Archive for May 5th, 2008

Chisenhale Gallery seeks new director

Monday, May 5th, 2008

Artipedia - Arts News
Chisenhale Gallery

Chisenhale Gallery is looking
for a visionary Director to lead
the organisation as it enters an exciting new phase of development.

http://www.chisenhale.org.uk

Chisenhale Gallery is one of London’s most important centres for contemporary visual art, promoting national and international developments in visual culture through its ambitious commissioning of solo exhibitions and a newly established programme of public events. Chisenhale Gallery is dedicated to increasing access to the visual arts through its, artist-led, community and schools
education programme.

The Director takes overall responsibility for Chisenhale Gallery’s artistic programme and leads a small team of six staff. The Director manages and co-ordinates operations, including finance, human resources, committee and policy matters, and develops and sustains key partnerships.

Candidates will have significant experience of commissioning and programming a diverse range of practices in an international context. They will have proven leadership qualities, senior management skills, an international network, and the ability to further develop this growing organisation. They will have a reputation for a distinctive approach in the field of contemporary visual culture, and a commitment to supporting artists and developing audiences.

For an application pack email recruitment@chisenhale.org.uk
Closing date for applications is by 5pm on Monday 19 May 2008

Museum of Fine Arts Houston presents Core at 25

Monday, May 5th, 2008

Artipedia - Arts News
Museum of Fine Arts Houston

Aaron Parazette, Soft Night, 1996, oil enamel on canvas, the MFAH; gift of Carol C. Ballard, Max and Isabell Smith Herzstein, Mickey and Jeanne Klein, and Karen and Stephen Susman. Copyright: Aaron Parazette.

Core at 25: Milestone
Anniversary for the Artists’ and Critics’ Residency Program at MFAH Glassell School
http://www.mfah.org

Core Has Made Its Mark on the Art World and Shaped Houston’s Art Community

This May, an exhibition, a commemorative publication, and a benefit gala cap the 2007-08 anniversary year of the Core Program at the Glassell School of the Museum of Fine Arts, Houston. Over the past 25 years the Core program has become an internationally regarded platform, a destination for curators and critics seeking new talent, and a respected forum for artists, and critics to discuss, debate, and develop their work. Together, the events mark the program’s 25th anniversary and celebrate its ongoing commitment to the art community. The Core Program is headed by Joseph Havel, director of the Glassell School, and MFAH director Peter C. Marzio, who took the helm of the MFAH in 1982—the program’s founding year.

Over the years, ten Core artists have been featured in the Whitney Biennial Exhibitions, two have received MacArthur fellowships, and several have been selected to show their work at prestigious international biennials, including Venice, Istanbul, and Lyon. Additionally, the Core Program’s critical studies residents have gained similar recognition, assuming senior editing positions at prominent national art publications and publishing independently as well. While in Houston, Core residents not only define their artistic ambitions, but also bolster the local arts scene by teaching, engaging in community projects, and interacting with other artists. Many have made Houston their permanent home, further reinforcing and expanding the city’s population of working artists and writers.

The exhibition Learning by Doing: 25 Years of the Core Program at the MFAH, on view in the museum’s Audrey Jones Beck Building through September 1, follows the run of the 2008 Core Artists in Residence Exhibition, this year’s edition of the annual show of Core resident work, which was on view at the Glassell School of Art during the spring. Learning by Doing focuses on the experimental nature of the Core program, tracing its evolution through the work of its artists. The show presents a selection of paintings, drawings, photographs, and assemblages that have entered the collection since 1986, when the MFAH began collecting the work of Core fellows. Those artists presented include Mark Allen, David Aylsworth, Amy Blakemore, Dannay Yahav-Brown, Santiago Cucullu, Gilad Efrat, Sharon Engelstein, Francesca Fuchs, David Fulton, DeWitt Godfrey, Trenton Doyle Hancock, Michael Miller, Katrina Moorhead, Demetrius Oliver, and Shazia Sikander. Alison de Lima Greene, MFAH curator of c
ontemporary art and special projects, coordinated the exhibition, in consultation with Mary Leclère and Joseph Havel.

