Archive for April 13th, 2008

Recycled Art

Sunday, April 13th, 2008

Bat VCarr.jpg
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canvas Launches Earth Day ECO Art Exhibit

Huntington, N.Y., April 3, 2008

Participating Artists include:

Amanda Buonocore, Ugur Kunst, Vincent Carr, Carol Lippman
Steven Ceraso, Harun Eggleton, Tim Murray
Walter Garcia, Dominick Palma, Nung-Hsin Hu
Paul Pomeranz, Anna Klopocinska, Allison Weinberg
Joel Koos, Justin Mayer, Tonito Valderamma

Canvas Magazine to hold its first Eco Art Exhibit in honor of Earth Day. Numerous Long Island Artists have responded to a call for submissions, over 20 will be showing their works at the canvas Gallery April 22 through June 14, 2008. This exhibit boasts unique works that include use of materials such as recycled stacking pallets, automotive belts, plastics, metals as well as others. The goal of the exhibit is to showcase art and artists who understand the impact we are having on our environment and using art as a format express the need for change.

Earth Day began in the spring of 1970 as a nationwide grassroots demonstration to draw attention to the issues facing the environment at that time. Earth day celebrations have grown throughout the years and now taking place around the world. This year Earth Day is on April 22, organizers chose this date to kick off the show to honor the efforts of the original Earth Day organizers. Like the original demonstration, the canvas Earth Day ECO Art Exhibit is a grassroots effort raise environmental awareness on Long Island. “This is very much in-line with the goals and values of canvas - a commitment to local art and artists, as well as, sustainable living. It also allows us to bring attention to two causes very important to us and Long Island,” said Tom Pellicane publisher of canvas.

The exhibit, curated for canvas, by Cherie Via of Ripe Art Gallery in Greenlawn, New York, is one of many efforts throughout the year by canvas Magazine to bring attention to the sustainable issues facing Long Island. Matt O’Grady, Associate Publisher of canvas says, “Everyday at canvas is considered Earth Day. We aim to bring awareness to that type of philosophy through our every day practices, the content in the magazine and events such as this Art event. This is just one way to celebrate the great eco-movement that has always been connected to nature and the environment but is now just beginning to grow its roots more deeply.”

The Eco Exhibit is fun and serious work for the artists who use recycled materials. “They need to see the materials they’re using in a new way,” says curator, Cherie Via. Form meets function in many of the pieces requiring time to collect the materials then visualize how best to present and interpret them. It’s an “opportunity for artists to use found objects and more unusual materials that wouldn’t necessarily be considered Fine Art,” said Via.

An Artists Reception for the Exhibit will be held Saturday, April 26, 5-8pm, when visitors can meet many of artists and learn first hand what their inspiration was for their work, refreshments will be served.

canvas Gallery
631-351-6480
51 Gibson Ave
Huntington, New York, 11743
Mon-Fri; 10-5pm, other times by appointment

Parasol unit presents Front of House

Sunday, April 13th, 2008

Artipedia - Arts News
Parasol unit
foundation for contemporary art

Ângela Ferreira and Narelle Jubelin
Crossing the Line, 1999-2008
Petit point detail
Dimensions variable
Courtesy the artists

Front of House:
Marcos Corrales, Ângela Ferreira, Narelle Jubelin, Andrew Renton

16 April - 28 May, 2008
Preview 15 April, 2008

http://www.parasol-unit.org

Parasol unit is pleased to present a ‘purpose built’ collaborative exhibition by artists Ângela Ferreira and Narelle Jubelin, architect Marcos Corrales, and writer and curator Andrew Renton.

While each of these four participants have worked with each other in varying combinations for over fifteen years–building a complex conversation, a shared critical discourse, a richly layered series of historical and cultural references–Front of House is the first meeting place where they have been able to manifest their ideas collectively.

At the heart of this exhibition is a conscious desire to foreground an uncommon process of collective exhibition making that leads to individual works, collaborative projects, and their spatial relationship and resolution in the gallery. This embodies Renton’s suggestion that ‘there is never a singular work that comes out of nowhere.’ The title of this show (taking its reference from the public areas in theatres and concert halls) signifies how this exhibition brings forward unarticulated spaces and stories, evidencing their research and discussions backstage, bringing them into view.

The exhibition’s dialogic mode takes its cue from the respective yet related practices of Ferreira and Jubelin. Both artists work within a research based practice, building complex intertwined narratives, with every new work finding a connection to their previous projects. Additionally they each have roots in a post-colonial experience: Ângela’s in Mozambique and South Africa, Narelle’s in Australia. Emerging on the art scene in late 1980s, they have engaged in the expanded field of critical enquiry, citing histories, and demonstrating how ideas or objects are transposed and reinterpreted as they travel from one cultural context into another.

