Paul Russo - Black Abstracts

Archive for August 12th, 2008

MIHIR…soleil oceanique, an exhibit of art works by Anjali Sinha

Tuesday, August 12th, 2008

CIMG2407.JPG
art work by the artist.

MIHIR… soleil oceanique

Each of us have different ways of expressing ourselves. Mine is painting.

With no formal training in art, I’ve been experimenting with styles, textures, material for over a decade. My mediums are now, primarily, oil, acrylic and charcoal on paper and canvas.

Born and brought up in Delhi I read philosophy during my undergrad years, after which I learnt film-making. I have worked as a scriptwriter, director and actor. I was once a brand manager for a company and I am now the Director of a social development organisation, UNIDOC, Delhi.

This collection is a selection from my explorations on paper and canvas in the last 3 years. It is my journey from forgetting how to paint, to relearning it and then reinventing myself as an artist.

Please join me at :

Venue: The Foyer, India Habitat Center. Lodhi Road. Delhi
Date: 29/30/31 Aug. 2008
Timings: 11 am to 7 pm

Paul Russo - Black Abstracts

The 5th Seoul International Media Art Biennale

Tuesday, August 12th, 2008

Artipedia - Arts News
Seoul Museum of Art

The 5th Seoul International Media Art Biennale
September 12 - November 5, 2008

Theme : Turn and Widen
Opening Event: September 11, 2008
Venue: Seoul Museum of Art
Director: Ilho Park
Curators: Maarten Bertheux,
Andreas Broeckmann, Raúl Zamudio, Tohru Matsumoto

Seoul Museum of Art
30 Misulgwan-gil (37 Seosomun-dong)
Jung-gu, Seoul (100-813)

http://www.mediacityseoul.or.kr

The 5th Seoul International Media Art Biennale (media_city seoul 2008) will be held in Seoul Museum of Art from September 12 to November 5, 2008. Seoul International Media Art Biennale has continued and prospered the event and its quality through the past four Biennale since 2000, being much recognized both domestically and internationally as a notable media art festival.

Especially, this 5th Biennale is significant in retracing prior exhibitions for the preparation of the next decade. Therefore it aims at asking fundamental and essential questions, such as “What is media art?” “What is the difference between traditional art and media art?” “What change in art has been caused from this?” and “What kind of effects will this bring?” and it will also attempt to find out the answers of these questions through the exhibition of various media artworks.

The theme of this Biennale is Turn and Widen and it consists of three categories; Section of Light, Section of Communication and Section of Time. The 5th Seoul International Media Art Biennale will be showing artworks by 70 teams from 26 countries. International Symposium, media_city seoul Archive and Matrix S will be held as related events of the Biennale.

Artists
Antoine Schmitt (France)
Chae, Mi-hyun & Dr. Jung (Korea)
Kim, Sin-il (Korea)
Carlos Coronas (Spain)
Suzann Victor (Singapore)
Hung, Tunglu (Taiwan)
Li, Hui (China)
Pablo Valbuena (Spain)
C.E.B. Reas (USA)
Michael Morris, Yoshiko Sato (UK/Japan)
Anish Kapoor (India)
Daniel Pflumm(Germany)
Ann Veronica Janssens (Belgium)
Peter Struycken (Netherlands)
Olafur Eliasson (Denmark)
Paul Chan (USA/China)
Julien Maire (France)
Electroboutique(Alexei Shulgin, Aristarkh Chernyshev) (Russia)
Herwig Weiser (Austria)
Cleverson (Brazil)
Takahashi, Kyota (Japan)
Ito, Atsuhiro (Japan)
Seo, Hyo-jung (Korea)
Jeong, Young-hoon (Korea)
Yu, Hyun-jung (Korea)
Zin, Kijong (Korea)
Lee, Zune (Korea)
ITRI Creativity Lab (Taiwan)
Christa Sommerer, Laurent Mignonneau (Austria/France)
Takahiro Matsuo (Japan)
Anaisa Franco (Brazil)
The Light Surgeons (UK)
Gerald van der Kaap (Netherlands)
Marc Lee (Switzerland)
Markus Hansen (Germany)
Joyce Hinterding, David Haines (Australia /UK)
Cristina Mateus (Portugal)
Michael Bell Smith (USA)
Rafael Lozano-Hemmer (Mexico)
Erika Harrsch (Mexico/France)
Abidi, Bani (Pakistan)
Kuo, I-Chen (Taiwan)
Yuko, Mohri (Japan)
Mioon (Korea)
Kim, Yunchul (Korea)
Shin, Kiwoun (Korea)
Won, Seoungwon (Korea)
Jung, Yeondoo (Korea)
Marie Sester (France)
Jun Nguyen-Hatsushiba (USA)
Minnette Vári (South Africa)
AES+F group (Russia)
William Kentridge (South Africa)
Yacine Sebti (Morocco/Belgium)
Thyra Hilden, Pio Diaz (Denmark/Argentina)
Manon de Boer (Netherlands)
Helga Griffiths (Germany)
Herwig Turk (Austria)
Tania Ruiz Gutiérrez (Chile/Colombia)
Thomas Köner (Germany)
Damian Ontiveros Ramirez (Mexico)
Carlos Amorales (Mexico)
Marina Zurkow (USA)
Miguel Angel Rios (Argentina)
Teresa Serrano (Mexico)
Monika Bravo (U S A /Colombia)
Yang, Fudong (China)
Ezawa,Kota (Japan/Germany)
Qiu, Anxiong (China)
Fujii, Shiro (Japan)