Also in May, the museum will publish a major book about the program, Core: Artists and Critics in Residence. Contributors are: Allan Hacklin, former director of the Glassell School of Art and creator of the Core Program; Rachel Hecker, former associate director of the Glassell School of Art; Thomas Lawson, dean of CalArts; Lane Relyea, assistant professor of art, Northwestern University; and Claire Barliant, former Core critical studies resident and editor at Modern Painters magazine. MFAH staff members Peter C. Marzio, Joseph Havel, Alison de Lima Greene, and Mary Leclère also contributed to the volume, which will be available at the MFAH Shop, 713-639-7360.

Publication of the book will coincide with the annual Glassell School Benefit on Friday, May 2. The 25th anniversary is the theme of the event, which will include an auction of art by current and former
Core artists.

kunstart 2008

Monday, May 5th, 2008

cromatismo_01.jpg
cromatismo n. 1

Kunstart 2008
5a Fiera dell’arte moderna e contemporanea di Bolzano
dal 23 al 25 maggio 2008

A Kunstart Tomaso Marcolla è stato invitato dalla galleria Gaudi di Madrid.
Espone gli ultimi lavori ad acrilico e tecniche miste “Cromatismi”.

In alcune di queste opere è chiaro il legame con la natura, ricca di elementi interpretativi. In altre invece, la nitida oggettività della visione, si duplica in vero e proprio affondamento nel magma delle cose dove la natura, fonte di ispirazione, risulta essere solamente un elemento primordiale.
È un continuo bricolage di tecniche e di approcci al visibile. La realtà, perdendo i connotati di riconoscibilità, si offre come curioso crogiuolo di forme e colori, pretesto per suggestioni emozionali.

Le opere esposte sono visibili al seguente link:
http://www.marcolla.it/cromatismi/cromatismi.htm

In allegato una delle opere esposte: Cromatismo n. 1, 2006, acrilico su faesite, cm 100×42

KunStart
Alla sua quinta edizione, quest’anno la fiera avrà luogo dal ventidue al venticinque maggio. Nello stesso weekend inaugurerà anche la nuova sede di Museion (dopo la preview di dicembre) pertanto il fine settimana si annuncia ricco di appuntamenti che richiameranno un vasto pubblico di collezionisti, operatori, studenti e appassionati d’arte contemporanea.

KunStart presenterà un’ottantina di espositori selezionati a numero chiuso tra un elenco di gallerie prestigiose, lasciando però spazio alle emergenti e all’arte giovane. Sorpresa di quest’anno: non solo partecipanti internazionali dagli States e dalla cosiddetta vecchia Europa: anche i giovani paesi dell’Est-Europa prenderanno parte, per la prima volta e in modo significativo, alla manifestazione. Aria fresca e nuove tendenze quindi saranno le probabili caratteristiche dell’edizione 2008.

Il programma prevede anche una giornata dedicata interamente agli operatori del settore che, qualora accreditati, potranno usufruire dell’ingresso libero: il 23 maggio sarà infatti il Professional Day. Tra i vari appuntamenti segnaliamo la presentazione del libro: “Perché l’arte è contemporanea?” di Francesco Bonami. Ricordiamo infine che il vernissage del 22 maggio si preannuncia come un grande party, alle 18 per i giornalisti e dalle 20 per i numerosi invitati e accreditati.

kunStart - 5a Fiera dell’arte moderna e contemporanea di Bolzano
Fiera Bolzano, dal 22 al 25 maggio 2008
Apertura al pubblico dalle 11.00 alle 20.00
Organizzazione e informazioni:
Fiera Bolzano S.p.A. - P.zza Fiera 1 - 39100 Bolzano (BZ)
T +39 0471 516 210
F +39 0471 516 324

info@kunstart.it
http://www.kunstart.it/
http://www.marcolla.it/
http://www.galeriagaudi.net/

#13 TATE ETC. magazine out now

Monday, May 5th, 2008

Artipedia - Arts News
TATE ETC.

