Archive for May 12th, 2008

CCA presents Stephen Taylor and Ryue Nishizawa

Monday, May 12th, 2008

Artipedia - Arts News
Canadian Centre
for Architecture (CCA)

Moriyama House, Tokyo, 2005
Office of Ryue Nishizawa
Takashi Homma, photographer
Copyright: Takashi Homma

Some Ideas on Living in London and Tokyo by Stephen Taylor and Ryue Nishizawa
14 May to 26 October 2008

For additional information:
http://www.someideasonliving.org

CCA
1920, rue Baile
Montreal, Québec, Canada
H3H 2S6
514 939 7026
http://www.cca.qc.ca

The Canadian Centre for Architecture (CCA) presents an exhibition featuring recent architectural projects by Stephen Taylor in London and Ryue Nishizawa in Tokyo that propose new approaches to living in urban environments. Some Ideas on Living in London and Tokyo by Stephen Taylor and Ryue Nishizawa marks the first North American presentation of residential projects by Taylor and Nishizawa and reveals their distinctive solutions to the challenges of building homes in existing dense urban fabrics. The exhibition is organized by CCA Curator for Contemporary Architecture Giovanna Borasi in active collaboration with the architects.

While facing similar issues related to growth, London and Tokyo occupy cultural contexts in which themes of proximity, privacy, community, and public space take on different meanings and require distinct solutions. Stephen Taylor and Ryue Nishizawa have developed new ideas for living borne of their respective cultures. Their innovative residential designs challenge conventional norms and offer approaches that simultaneously shape the life of the resident and the face of the city.

The exhibition is conceived in collaboration with Nishizawa and Taylor, who designed their components of the installation with original display furniture and new large-scale models. On view are original drawings, renderings, models, books, as well as large-scale photographs by Takashi Homma, Hisao Suzuki, and Ken’ichi Suzuki of Nishizawa’s work, and Simon Lewis, David Grandorge and Ioana Marinescu of Taylor’s work.

EXHIBITION CATALOGUE

A bilingual (French/English) catalogue accompanies the exhibition, featuring an essay by curator Giovanna Borasi as well as individual and collective contributions by Stephen Taylor and Ryue Nishizawa. The volume also includes an essay by Peter Allison, Professor, London South Bank University, and a preface by CCA Director Mirko Zardini. The exhibition’s projects and installation are presented through approximately 150 colour reproductions on over 170 pages. Co-published by the CCA and Lars Müller, the catalogue will be available in June through the CCA Bookstore http://www.cca.qc.ca/bookstore

EXHIBITION WEBSITE

A dynamic website interface at http://www.someideasonliving.org hosted by the CCA accompanies the exhibition. Conceived as a platform for the exchange of ideas, the site gives local and international users the opportunity to both access and actively contribute content related to the themes of the exhibition. The site presents CCA research and material from the exhibition and catalogue while soliciting independent video, audio, images, and writing extending the exhibition’s scope. The user-contributed content may address aspects of the work of Stephen Taylor and Ryue Nishizawa or broader observations on the theme of “living in London and Tokyo.”

ABOUT STEPHEN TAYLOR

British architect Stephen Taylor is Founding Director of Stephen Taylor Architects, and was previously partner at Houlton Taylor Architects established in 1993. Stephen Taylor Architects has realised commercial and private projects throughout Europe based on a commitment to sustainable construction and research in new technologies to ensure environmental responsibility. Taylor holds a master’s degree in architecture from the Royal College of Art in London, and has been a visiting critic at such institutions as the Swiss Federal Institute of Technology Zurich (ETHZ), London South Bank University, and the Architectural Association in London. He is a consultant to the London Development Agency as a member of their Design Advisors Panel and a member of the Newham Design Review Panel. Taylor’s work has been featured in exhibitions at the Architecture Foundation and the Royal Institute for British Architecture (RIBA) in London, and the National Museum of Scotland in Edinburgh,
among others. Some Ideas on Living in London and Tokyo at the CCA marks the first presentation of his work in
North America.

ABOUT RYUE NISHIZAWA

Japanese architect Ryue Nishizawa is founding partner, with Kazuyo Sejima, of SANAA, established in 1995, and he has maintained a parallel independent office since 1997. SANAA is recognised for international institutional projects such as the Zollverein School of Management and Design in Essen, Germany; the Toledo Museum of Art Glass Pavilion in Toledo, Ohio; and most recently, the New Museum of Contemporary Art in New York City. Nishizawa’s independent practice is focused primarily on projects in Japan that develop new models for urban living. He holds a master’s degree in architecture from Yokohama National University in Tokyo, and has been a visiting professor at Harvard Graduate School of Design, Princeton University, University of Southern California, Yokohama National University, and others. He has received numerous awards including the Kunstpreis Berlin (2007) and a Golden Lion at the Venice Biennale (2004). SANAA’s work is the subject of exhibitions at the Henry
Art Gallery, Washington State University (2007), and the New Museum (2008). Some Ideas on Living in London and Tokyo at the CCA marks the first presentation of work by Ryue Nishizawa’s office in
North America.

