Paul Russo - Black Abstracts

Archive for June 16th, 2008

“Everyone will be famous for 150 kbytes.“

Monday, June 16th, 2008

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www.shavis.com

“Everyone will be famous for 150 kbytes.”

ShaVis, the visual’s newsnet, launch an open call to artists, illustrators and designers.

ShaVis.com is a social network, where the peoples add freely its own news, and share them with all others ShaVis readers. On its pages, peoples can find news about art, video, photography, graphic design, industrial design and web design; so, all about visual’s arts & crafts.
The call, request to paint or draw ‘covers’ for ShaVis.com, that will be exposed on the homepage for 200 days (one image/day), starting from June, 1 2008.
At end, the first 200 cover submitted, and showed on Shavis.com, will be part of an exhibit, and gathered in a book, sold online on Amazon and ShaVis.com too.

Rules
+ the image must be an artwork#
+ don’t include ShaVis logo inside image
+ the image must be 150Kb max
+ the image must measure 570px / 250px
+ the image must contain the words “publisher” and “reader”blended into
+ the image can be realized in any way, but submitted like .jpg file
+ any entrant must send a second file, for public exhibit and print on book: a .tif file (300 dpi, 8 inch / 3.509 inch)
+ any entrant must send a short bio/resume (5000 chars max), that will accompany the artwork, on web, on exhibit and on book
+ any entrant agree to exhibit and publish of his artwork, and assert his quitclaim to any repayment related to book’s retail
+ any entrant preserve his own copyright on the submitted artwork, that can’t be utilized for any other use than those above, whitout his explicit authorization
+ the exhibit online start on June, 1 2008, and will end after 200 days, with the exhibit of image n° 200
+ the images submitted after reached the two hundred don’t will be considered (but should be gathered in the book)
+ ShaVis reserve itself the right to refuse submitted artwork
+ all entries must be sent to: willbefamous@shavis.com

Take part in this artistic challenge!
Peoples wait for your creative kbytes!

www.shavis.com/willbefamous.php

Enrico Tomaselli
ShaVis staff
willbefamous@shavis.com

Paul Russo - Black Abstracts

Kuenstlerhaus Stuttgart presents Social Diagrams. Planning Reconsidered

Monday, June 16th, 2008

Artipedia - Arts News
Künstlerhaus Stuttgart

SAR model (Courtesy: Netherlands Architecture Institute Rotterdam)

Social Diagrams.
Planning Reconsidered
June 20 - August 23, 2008

Opening: June 19, 7pm

Künstlerhaus Stuttgart
Reuchlinstr. 4b
D - 70178 Stuttgart
info@kuenstlerhaus.de
http://www.kuenstlerhaus.de

The international exhibition “Social Diagrams” at Künstlerhaus Stuttgart presents artistic projects and historical material that focus on complex social systems. The works investigate the dynamics of social interaction and question the meaning of design practice within the functionality of social relations. What relation do individual needs have to the design of collective spaces? What are potential functions of authorship, of information and of power relations within the design process?

The exhibition offers a view of various inquiries into methodologies that have sought to describe social developments since the 1960s through the use of increasingly complex models. Such theories have recently been taken up by artists and designers in order to research the function of communication and control. The exhibition includes architectural drawings, photos, models and video works of the past 40 years as well as projects of contemporary artists and architects.

The debates about design methodology presented in the exhibition at Künstlerhaus Stuttgart reflect on the question of how a reliable connection to surrounding realities can be constructed through design. The discourse initially based on knowledge transfers from other disciplines, such as early cybernetics, systems theory or economy, soon became radically politicized. More recent research has focused on the emancipatory potential of strategies of direct user participation. In the exhibition “Social Diagrams”, these efforts and their influence on contemporary art and architecture will be examined and presented in an international scale. Planning theory and design methodology are understood as a discoursive field, from which assumptions about the world and its representation can be challenged and forms of interpretation and critique can develop.

Curated by Jesko Fezer and Axel John Wieder.