In 1999, Ferreira and Jubelin made a collaborative work entitled Crossing the Line, which consists of a thirty-second video loop and a petit point rendition. Each reference, the cruise-liner crossing of Ferreira’s family, coming from Africa to Europe and each showing of this work since its origin has required its deliberate transport across the equator to reach the exhibition venue. Crossing the Line reappears and is expanded as a new version in this exhibition.

Ferreira has also developed a new work for this show, a major installation that revisits the Mozambique of her teenage years. Re-modeling a utopian architectural structure, it draws its form from that of a broadcasting tower, seen through Constructivist strategies of display.

In another of the works in the exhibition, Jubelin revisits the more prosaic vernacular of a Sydney suburban house built by her parents in the early 1960s. When previously shown, this work was contextualized within the frame of Southern California “Case Study” modernist houses. Here in this new version the eleven small-scale petit points, where she charts its construction, are coupled with two intimate projections, cut through with foreign archive material, extrapolating its period of habitation (1964-2008).

Front of House is the most expanded manifestation of the dialogue between Ângela Ferreira and Narelle Jubelin and their criss-crossing conversations with the architect Marcos Corrales and curator Andrew Renton. The exhibition functions, too, as a pause, a moment of reflection, within their continuing negotiation and elaboration of exhibition practices. In March 2009 Ferreira and Jubelin will collaborate on a major exhibition at the Art Gallery of New South Wales in Sydney.

In conjunction with Front of House, a documentary film by Manthia Diawara will be premiered in the UK. The film was commissioned on the occasion of Ferreira’s participation in the 2007 Venice Biennale. Focusing on the journeys made by Jean Prouvé’s Maison Tropicale, Diawara’s film observes Ferreira as she revisits the sites where this modernist icon was formerly installed.

Marcos Corrales (b. Madrid, Spain in 1964) is a recognised Spanish architect who has also designed numerous exhibitions including the Portuguese Pavilion at the 52nd Venice Biennale in 2007, the Istanbul Biennial of 2003, and “Cocido y Crudo” at the Museo Nacional Reina Sofia, Madrid in 1994.

Ângela Ferreira (b. Maputo, Mozambique in 1958) is based in Lisbon. Throughout her work, Ferreira scrutinizes the use of theories, in particular art historical theories, and their relationship with and impact on contemporary art, calling on art’s inherent potential to negotiate complex subject matter.

Ferreira will participate in the 2008 São Paulo Biennial. In 2007, Ferreira represented Portugal at the 52nd Venice Biennale of Art, with the installation Maison Tropicale.

Narelle Jubelin (b. Sydney, Australia in 1960) is based in Madrid. Her work traces the journeys that objects make through the world and the history that accrues to them. Her practice acknowledges that any notion of modernism has been fraught with dislocations, constantly changing and reinterpreting how the work comes to be received in one place or another.

While exhibiting in Venice and Sydney Biennials, CCA Glasgow, Renaissance Society Chicago, Tate Liverpool, among other world cities, this is her first London showing since the seminal Hayward Gallery exhibition, “DOUBLETAKE: Collective Memory and Current Art” in 1991.

Andrew Renton (b. Manchester, England in 1963) is Director of Curating at Goldsmiths College. He has lectured internationally and has published widely on contemporary art. Renton has curated many exhibitions in and out of museums across the world, most recently Come, come, come into my world in Lisbon and Stay forever and ever and ever at South London Gallery, both in 2007.

First Thursdays event during Front of House

Andrew Renton tour
Thursday 1 May, 7.30pm

Andrew Renton will lead a tour of Front of House, which will draw out themes and ideas present within the exhibition.
Booking is essential due to limited places.
To book please call 020 7490 7373, or alternatively e-mail
info@parasol-unit.org

First Thursdays are late night art events in East London. On the first Thursday of each month Parasol unit will organise events to coincide with its current exhibition.

Gallery Talks

Wednesdays at 1pm and Saturdays at 3pm

Parasol unit endeavors to provide access to high quality contemporary art. If you would like to organise a tour of our current exhibition for schools, colleges or private groups please contact: T 020 7490 7373 or info@parasol-unit.org

Opening Times
Tuesday - Saturday, 10 am - 6 pm; Sunday 12 - 5 pm
First Thursday of each month open until 9 pm

Parasol unit
foundation for contemporary art
14 Wharf Road, London N1 7RW
T +44 (0)20 7490 7373
F +44 (0)20 7490 7373
E info@parasol-unit.org
http://www.parasol-unit.org

Vancouver Art Gallery presents KRAZY!

