Archive for March 19th, 2008

Portraits by Warhol and others at The Jewish Museum, New York

Wednesday, March 19th, 2008

Artipedia - Arts News
The Jewish Museum

Andy Warhol (American, 1928 - 1987), Sigmund Freud from Ten Portraits of Jews of the Twentieth Century, 1980, synthetic polymer paint and silkscreen ink on canvas. Private collection. Copyright: The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society, New York/Courtesy Ronald Feldman Fine Arts, New York.

WARHOL’S JEWS:
TEN PORTRAITS RECONSIDERED
March 16 through August 3, 2008

The Jewish Museum
Fifth Avenue at 92nd Street
New York, NY
212.423.3200
Sat - Wed 11am - 5pm,
Thurs 11am - 8pm

http://www.thejewishmuseum.org

When it premiered in 1980, Andy Warhol’s Ten Portraits of Jews of the Twentieth Century was met with both admiration and hostility. The series depicts such luminaries as Bernhardt, Einstein, Freud, and the Marx Brothers, among others. On view are photographs that Warhol used as source images, several preliminary sketches, a preparatory collage, an edition of the final silk-screen portfolio (of which 200 were published), and one of the five complete sets of paintings that he made for the series. Additional materials related to the portraits, including the list of nearly 100 “famous Jews” prepared by Warhol’s dealer, and television coverage of the artist’s trip to Miami for the world premiere of the series, will shed light on their creation and display.

The Jewish Museum initially exhibited three sets of paintings and an edition of prints in the fall of 1980. While Jewish audiences tended to embrace Warhol’s series, several leading art critics dismissed it as crass and exploitative. In the twenty-eight years since its debut, Ten Portraits has continued to confront viewers with these questions: Why did a Pop artist who otherwise displayed little interest in Jewish culture or causes create a series devoted to eminent Jews? How do we reconcile Warhol’s commercial motives with the high-minded portrayal of cultural and historical icons? How has our view of Ten Portraits changed since its first showing?

Following its New York showing at The Jewish Museum, the exhibition travels to the Contemporary Jewish Museum, San Francisco, CA (October 12, 2008 through January 25, 2009).

ART, IMAGE AND WARHOL CONNECTIONS
Presented concurrently with Warhol’s Jews, this mini-exhibition features works by artists who directly respond to Andy Warhol or employ techniques often associated with Warhol’s oeuvre. Warhol and themes central to his practice – such as current events, consumer culture and the superstar, are seen reflected through 26 works by a multi-generational group of artists, including Deborah Kass, Alex Katz, Abshalom Jac Lahav, Adam Rolston, Ben Shahn, Devorah Sperber, and June Wayne.

Gasworks presents Disclosures

Wednesday, March 19th, 2008

Artipedia - Arts News
Gasworks

Printed material designed by Jérôme Rigaud using Francois Rappo’s font LaPolice BP, the first hacking of importance in the history of typography.

Disclosures
27th March 2008 - 18th May 2008
Various locations, London
Organised by Anna Colin and Mia Jankowicz

http://www.gasworks.org.uk

Disclosures is a multi-faceted project that looks at the manifestations of Open Source methodologies in fields of cultural production outside of the Internet. Openness – or its technological underpinning, Open Source – here refers to situations in which the viewer, reader, listener or Internet user becomes emancipated through egalitarian participation, collaborative authorship and/or the breaking down of hierarchical and social boundaries.

If openness is found in varied cultural practices, it matches certain systems and economies (internet-based or media practices) better than others (the artworld or the film and music industries). Issues around Intellectual Property and copyright – and the question of whether or not diffuse authorship and unrestrictive distribution are financially viable – come immediately to mind. Meanwhile, assessing the socio-economic, political and cultural conditions for openness is a necessary step.

A second reading of openness revolves around the idea of transparency and of availability of information. Of relevance here are practices which are committed to releasing public information and resources that have been out of civic reach for political, economic, historic or bureaucratic reasons. Disclosures will address histories and genealogies that inscribe themselves outside of the rigid bonds of ‘monopolistic’ versus ‘alternative’ social and cultural activity.

A range of practitioners, from tactical media practitioners, to cultural theorists, music producers and artists, will help identify and discuss references and strategies that have been common to two interrelated areas of practice: critical media practice and socially-collaborative work in the expanded visual art field. The various facets of the project will attempt to find a common language and to set up the basis for improved understanding and greater collaboration between the two fields.

