wall or the center of attention? The Idea of Self stretches further than the self portrait, and into the recesses of the mind, spirit and our subconscious. The Idea of Self takes us on a journey of self enlightenment and discovery allowing the photographer to truly bare their soul or to hide it away. This investigation of who we are, or who we think we are, is uniquely represented through the art of photography.
The exhibition is open to all domestic and international, professional and amateur photographers working with digital or traditional photography or combination of both.

Information and online submissions at The Center for Fine Art Photography www.c4fap.org or email questions to cfe@c4fap.org .
Exhibition and Awards:
With selection for this exhibition, artists and their work will be seen by an international audience of collectors, curators, art consultants and others who appreciate the fine art of photography.
• Juror’s Selection award: $500
• Director’s Selection award: $300
• Gallery Visitor’s Choice Award: $100
• Two one-year subscriptions, valued at $120 for the Artists’ ShowCase Online – the Center’s new online image marketing website (preview at www.artists-showcase.org)
• All exhibitors are included in the Center’s online gallery
• Inclusion in the Center’s 2008 Exhibition Collection CD which is distributed to selected galleries, collectors, design houses and corporations world wide

LeanneM‘s artwork on Exhibit

Monday, October 6th, 2008

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Immortal Essence | Model: Natasha Fatale | Photo by Three 15

LeanneM & Three 15 [both with Immortal Essence] will be at this Exhibition selling & displaying our work along with some other amazing Artist’s & Photographers including HR Geiger!!

DAMNED - A Macabre Fine Art Exibition
October 30th 2008
Tangent Gallery | Hastings Ballroom
Detroit, Michigan

For more on LeanneaM & Three 15 and this Exhibition please visit: http://www.immortalessence.com

G2 Gallery Hosts Lecture Featuring ROBERT GLENN KETCHUM

Friday, October 3rd, 2008

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The world of renowed environmental photographer Robert Glenn Ketchum will be on display at the G2 Gallery in Venice on Oct. 10

WORLD RENOWNED ENVIRONMENTAL PHOTOGRAPHER ROBERT GLENN KETCHUM TO BE FIRST GUEST SPEAKER, WITH A SPECIAL INTRODUCTION BY ACTRESS MAUD ADAMS

WHO: Robert Glenn Ketchum, author, teacher and photographer, will be the first guest speaker in a series of environmental lectures at the G2 Gallery in Venice, CA. Actress and environmentalist Maud Adams, best known for her roll in “Octopussy” will deliver a special introduction.

WHAT: Robert Glenn Ketchum’s lecture will mirror his exhibit at the G2 Gallery: Life Well Lived Forty Years in the Making. He will discuss the evolution of his career from his Sundance residency to his environmental interests including his recent work on the Bristol Bay Salmon Fishery, to his digital darkroom. He will also discuss his embroideries that have been meticulously translated from his photography in partnership wit the Suzhou Embroidery Art Innovation Centre (SEAIC) in China. Ketchum’s ongoing commitment to the environment has earned him much critical acclaim, including being named one of Audubon’s 100 people who “shaped the environmental movement in the 20th century.”

G2 Gallery is committed to supporting the environment by showcasing photography of our natural world. G2 Gallery donates 100% of proceeds to environmental charities.

WHERE: G2 Gallery
1503 Abbot Kinney Boulevard
Venice, CA 90291
www.TheG2Gallery.com

WHEN: October 10, 2008
7:00pm