Sunday, April 13th, 2008

Artipedia - Arts News
Vancouver Art Gallery

Marv Newland
Black Hula [film still]
International Rocketship Limited, 1988
35 mm film
5 minutes

KRAZY! The Delirious
World of Anime + Comics +
Video Games + Art
May 17 - September 7, 2008

Vancouver Art Gallery
750 Hornby Street
Vancouver, BC
Canada V6Z 2H7
tel: 604.662.4719/ fax: 604.682.1086

http://www.vanartgallery.bc.ca

For the first time, the Vancouver Art Gallery will bring the worlds of anime, comics, cartoons, video games, manga, graphic novels and contemporary art together in one exhibition. Offering an innovative and dynamic survey, KRAZY! The Delirious World of Anime + Comics + Video Games + Art reveals the uniqueness of each medium, while uncovering their histories, interrelations and future trajectories. On view from May 17 to September 7, 2008, the exhibition is co-curated by some of the art forms’ most influential artists and cultural producers, including Pulitzer Prize-winning author Art Spiegelman, The Sims video game creator Will Wright, comic artist Seth and DreamWorks animated feature film director Tim Johnson. Conceived and developed by Vancouver Art Gallery senior curator Bruce Grenville, the exhibition will travel to a New York City arts institution in March 2009.

“The Vancouver Art Gallery is committed to furthering new and dynamic representations of visual culture,” said Kathleen Bartels, director of the Vancouver Art Gallery. “With the exhibition KRAZY!, we have created a tremendous opportunity to present some of the most highly engaging and relevant art forms of our time.”

One of the largest exhibitions ever organized by the Gallery, KRAZY! will occupy two floors of gallery space and is designed in collaboration with Tokyo-based architectural firm Atelier Bow-Wow—a design team renowned for their understanding of informal culture and ability to enhance communal visual experiences. Divided into seven sections defined by medium, the exhibition takes viewers through ever-changing gallery environments, including a mini-theatre for viewing animated cartoons and anime, immersive video spaces and innovative reading environments for visitors to experience a deluge of manga, graphic novels and comics. The exhibition comprises more than 600 artworks, including original sketches, concept drawings, sketchbooks, storyboards, production drawings, films, video games, animation cels, three dimensional models, sculptures, books, manga and much more.

The artists and works in the exhibition were selected by a group of co-curators, including Bruce Grenville, the exhibition’s coordinating curator and curator of the visual arts section; Tim Johnson, curator of animated cartoons; Kiyoshi Kusumi, curator of manga and anime; Seth, curator of comics and graphic novels; Art Spiegelman, curator of comics and graphic novels; Toshiya Ueno, curator of manga and anime; and Will Wright, curator of video games. To give the overall selection historical context, curators selected precursors in their respective fields, artists who had established their given genres and artists who are leading the way to the future.

KRAZY! is a rare opportunity to see artworks that have shaped the history of contemporary visual culture, including Art Spiegelman’s drawings for the first three-page version of his Pulitzer prize-winning Maus; George Herriman’s last three drawings for Krazy Kat; Lotte Reiniger’s 1927 The Adventures of Prince Achmed, the first feature-length animated cartoon; a sneak preview of Will Wright’s groundbreaking video game Spore; and an extraordinary selection of drawings from Yuichi Yokoyama’s latest manga, New Engineering. The exhibition also includes works by Moyoco Anno, Lynda Barry, Marcel Broodthaers, Chester Brown, Milt Gross, Pierre Huyghe, Ichiro Itano, Tim Johnson, Yoko Kanno, Harvey Kurtzman, John Lasseter, Roy Lichtenstein, Christian Marclay, Winsor McCay, Sid Meier, Shigeru Miyamoto, Mamoru Nagano, Claes Oldenburg, Mamoru Oshii, Nick Park, Raymond Pettibon, Seth, Iwatani Toru, Chris Ware, among others.

KRAZY! The Delirious World of Anime + Comics + Video Games + Art is presented by
American Express.

artbrussels 2008: 26th Contemporary Art Fair

Sunday, April 13th, 2008

Artipedia - Arts News

artbrussels 2008
Friday 18 - Monday 21 April 2008

Daily from 11am to 7pm
Preview and Vernissage on
Thursday 17 April (by invitation only)
Finissage on Monday 21 April, from 11am to 10pm

Venue: Brussels Expo – Hall 1 & 3
Place de Belgique 1 – 1020 Brussels

http://www.artbrussels.be

On 18 April, the 26th edition of artbrussels opens its doors. This contemporary art fair is one of the most important of its kind in Europe. 179 galleries from 24 countries are participating in the event. Works of more than 2 000 artists will be presented: paintings, sculptures, accessories, drawings, installations, photos and videos.