LAUNCH

Date: Thursday 27 March 2008, 20.00–01.00
Location: Mother/333
Participants: Oliver Ressler | Eileen Simpson and Ben White (Open Music Archive)

SEMINAR

Dates: Saturday 29 - Sunday 30 March 2008, 10.30–19.30
Location: Toynbee Hall (Saturday 29th) and Middlesex Street Estate (Sunday 30th)
Participants: Electronest | Critical Practice | Ilze Black | Tim Jones | Saul Albert | Marina Vishmidt | The MicroPolitics Research Group | Nenad Romic | Simon Sheikh | Ana Laura Lopez de la Torre | Neil Kenlock | Marysia Lewandowska | Toni Prug | Shaina Anand and Ashok Sukumaran | Adnan Hadzi | Harold Offeh | The People Speak | Emily Druiff | Tony Nwachukwu and Gavin Alexander | Matthew Fuller | Usman Haque | Tsila Hassine | Goldin+ Senneby | agency | Mai Abu ElDahab | Francis McKee | Rodrigo Nunes

FILM AND READING LIBRARY

Dates: Preview on Thursday 10 April, runs till Sunday 18 May. Open Wed-Sun, 12.00–18.00
Location: Gasworks, 155 Vauxhall Street, London SE11 5RH
Films by: Shaina Anand | Amy Balkin | Neil Cummings, Marysia Lewandowska, Eileen Simpson, Ben White | Carles Guerra | Nicoline von Harskamp | Tsila Hassine | Abhishek Hazra | Kurator | The League of Noble Peers | Oliver Ressler | Ashok Sukumaran

FLOATING EVENTS

Date: Thursday 10 April, 18.30-19.30
Location: Gasworks
Event: Deleted Swedish stories. A performative lecture by artist Petra Bauer to launch the library.

Date: Friday 11 April, 19.00-21.00
Location: Gasworks
Screening: Lavorare con Lentezza - Radio Alice 100.6 Mhz (2004) dir. Guido Chiesa, scriptwriters: Guido Chiesa and Wu Ming (duration 111 min); followed by a discussion with artist Petra Bauer and philosopher Rodrigo Nunes.

Date: Monday 21 April, 11.00-16.00
Location: Ben Pimlott Building, Seminar Room, Digital Studios, Goldsmiths University of London, New Cross SE14 6NW
Workshop: Taxi to Praxi (and back again): the next layer research day, a collaboration between Armin Medosch and Adnan Hadzi to address and discuss some of the generic, rather than discipline-specific, challenges of undertaking practice-based research within academia.

Date: Sunday 18 May, 12.00-20.00
Location: Gasworks
Screening: La Commune (1999) dir. Peter Watkins (duration 345 min). Includes breaks with refreshments, food and discussions. This event will mark the closing of the library.

Disclosures is supported by Arts Council England, Esmee Fairbairn Foundation, Henry Moore Foundation and the Austrian Cultural Forum, London. Disclosures is part of NODE.London Spring ‘08.

About Gasworks
Founded in 1994, Gasworks is an art organisation based in South London, housing twelve artists’ studios and proposing a programme of exhibitions and events, artists’ residencies, international fellowships and educational projects. Gasworks focuses on visual arts practice in its broadest sense, working discursively with UK-based and international artists to facilitate the development of their work. Gasworks’ programme is committed to providing a responsive context for the work of emerging and mid-career artists, and to disseminating critical practices to a wider audience.

Gasworks is part of Triangle Arts Trust, an international network of artists and organisations. http://www.trianglearts.org

Gasworks
155 Vauxhall Street
London SE11 5RH
+44 (0)20 7587 5202
info@gasworks.org.uk
http://www.gasworks.org.uk

Cabaret Sally Rattenmann – a new performance by Leif Holmstrand

Wednesday, March 19th, 2008

Non-blessing72dpi.jpg
Leif Holmstrand, Non-Blessing, 2005

Lilith Performance Studio proudly presents:

LEIF HOLMSTRAND
Cabaret Sally Rattenmann
29 & 30 March at 8 pm

Participants: Leif Holmstrand, Minna Weurlander (accordeonist), Lotten Roos, Elin Lundgren, Nils Dernevik, Simon J Berger (actors), and others. Tickets 40 SEK: boka@lilithperformancestudio.com, +46 (0)40-789 97
Address: Bragegatan 15, Malmö, Sweden
Read more: http://www.leifholmstrand.com

Lilith Performance Studio proudly present a new performance by the Swedish artist Leif Holmstrand: Cabaret Sally Rattenmann. Leif Holmstrand is one of the most prominent Swedish performance artists and has worked with performance since 1996. In April his third collection of poems, ’Myror’, will be issued by the Swedish publishing house Albert Bonniers Förlag.