Artists:
Anja Abele, Can Altay, An Architektur/Mathias Heyden, Dexter Sinister/Steve Rushton, Marcius Galan, Ryan Gander, Ian Kiaer, Zoe Leonard, Karolin Meunier, Yorgos Sapountzis, Kateřina Šedá, Phillip Taaffe/Thierry Cheverny, Mirjam Thomann, Lan Tuazon, Stephan Willats and Seminar “Wer plant die Planung“ (Prof. Michael Dreyer, Julia Weiss, Linn Rose, Stefan Stahlbaum, Peter Riemer), Merz-Akademie Stuttgart

Historical contributions:
Bruce Archer, Arch+, Lucius Burckhardt, Paul Davidoff, Design Methods Group, Emory Douglas, Richard D. Duke, Helga Fassbinder (Sanierungsgruppe Kreuzberg), Allan Feldt, Marc Fester und Nikolaus Kuhnert, Martin Geiger, Ruth Glass, John Habraken / SAR, Studienarbeiten an der Hochschule für Gestaltung Ulm (Dozenten: Bruce Archer, Horst Rittel, Anthony Froschaug, Hans Gugelot, Walter Zeischegg), John Chris Jones, Reiner Kallhardt, Martin Krampen, Helmut Krauch / Studiengruppe für Systemforschung, Projektgruppe Kommunikationstechnik Universität Stuttgart (Claus Dreyer, Harald Ortlieb, Andreas Strunk, Ulrich Bernhardt), Max Lock Centre, Wolf Reuter, Horst Rittel, Sanfte Strukturen, John FC Turner, Anthony Ward

Exhibition Architecture: Andreas Müller

Events:
July 3, 7pm
Ingeborg M. Rocker: Incalculability According to Plan. The Computer as Co-Author of Information Aesthetics

July 15, 7pm
Marion von Osten: In the Desert of Modernity. Colonial Planning and After

July 23, 7pm
Simon Sadler: Early Cybernetics, Counter Culture and Non-Plan

July 26, 7pm
Claus Dreyer, Andreas Strunk, Ulrich Bernhardt: Project Group Communications Reserach

July 29, 7pm
Wolf Reuter: Ulm – Stuttgart. Design and Planning Methodology since the 1960s

August 21, 7pm
Performance by Yorgos Sapountzis

Contact details:
Künstlerhaus Stuttgart, Reuchlinstr. 4b, D - 70178 Stuttgart
Tel. +49 (711) 617 652
info@kuenstlerhaus.de

For further information visit http://www.kuenstlerhaus.de

Our Environment; the Good, Bad, and the Ugly fine art Photography Show

Monday, June 16th, 2008

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Crossing at Monroe by Justin Green

The Center for Fine Art Photography call for entries for
Our Environment; the Good, Bad, and the Ugly
Deadline August 18, 2008
$1300 in Awards

Our Environment; the Good, Bad and the Ugly, will tell a story of the human foot print left on this earth. This exhibition is for those who consider themselves nature conversationalists and just photographers with a conscience. It’s time to go green. The exhibition is open to all domestic and international, professional and amateur photographers working with digital or traditional photography or combinations of both. Information and online submissions at The Center for Fine Art Photography www.c4fap.org or email questions to cfe@c4fap.org

Night School: Hu Fang, Zhang Wei & Xu Tan

Monday, June 16th, 2008

Artipedia - Arts News
New Museum

Benji Okuda instructing a life drawing class, an adult night school group at the Heart Mountain Relocation Center, Heart Mountain, Wyoming. Image courtesy of the National Archives, Records of the War Relocation Authority, 1941-1947.

Night School: Public Seminar 6

Space within space within space / Things to do while you’re alive / Keywords School
Hu Fang, Zhang Wei & Xu Tan
June 19th - 21st, 2008

New Museum
235 Bowery
New York, NY 10002
212.219.1222

http://www.newmuseum.org

Night School is an artist’s project by Anton Vidokle in the form of a temporary school. A yearlong program of monthly seminars and workshops, Night School draws upon a group of local and international artists, writers, and theorists to conceptualize and conduct the program.

Thursday June 19th, 7:30PM
Space within space within space

Vitamin Creative Space functions as an alternative working model specifically geared to the contemporary Chinese context. In order to operate independently from institutionalized funding, it is active both as an “independent” art space and as a “commercial” gallery. Vitamin Creative Space is actively challenging preconceptions by merging these two models, which traditionally are opposed strategies for supporting and presenting contemporary art, and is developing new Chinese contributions through research into both: the artistic practice and institutional organization within the new
global context.

The seminar will look at the recent practice of Vitamin to explore how it is not merely a physical space, but is an attempt to create a new model for development and distribution of artist’s new thinking
on creativity.