Events

International Symposium
September 11, 2008 1:30 – 4:00 p.m.
Seoul Museum of History Lecture Hall
Douglas Kellner (Professor of UCLA)
Oliver Grau (Professor of Danube University Krems)

media_city seoul Archive
September 12 –November 5, 2008
Seoul Museum of Art 1F

Matrix S
September – November
21 Galleries in Seoul

Visit http://www.mediacityseoul.or.kr for further information.

Seoul Museum of Art
30 Misulgwan-gil (37 Seosomun-dong)
Jung-gu, Seoul (100-813)
Tel. 82-2-2124-8800
Fax 82-2-2124-8950
http://www.mediacityseoul.or.kr

Castellon County Council announces Fifth International Painting Prize

Tuesday, August 12th, 2008

Artipedia - Arts News
Castellón County Council

IV Painting Prize Castellón County Council Winner.
OLIVER LUTZ, Lynching, 2007. Installation.

5th PAINTING PRIZE
CASTELLÓN COUNTY COUNCIL
Submission entries:
from July 15th to September 15th 2008

http://certamenpintura.dipcas.es

We have reasons to congratulate again. The announcement of another edition of the International Painting Prize of the Castellón County Council, in which this is the fifth edition, has to fulfilll with pride and satisfaction all the citizens of the County.

First, because it implies the consolidation of a unique painting sample in our country and, second, because it has already become a referent which shows the name of our province all over the world.

It is not said by us. It is said by the amount of participation and the statistics, which grow each year and overcome their own registers. It is enough to remember the 450 artists who participated last year, representing a total of 30 different countries from the five continents.

This is the essence of our prize: to break the participation boundaries that have ever been reached by a cultural prize of any county and to open doors to international recognition to artists that were not much known until now.

That is why we can state proudly that the Prize of Castellón marks tendencies in the Contemporary Art and, one year more, we must congratulate for the well done job.

Carlos Fabra
President of Castellón County Council.

Submission entries: from July 15th to September 15th 2008, in the website: http://certamenpintura.dipcas.es

An e-mail address (contest@dipcas.es) shall be available at Castellón County Council for enquiries.

CONDITIONS WHICH RULE THE V INTERNATIONAL PAINTING PRIZE OF THE CASTELLON COUNTY COUNCIL. YEAR 2008.

FIRST. ANNOUNCEMENT

The Castellón County Council organizes the V International Painting Prize as a competitive event with the aim of supporting and promoting young and avant-garde art, and contributing to the establishment of the artists’ reputation and to the appearance of new talents in the contemporary art scene.

The present conditions depend on the General Law 38/2003 of the Subsidies and the General Law of Subsidies of the Castellón County Council, which was passed in the plenary session on 22/03/2005 and published in the BOP nº 55 on 07/05/2005.

The Contest is focused on the ‘expanded painting’, that is, the relationship and interaction between the painting and other means like the photography, video, installation, sculpture or new technologies. The works can have all kinds of supports, being painting the fundamental and basic element.

SECOND. BENEFICIARIES

The Contest will have an internationalprojection, so that all the interested artists can present their works without regarding at their nationality, residence or age.

Each artist can present one only painting work.

THIRD. OBJECT

The works have to be original and topics and techniques will be free. None of the painting dimensions can exceed 2 meters.

Paintings previously selected by the Jury will be presented in stretcher or rigid support and framed by a simple wooden strip whose thickness cannot exceed 2 centimetres. In any case the works will be admitted if they are protected with a glass.

FOURTH. PROCESS OF PARTICIPATION

In order to participate is necessary to enter in the web http://certamenpintura.dipcas.es and to fill up the required fields:

• Participation Form

• Brief Curriculum Vitae

• An image in JPG or GIF formats of the painting which takes part. The image’s size cannot exceed 1 Megabyte. The sending of videos has to be in AVI of WMB formats with a size not greater than 2 Megabytes.

• Payment of 25,00 euros, which can be carried out with:

Virtual TPV with credit card

Through a deposit in the bank:
- Data of the Bank account:
HOLDER: Diputación Provincial de Castellón.
BANK: Santander Central Hispano
ACCOUNT: 0049-6658-61-2616165420
IBAN: ES 14-0049-6658-6126-1616-5420

- Data which have to appear in the transference:
Name of the participant
Concept: V Certamen Internacional de Pintura

FIFTH. PROCESS OF SELECTION

The Jury will be formed by:
- President: The Vice President of the Castellon County Council culture delegate.
- Members: 5 people with recognised international prestige among critics of art, museum directors, artists, etc.
- Secretary: the Chief of Culture-Sports section of the Castellon County Council.