ABOUT THE CCA

Some Ideas on Living in London and Tokyo by Stephen Taylor and Ryue Nishizawa is organized by the CCA as part of its ongoing exploration of key issues in contemporary architecture with a specific focus on urban, social, and environmental concerns. The exhibition follows 1973: Sorry, Out of Gas (2007); Environment: Approaches for Tomorrow, with Gilles Clément and Philippe Rahm (2006); and Sense of the City (2005), the groundbreaking exhibition dedicated to the sensory dimensions of urban life that have traditionally been ignored or repressed.

The CCA is an international research centre and museum founded in 1979 on the conviction that architecture is a public concern. Based on its extensive collections, the CCA is a leading voice in advancing knowledge, promoting public understanding, and widening thought and debate on the art of architecture, its history, theory, practice, and role in society today.

Gianni Motti at La Criée Centre for Contemporary Art

Monday, May 12th, 2008

Artipedia - Arts News
La Criée Centre for Contemporary Art

Gianni Motti
Gianni Motti assistant, 2008
Copyright: Gianni Motti

Les Ateliers de Rennes -
Biennial of Contemporary Art
Shared Values

Gianni Motti
16 May - 20 July 2008

Opening:
La Criée Centre for Contemporary Art,
Friday 16 May at 17:30

http://www.criee.org

16 May 2008 will see the opening of the first Ateliers de Rennes–Biennial of Contemporary Art. Instigated by Art Norac, the corporate sponsorship association of the Norac agribusiness group, the first biennial, titled Shared Values, has been designed and organised by the Art To Be association. Symbolic of the relationship between art and business, the event focuses in particular on the creation of value, a matter of concern to both artists and companies in terms of their output.

To mark the occasion, Art To Be and La Criée are inviting artist Gianni Motti, known for his distinctive vision of the way work functions.

Unique in their field, Motti’s works take the form of one-off operations, most often outside the art world as such. The results are artistic propositions having to do with simple but radical acts, or exhibitions enabling the introduction of “spanner in the works” visual elements that modify or disturb the functioning of an art institution and, by extension, the public’s reception of the works on show.

From acting out his own death in July 1989 to claiming responsibility for the California earthquake of 1992, Motti reveals a genius for subversion and appropriation of everyday events. In May 2005 he made a descent into 27-kilometre underground ring of the CERN particle accelerator and walked its entire length in the name of art – a serious contrast with the movement of particles being projected at the speed of light.

His La Criée exhibition at the Ateliers de Rennes Biennial will comprise two works. The first is a Minimalist installation in the Art Centre, where over 18,000 loose cobblestones will cover the entire floor area. The absence of pointing will make the surface – and the visitors walking on it – unstable, so that both are on edge. At once dense, solid, sober, precarious and slightly wobbly, the installation raises a number of contemporary issues such as lack of commitment and ambient uncertainty. It also questions the place of the artist and the art centre in the context of the work ethic.

Motti’s artistic agenda has more to do with discussion and speculation than with unrestrained productivity, and the installation is a brilliant illustration of his stance: while harking back to the events of May 1968, this is not a work of remembrance or militancy, but rather an interrogative venture in which the artist dispenses with symbolic and conceptual gambits and injects new life into the workings of critical thinking.

The second work involves the activation of a “Gianni Motti Assistant” who will walk the streets of Rennes wearing a yellow T-shirt inscribed with the words “Gianni Motti Assistant” in black. Associated with this figure are a number of photographs, of which one will circulate widely via the post, drops, and the Internet. The photograph shows an actual encounter between the “Gianni Motti Assistant” and the “Municipal Police”. The appearance of various such Assistants all over the world activates the artist’s presence without actually revealing their true mission – to act as signs, and to interact according to the context and the Assistant’s degree of commitment within the environment concerned.

The Ateliers de Rennes–Biennial of Contemporary Art is an initiative by a private sponsor, the Norac agribusiness group, with backing from the state: Ministry of Culture and Communication–Plastic Arts Delegation– Brittany Regional Department of Cultural Affairs; from local government bodies: City of Rennes, Greater Rennes, Ille-et-Vilaine Département, Brittany Regional Council; and the Brittany Regional Contemporary Art Collection.

La Criée center for contemporary art
place Honoré Commeurec – halles centrales
35000 Rennes_France
tel.: (+33) (0)2 23 62 25 10 – fax (+33) (0)2 23 62 25 19
la-criee@ville-rennes.fr - http://www.criee.org

Admission free
Tuesday to Friday from 12:00 p.m. to 7 p.m.
Saturday and Sunday from 2:00 p.m. to 7 p.m.
Closed on Mondays and public holidays