Paul Russo - Black Abstracts

Archive for June 17th, 2008

16th Biennale of Sydney: Revolutions — Forms That Turn

Tuesday, June 17th, 2008

Artipedia - Arts News
16th Biennale of Sydney

16th Biennale of Sydney:
Revolutions – Forms That Turn
18 June - 7 September 2008

Artistic Director,
Carolyn Christov-Bakargiev

Vernissage: Tuesday, 17 June
Opening: Wednesday, 18 June

http://www.bos2008.com/revolutionsonline

The 16th Biennale of Sydney celebrates 35 years of showcasing contemporary art with the exhibition Revolutions – Forms That Turn.

From June to September the city’s leading museums – the Museum of Contemporary Art and the Art Gallery of New South Wales, as well as Artspace and spectacular outdoor sites such as the old industrial Pier 2/3, the Royal Botanical Gardens and the stunning Cockatoo Island in Sydney Harbour will host more than 180 artists, with over 50 new projects being realised. A unique online venue has also been developed. http://www.bos2008.com/revolutionsonline

The impulse to revolt. Revolving, rotating, mirroring, repeating, reversing, turning upside down or inside out, changing perspectives. Through installations, performances, films, texts, an evolving online venue, conversations and other events, Revolutions – Forms That Turn articulates the agency embedded in forms that express our desire for change. Such literal and formal devices are charted for their broader aesthetic, psychological, radical and social perspectives. This Biennale is a constellation of historical and contemporary works of art that celebrates and explores these dynamics, both in art and life. It includes some of the twentieth century’s most revolutionary artists from Kasimir Malevich, Aleksandr Rodchenko, Luigi Russolo, Marcel Duchamp and Tina Modotti to Jean Tinguely, Gianni Colombo, Atsuko Tanaka, Joseph Beuys, David Medalla, León Ferrari, Jannis Kounellis, Mario and Marisa Merz, Bruce Nauman and
Hélio Oiticica.

Australian artists involved include Vernon Ah Kee, Richard Bell, Gordon Bennett, Destiny Deacon, Shaun Gladwell, Simryn Gill, Rosemary Laing, Tracey Moffatt, TV Moore, Mike Parr and Stuart Ringholt.

For this Biennale, new works by artists including Lene Berg, Gerard Byrne, Janet Cardiff and George Bures Miller, William Kentridge, Anawana Haloba, Pierre Huyghe, Brian Jungen and Paul Pfeiffer, amongst others, have been created, many of which are presented in the unique range of buildings on Cockatoo Island which was the location of a convict-built prison and later a shipyard.

REVOLUTIONS – FORMS THAT TURN

‘The “space” explored by this exhibition,’ says Artistic Director Carolyn Christov-Bakargiev ‘is the gap between the first part of the title – revolutions – which suggests a directly political and content-based exhibition, and the subsequent phrase – forms that turn – which suggests the autonomy and isolation of the art object, spinning on its own and detached from daily life, or the energy and potential latent in forms themselves (turns that form). The first term collapses (is over-turned) into the second, and within that gap perspective suddenly shifts. It is a space of rotation, confusion, revolt, insubordination, anarchy and disruption of order, a space of “revolution”.’

CAROLYN CHRISTOV-BAKARGIEV
Artistic Director
2008 Biennale of Sydney

Founding Partner: Transfield
Government Partners: Visual Arts and Craft Strategy – a joint initiative of the Australian, state and territory governments, the Australia Council for the Arts, Arts NSW and the City of Sydney
Major Venue Partners: Art Gallery of New South Wales, Museum of Contemporary Art, Cockatoo Island, Pier 2/3
Major Partners: Anita & Luca Belgiorno-Nettis Foundation, The Balnaves Foundation, International Art Services, JCDecaux, PricewaterhouseCoopers
Exhibition Partners: Artspace, Botanic Gardens Trust, Sydney Opera House
Accommodation Partner: Sofitel Sydney Wentworth
Newspaper Partner: The Sydney Morning Herald

The Biennale of Sydney gratefully acknowledges the generous support of the many organisations and individuals that make the exhibition and its program possible.