Artbrussels is expecting over 30 000 visitors.

artbrussels – the European platform for contemporary art

Internationally renowned for its innovative profile, artbrussels brings together participants of 24 different nationalities. This year the Belgian galleries represent 24 percent, in other words 42 galleries. There are also 29 galleries from France, 21 from Germany, 12 from the United Kingdom and 11 from the US. For the US and the United Kingdom this is a sharp increase in comparison to the previous editions of the fair. The new European countries are also making a modest appearance. Among the famous Belgian artists whose work is represented at the fair are Pol Bury, Wim Delvoye, Jan Fabre, Michel François, Hans Op de Beeck, Panamarenko, Walter Swennen, Koen van den Broek, Jan Vercruysse, and Marthe Wéry. Artists from abroad include Louise Bourgeois, Wang Du, Damien Hirst, Julian Opie, Tony Oursler, Robin Rhode, Ed Ruscha, Sam Samore, Charles Sandison, Thomas Schütte, Cindy Sherman, Stephen Shore, Beat Streuli, Su-Mei Tse, Franz West, Erwin Wurm, Gilberto Zorio and Nam Jun
e Paik.

Organisation

Artbrussels is divided into three specific zones. The ‘Art Galleries’ zone consists entirely of established galleries (122), ‘Young Talent’ is aimed at young galleries (42), and ‘First Call’ groups young galleries taking part in the fair for the very first time (14). The number of participating galleries and artists is consciously limited to guarantee the quality of what is on offer and to show a coherent presentation.

Ephemeral Fringes

Visitors to artbrussels can also see an exhibition project named ‘Ephemeral Fringes’, based on an idea by the curator, Filip Luyckx, director Sint Lucas gallery. It consists of small-scale pieces, spread throughout the fair and created especially for the event by a range of different artists from Belgium and abroad. The creations are geared to the ephemeral timeframe, the complex structure and limited space of artbrussels. The contributions by following artists: Georges Adéagbo (Benin), Michaël Aerts (Belgium), Philip Metten (Belgium), Veronica Brovall (lSweden / Germany), Rainer Ganahl (Austria), Fabrice Gygi (Switzerland), Honoré d’O (Belgium), Nedko Solakov (Bulgaria) and Koen Vanmechelen (Belgium) are a form of commentary on the fair events and can consist of a supplement, a footnote or margin note. The installation by Philip Metten will be the backdrop for several contemporary music concerts and debates during the fair. In short, interaction and reflection.

The “by artists for artists” café
The HISK candidates (the postgraduate training college for fine arts in Ghent) will set up the “by artists for artists” café, situated on the mezzanine of hall 3. As an alternative to the restaurant and the brasserie, this funky café offers visitors the chance to make many artistic discoveries. The artists have also taken on the tasks of decorating the café with their own works of art, and of serving their customers: fresh (Belgian) beers are on the menu!

Animations at the fair:

DEBATES:
Saturday, April 19, 5pm
Ephemeral Fringes
Moderated by Filip Luyckx (artistic director Sint-Lukas Galerie). Panel members : Adam Budak (Curator Kunsthaus, Graz and Manifesta 7), Charlotte Laubard (director CAPC Contemporary art museum Bordeaux), Paco Barragan (curator and art critic) and Rainer Ganahl (artist and participant of “Ephemeral Fringes”).

Saturday, April 19, 3pm
Brussels Biennal
Moderated by Barbara Vanderlinden (director Brussels Biennial) . Panel members: Bart De Baere (director MuKHA, Antwerp), Charles Asche (director Van Abbemuseum, Eindhoven), Maria Hlavajova (director BAK, Utrecht), Paul Willemsen (director Argos, Brussels).

Saturday, April 19, 11:30 - 13:30
Holy Fire: Exhibiting and Collecting New Media Art
Moderated by Patrick Lichty (USA). Panel members: Alexei Shulgin (RU), Olia Lialina (RU/DE), Steve Sacks (bitforms, New York), Wolf Lieser (DAM, Berlin), Stéphane Manguet (Numeriscausa, Paris), Philippe Van Cauteren (SMAK, BE), Domenico Quaranta (Milano) and Yves Bernard (Brussels).

CONCERTS:
Thursday, April 17, 8 pm
Noiselab

Friday, April 18, 5pm
Eric Tillemans & Jurgen Sickboy

Monday, April 21, 8 pm
Tim Vanhaemel

More info on the artbrussels website :
Catalogue
Practical information

Looking forward to welcoming you in Brussels!