Friday, June 20th, 7:30 PM
Things to do while you’re alive

Accompanied by a slide show of Hu Fang’s recent pictorial collection of adverts, signs, photos from the realm of public media, Hu Fang and Zhang Wei will spontaneously generate a narration of a “life journey” and spatial transformations, outlining global surroundings we are living in and how there can be a possibility of the space for the artistic view of life: a view which proposes an alternative way of transforming reality.

Saturday, June 21st, 3 PM
Keywords School

The “Searching for Keywords” project was initialled from a series of interviews of active people in the Chinese society or people in the active Chinese area. By analyzing the content of these conversations, artist Xu Tan identified certain “keywords,” terms which shed light on values and motivations of contemporary Chinese society. “Keywords” measure the pulse of the current social climate and present an insight into the collective social consciousness of China. “Keywords” looks at connections between the individual speakers, words and the mental tendencies of the society.

In this seminar, Zhang Wei and Hu Fang will invite Xu Tan to discuss his Keywords project and introduce the idea of opening a “Keywords School,” as well as his conceptual approach, method and the larger social landscape made visible by the Keywords – a landscape of “collective consciousness” which actually frames our daily process.

Zhang Wei is director and co-founder of Vitamin Creative Space http://www.vitamincreativespace.com established in 2002, an independent art initiative exploring an alternative working mode, specifically geared to the contemporary Chinese context. Lives and works in Guangzhou and Beijing.She graduated with a MA in Creative Curating at Goldsmiths University in London, and has organized numerous exhibitions internationally. She has contributed to numerous exhibition catalogues and international magazines including Parkett, and curated(co-curated) and organized the show inside and outside Vitamin Creative Space include “Sprout from White Nights”(Bonniers Konsthall, Stockholm, 2008), “Through Popular Expression” at the Singapore Biennial (2006),ect. Zhang Wei is particularly interested in the exploration of the unique contribution from Chinese context within the international contemporary scenes, through which people can be inspired to find the new entry into life.

Hu Fang is an author and co-founder of Vitamin Creative Space. Lives and works in Guangzhou and Beijing.As a novelist and writer, Hu has published a series of novels including Shopping Utopia, Sense Training: Theory and Practise, and A Spectator. His recent publication is a collection of fictional essays called New Arcades (Survival Club, Sensation Fair, and Shansui.) His writing has appeared in Chinese and international art/culture magazines since 1996. His curatorial practices are widely engaged in different situations within Chinese and international contexts, he is coordinating editor of documenta 12 magazines, link curator of Singapore Biennial 2006 and a “player” of Lyon Biennial 2007, as well as the member of the curatorial team of Yokohama Triennale 2008.

Xu Tan was born in Wuhan, Hubei Province in 1957 and currently lives in Shanghai and Guangzhou. In the early 1990s he joined the “Big Tail Elephant Group” in Guangzhou with Lin Yinlin, Chen Shaoxiong and Liang Juhui. The aim of this group is to develop critical strategies for negotiating the rapidly changing economic and cultural life in China. His work has been shown around the world including the P.S.1, Biennale di Venezia, Berlin Biennial, Asia Pacific Triennial of Contemporary Art in Brisbane, Australia, Guangzhou Triennial, Taipei Biennial, De Appel in Amsterdam. Recent solo shows were held at the DAAD Gallery in Berlin, at the Vitamin Creative Space in Guangzhou, at BizArt is Shanghai.

All events are free with Museum admission but tickets are required. Tickets can be reserved online or at the Museum one week before the seminar’s start; a limited number of tickets will be available one hour before each event’s start. Tickets are limited, distributed on a first-come-first-serve basis, and must be collected prior to the event’s start time. Unclaimed tickets will be released promptly at the event’s start time. Please check individual events below for tickets and more information.

For tickets see http://www.newmuseum.org/events

Night School is part of the Museum as Hub, which is made possible by the Third Millennium Foundation.

With additional generous support from the Metlife Foundation

Additional support is provided by the National Endowment for the Arts, the New York City Department of Cultural Affairs, and the New York State Council on the Arts.

Endowment support is provided by the Rockefeller Brothers Fund, the Skadden, Arps Education Programs Fund and the William Randolph Hearst Endowed Fund for Education Programs at the
New Museum.

Generous support also provided by the Charlotte and Bill Ford Artist Talks Fund.