Paul Russo - Black Abstracts

The Hayward presents Psycho Buildings: Artists Take on Architecture

Tuesday, June 17th, 2008

Artipedia - Arts News
The Hayward

Do Ho Suh Staircase - V, 2003/04/08
Copyright Courtesy the artist and
Lehmann Maupin Gallery, New York

Psycho Buildings: Artists Take on Architecture
28 May - 25 August 2008

Sponsored by Bloomberg

The Hayward
Southbank Centre, London

http://www.southbankcentre.co.uk

As the highlight of the Hayward’s 40th anniversary season, ten artists from around the world transform the entire gallery in Psycho Buildings: Artists Take on Architecture, running from 28 May - 25 August 2008.

The Hayward’s huge spaces are filled with artist-designed architectural environments, which spill onto the three outdoor sculpture terraces, radically altering the interior and exterior of the gallery. Inside a village made from 250 doll’s houses and a room frozen in a moment of explosive disaster are amongst the installations that both enchant and disconcert visitors. Outside on the gallery’s sculpture terraces, installations include a huge iridescent observatory and a working cinema will alter the exterior face of The Hayward.

The ten artists are: Atelier Bow-Wow (Japan), Michael Beutler (Germany), Los Carpinteros (Cuba), Gelitin (Austria), Mike Nelson (UK), Ernesto Neto (Brazil), Tobias Putrih (Slovenia), Tomas Saraceno (Argentina), Do Ho Suh (Korea), Rachel Whiteread (UK).

Borrowing its title from a book by the artist Martin Kippenberger, the exhibition brings together the work of artists who create habitat-like structures and architectural spaces that are mental and perceptual spaces as much as physical ones.
The exhibition invites visitors to immerse themselves in a series of ten atmospheric, enthralling and unsettling installations. Combining architectural and artistic design with the use of light, colour and smell to trigger responses, these dynamic constructions actively encourage viewers to become
adventurous participants.

Ralph Rugoff, Director of The Hayward and curator of exhibition
“This ambitious exhibition takes the unique architecture of The Hayward as its starting point. The gallery’s ‘brutalist’ concrete exterior and the sculptural quality of its spaces have always proved an inspiration for artists. The extraordinary international artistic response to Psycho Buildings shows just how challenging, exciting and playful the The Hayward can be. It is a fitting way to celebrate our
40th birthday.”

The exhibition is curated by Ralph Rugoff, Director of The Hayward, in collaboration with the artists. The exhibition is accompanied by a fully illustrated catalogue produced by Hayward Publishing.

The exhibition is supported by Henry Moore Foundation and Outset Contemporary Art Fund.

Psycho Buildings runs until 25 August 2008.
The Hayward, Southbank Centre, Belvedere Road, London, SE1 8XZ
http://www.southbankcentre.co.uk/psycho
Information and tickets: 0871 663 2519

Opening hours for The Hayward:
Open daily 10am-6pm, late night opening Fridays until 10pm.

On 11 July to mark the 40th anniversary of The Hayward, exactly 40 years to the day when the gallery opened to the public, the admission price will be 40p.

Next at The Hayward:
Robin Rhode 22 September - 7 December 2008
Andy Warhol: Other Voices, Other Rooms 8 October 2008 - 11 January 2009

Salvador Dali: 100 Rare Works

Tuesday, June 17th, 2008

DALI1303.jpg
Salvador Dali

An exhibition of more than 100 rare surreal works spanning Dali’s prolific career.

Daily 11-7, June 27th to July 31st
Exhibition Opening Reception: June 26th, 6-9pm.
RSVP to rsvp@williambennettgallery.com

William Bennett Gallery
65 Greene Street (between Spring and Broome Streets)
SoHo
Tel: 212-965-8707 | Fax: 212-965-8708
Subway: 6, C, E to Spring St; N, R, W to Prince St