First of all, the Jury will select a maximum of 20 paintings within all the ones presented at the Contest which fulfill all the required conditions.

These works will be the ones sent to the MUSEU de Castellón in order to set up the exhibition and this will be the moment in which the Jury will choose the winner of this Contest.

The authors are obliged to cede all the rights to the Castellón County Council to reproduce their works in the Catalogue and to the public communication in the exhibition without any complaint.

The winner painting will be property of the Castellón County Council and it will take part of its contemporary art collection.

SIXTH. THE HANDING OVER OF THE FINALISTS

The Castellón County Council will only keep in touch with the finalists chosen by the Jury.

The selected works will be sent to the ‘MUSEU DE BELLES ARTS DE CASTELLÓ’, in Avda. Hermanos Bou nº 28, 12003 Castellón de la Plana. Phone number: 964727500

Each work has to be accompanied with a brief Curriculum of the author, a photograph of the work, and a photocopy of his/her Identity Card.

The sending and withdrawal of the works will be always the matter of the contestants, as well as the transport insurance, without any complaint to the Castellón County Council due to possible losses or flaws which may be produced either in the sending and in the return.

The Castellón County Council will take the greatest care of all the received works. However, it would not answer to the loss, flaw, robbery, or any other act not involved in its wish, of the delivered works, even if this act is produced by a fortuitous case or owing to circumstances beyond our control, being the author’s account and risk the damage that the works may suffer. The contestants can contract an insurance on their own which covers the pointed risks, without claiming any amount to the Castellón County Council for this concept.

SEVENTH. JURY MINUTES

The Jury Minutes should be passed by the government committee of the Castellón County Council, with previous ruling by the Informative commission of Culture-Sports, and it will be published in this Institution’s web page.

EIGHTH. ECONOMIC PACKAGE

The V International Painting Contest has an economic package of 60.000 euros, which will be assigned entirely to the author of the winner work. The IRPF retention will be applied over this amount, according to the legal normative. If the Jury estimates that none of the works deserve the prize, it would rest not awarded.

NINTH. ACCEPTATION OF THE CONDITIONS

The presentation of this Contest implies the acceptation of the present conditions.

In the case of conflict or complaint, the Courts with jurisdiction over the city of Castellón de la Plana will be competent.

CALENDAR

Admission of the participation form, curriculum, jpg and payment: 15th July-15th September 2008
Choice of the finalists by the Jury : Ending of October 2008
Exhibition of the paintings in Museum BB.AA. of Castellón: November-December 2008
Winner choice
Return of the works: Once the exhibition will be finished

MAP, Mobile Art Production presents DEFENCE

Tuesday, August 12th, 2008

Artipedia - Arts News
MAP, Mobile Art Production

Kader Attia
Oli and Sugar # 2, 2007
Courtesy the artist and Christian Nagel (Berlin & Cologne)

DEFENCE
14 - 16 August

Skeppsholmen, Stockholm

http://www.mobileartproduction.se

Henrik Andersson
Kutluğ Ataman
Kader Attia
Juan Pedro Fabra
Martina Lowden
Maria Heimer Åkerlund
Curator: Magdalena Malm

DEFENCE includes work by five artists and one author, all treating the subject of our internal as well as external defence mechanisms, the physical as well as psychological.

What are the major threats of our times? What defence strategies do we develop for use in different situations? And how can we tell the difference between defence from concrete threats and defence from our own fear of them?

MAP presents projects in sites and media relating to the content of the work. The sites of this exhibition are bunkers, watchtowers and boats on the islands of Skeppsholmen in Stockholm, which for many years served as base for the Swedish marines. Today, the islands are transformed. Setting out from the history of the location, the exhibition DEFENCE discusses changes in our perception of threats and the need for defence.

In an abandoned fortification underneath Kastellholmen, Kader Attia’s Oil and Sugar #2 presents an image of thoughts that we prefer to repress, so we can carry on driving to work. In one of the watchtowers - now transformed into invisible landmarks - Henrik Andersson has installed real-time sound recordings from the surrounding sea. The work disuses surveillance and what role interpretation plays in it.

At first glance, Juan Pedro Fabra’s masked snipers resemble mythical being from Swedish forests, demonstrating the connection between territory and nature. In Testimony Kutlug Ataman reflects on how a nation can live in collective amnesia. His father’s nanny tells us about the Armenian-Turkish conflict but the story is obscured by dementia and memory loss.

Maria Heimer Åkerlund focuses on the split in a person who, at the same time, is both a soldier and a civilian. How can one reconcile the fact of shattering someone else’s family in order to defend one’s own? Martina Lowden’s text illustrates a fortification of ones own brain.

MAP, Mobile Art Production, is a new art producer that invites artists to create unique projects. In dialogue with the artists, MAP locates the most suitable situation, moment, and site to produce and exhibit art. Founding director of MAP is Magdalena Malm.

The exhibition DEFENCE is produced by MAP in collaboration with Stockholm’s Culture Festival and The National Property Board. Thanks to The Foundation for the Culture of the Future, Längmanska Foundation, IASPIS and Showlighters.