TATE ETC. Issue 13
Visiting and Revisiting Art, etcetera

http://www.tate.org.uk/tateetc

At this time of year we can’t help but get excited by colour, splashing it all over our latest issue with Claire Daigle on Cy Twombly, who, as John Berger has written, “visualises with living colours the silent space that exists between and around worlds.” We have much to celebrate, with Twombly’s 80th birthday, and TATE ETC.’s own 4th anniversary, so we’ve added a sprinkling of gold, in the form of conversations on Gustav Klimt, and sensuous tales of heady trips East by Boetti, Polke and Edward Lear, chasing, “the strong second glow which comes in the East when the sun has sunk a few minutes.”

Highlights include…

Alfred Weidinger & Herbert Lachmayer on Gustav Klimt
Brooks Adams on Boetti, Polke, Clemente & Taaffe
Briony Llewellyn on British Orientalist Paintings
Max Koxloff, Juergen Teller, David Goldblatt and others on Street and Studio Photography
Hari Kunzru on King Mob
Wilfried Dickhoff on Marcel Broodthaers
John Baldessari in the studio
Claire Daigle on Cy Twombly
David Lewis on Ben Nicholson
Eric Fernie & John Onians on Neuroarthistory

Brooks Adams stokes the camp-fire for a tale of four contemporary art shamans, of stoned-soul picnics in 1970s Kabul and Afganistan before the Soviet invasion of 1979; of vibrant, easy-to-plunder craft traditions in Pakistan and India; of long walks through the labyrinthine Kasbah in Cairo, of taking tea with Paul Bowles in Tangiers. The artists in question: Alighiero e Boetti, Sigmar Polke, Francesco Clemente and Philip Taaffe.

Herbert Lachmayer: “A sort of Klimtomania emerged in the circles of progressive, mostly Jewish grande bourgeoisie in Vienna – it was fancy and excitingly fashionable that the lady of the house had been painted during a modeling session with the maestro in his atelier. Even the husband of the lady may have profited from the glamour of this event.”

Lachmayer and Alfred Weidinger look at Gustav Klimt as professional voyeur, as the Viennese avant-garde of the 1880s used eroticism as a weapon against the ridiculous conservatism of Catholic bourgeois society.

To coincide with Tate Modern’s survey exhibition that explores the parallel worlds of photographs taken in the urban environment and those taken as studio portraits – including the work of Helmar Lerski, Rineke Dijkstra, Malick Sidibé and Paul Strand, Max Kozloff argues that such distinctions have become blurred over the years. David Goldblatt reacts to Helen Levitt and Chris Killip explores the collapse of Communism through the work of Boris Mikhailov.

John Onians: “Art historians have always known that both the making and the experiencing of art rely on the brain, but they rarely ask themselves how the brain works. A neuroarthistorian does. Today there is so much new knowledge in this field that our understanding of art can be transformed.”

A good example of Marcel Broodthaers’s poetically political view of art was Décor, installed at the ICA six months before his death. A large crab and a lobster sit at a table playing cards; amongst other borrowed furnishings, creating Broodthaers’s conquest of an institutional space. Wilfried Dickhoff explores this invitation to interpretation.

Hari Kunzru was named as one of twenty ‘Best of Young British Novelists’ by Granta magazine. We set him loose in the Tate archive to explore the disruptive elements of Dada and hard-edged politics of the 1960s ‘gangster’ group King Mob.

“The wall between Ben’s and Terry Frost’s studio was so thin we could hear sounds through it. We could hear Ben begin to scrape at the surfaces of his paintings with a razor blade – scrrch-scrrch-scrrch.” David Lewis scratches at the surface of Ben Nicholson and the St Ives artists.

“Painter-Laureate and Grand-Peripatetic Ass and Boshproducing-Luminary.” Edward Lear on himself, page 40.

TATE ETC. is published three times a year.
Subscribe online at http://www.tate.org.uk/tateetc/subscribe
Or call +44 (0)20 7887 8959