“Monde sous pression“ / Exposition de Batoul SHimi à L’appartement 22

Tuesday, June 17th, 2008

vue expo appt22-1.jpg
Exhibition vue at L’appartement 22, Rabat

dimanche 25 mai 2008
L’exposition d’un “Monde sous pression” (World’s Pressure) mets en vue les dernières oeuvres de Batoul SHimi. Toutes les oeuvres de l’exposition sont réalisées en 2008. L’artiste recycle ou transforme les objets du quotidien en outils de résistance et d’engagement éthique. La cocotte-minute, objet si familier aux femmes du Maroc, est transformée en une forme étrangement ouverte. L’objet de convivialité vient questionner les conventions sociales, notamment la relation de la femme à ces symboles de la “vie intérieure”. Batoul SHimi actionne la machine de contestation et répond aux règles esthétiques par ce portrait de Brancusi réalisé en recyclant des objets de cuisine marocaine. Brancusi n’est-il pas devenu une valeur sûre de l’art occidental après avoir provoqué un des procès les plus importants sur la définition de l’art. Cette exposition prétend aussi parler de l’éthique de l’artiste vivant dans une société en mutations conti!
nuelles.
L’objet d’art se définit par sa capacité à parler du monde, absolument. Le langage de l’art exprime l’effet réflexif du geste de l’artiste. Si la production de l’oeuvre est une manifestation de résistance, son exposition est une offensive pour agir dans le monde !


*1 Exposition à L’appartement 22 du 12 juin au 30 juillet 2008. Commissaire de l’exposition : Abdellah Karroum ; Régisseur : Abderrahmane Essaïdi ; Assistant : Brahim Boukharta. *2 Batoul SHimi, né à Asilah en 1974, vit et travaille à Martil (Maroc). Elle a participé à l’exposition historique “L’objet désorienté” organisée par Jean-Louis Froment au Musée des Arts Décoratif à Paris et à la Villa des Arts à Rabat en 1999. *3 L’appartement 22 consacre une exposition personnelle Batoul SHimi après sa participation à plusieurs projets, dont “JF_JH Complicités” (avec Faouzi Laatiris) et “Dessins Projets 3″ (avec Doa Aly, Liliana Basarab, Younès Rahmoun…)

*1 Exposition à L’appartement 22 du 12 juin au 30 juillet 2008. Commissaire de l’exposition : Abdellah Karroum ; Régisseur : Abderrahmane Essaïdi ; Assistant : Brahim Boukharta.
*2 Batoul SHimi, né à Asilah en 1974, vit et travaille à Martil (Maroc). Elle a participé à l’exposition historique “L’objet désorienté” organisée par Jean-Louis Froment au Musée des Arts Décoratif à Paris et à la Villa des Arts à Rabat en 1999.
*3 L’appartement 22 consacre une exposition personnelle Batoul SHimi après sa participation à plusieurs projets, dont “JF_JH Complicités” (avec Faouzi Laatiris) et “Dessins Projets 3″ (avec Doa Aly, Liliana Basarab, Younès Rahmoun…)

The Happy Hypocrite. Issue 1, Linguistic Hardcore now available

Tuesday, June 17th, 2008

Artipedia - Arts News
Book Works

The Happy Hypocrite
for and about experimental art writing
edited by Maria Fusco

Published by
Book Works
19 Holywell Row
London
EC2A 4JB

Subscribe here:
http://www.bookworks.org.uk/asp/home2.asp

The Happy Hypocrite is a biannual journal led by artists’ writings. Informed by a lineage of modern experimental and avant-garde magazines, such as: Bananas, Documents, The Fox, Merlin and Tracks, this journal aspires to unpack their methodology, whilst providing a brand new approach to art writing. It will provide a greatly needed testing ground for new writing and research-based projects, somewhere for artists, writers and theorists to express experimental ideas that might not otherwise be realised or published.

Out Now

Issue 1: Linguistic Hardcore

An interview, a translation, a short story, notes on time, some possible captions, Bananas and an index. Artists’ pages and artists’ writings from: Cosey Fanni Tutti, Douglas Coupland, Stewart Home, Andrea Mason, Clunie Reid, Gerard Byrne, Paolo Arao, Lisa Robertson, Farhad Ahrarnia, Nick Thurston, Giles Eldridge, and Alexandre Singh.

Forthcoming

Issue 2: Hunting and Gathering
Published Autumn/Winter 2008

Issue 3: Volatile Dispersal — Speed & Reading
Published Spring/Summer 2009