Leif did his first Sally Rattenmann performance in 2000, at Kristianstad konsthall, with the title ‘Sally Rattenmann and the men in Berlin’. The name is a combination of Sally Bowles in the musical/film Cabaret, and Sigmund Freud’s case history of the Rat Man. Sally Rattenmann is not really a character, but rather a flexible concept and a set of clothes: a silky night gown, a pair of suit pants, a negligé, long black gloves and a crocheted hood with a pink table mat covering the face. Leif’s new work at Lilith Performance Studio, his last with Sally Rattenmann, will be a poetic cut-up piece with actors on stage and pre-recorded repeated and distorted voices overlapping eachother in psychological acts of transformation. The work includes dialogue from ’Drottningens juvelsmycke’ [The Queen’s Tiara] by the Swedish author C. J. L. Almqvist from 1834, Leif’s own text/sound compositions that are sometimes almost radio drama-like, and bodies moving objects around !
in the
space. ’Cabaret Sally Rattenmann’ deals with gender, how we become who we are, childhood versus the adult world, sexuality, and the borderlands of assaults.

Leif Holmstrand works with performance, photo, text, video, sound and sculpture, but considers himself foremost a sculptor working with physical objects where the performative aspects, the work of the hand, are emphasized: he knits and crochets objects and garments that are impossible to wear, he has covered prams in papier maché and silicone and wrapped bodies and objects in rope and yarn. Regardless of medium, Leif’s works revolve around the same thematics: a dreamlike dissolution of gender in search for and trying to expand the cultural and biological boundaries of the body.

Leif Holmstrand (f. 1972) lives and works in Malmö. Education: Malmö Art Academy, Fine Art, 1997-2002, and Lund University/Malmö Art Academy, Critical Studies, 2002-2003. Currently his work is exhibited in a retrospective solo show at Steneby Konsthall in Dals Långed, Sweden. Leif has previously published two collections of poems at the Albert Bonniers Förlag: ”Stekelgång” (2002) and ”Går vidare i världen” (2005). Selected group exhibitions include the Bonniers konsthall, Stockholm; Babel, Trondheim, Norway; Ystad Konstmuseum, Sweden; Gävle Konstcentrum, Sweden 2007, Malmö Konsthall, Sweden; Cirkulationscentralen, Malmö, Sweden 2006, Galleri Loop, Berlin, 2005; Iaspis, Stockholm, 2004 and Galleri Mors Mössa, Gothenburg, Sweden, 2003. Selected performances include Bonniers konsthall, Stockholm; Gallery PS122, New York, 2007, Malmö Konsthall; Ystad Konstmuseum; Lilith by Night, Malmö & Kulturhuset, Stockholm, 2006 and AIT Room, Tokyo, 2005.

Lilith Performance Studio is the first combined production studio and arena for performance in Europe. Internationally prominent visual artists working with performance are invited to production periods of around a month to produce a new work which will be presented to an audience towards the end of the stay. Since the opening in January 2007, Lilith Performance Studio has presented 10 solo productions and one performance festival to a wide audience with artists from Sweden, Norway, Denmark, Finland, Iceland, The Netherlands, Indonesia and The Philippines. Please visit our website for documentation films from all productions and video artist talks by every artist: http://www.lilithperformancestudio.com

Lilith Performance Studio is supported by: Stiftelsen framtidens kultur, Malmö kulturnämnd, Sparbanksstiftelsen Skåne, Statens kulturråd, Malmö Kulturstöd, Kulturkontakt Nord and Folkuniversitet. Lilith Performance Studio collaborates with: Malmö Art Academy, Myrorna, Beckers Färgservice, Svanströms Repro AB and AV-SYD.

Adrian Paci at Bonniers Konsthall

Wednesday, March 19th, 2008

Artipedia - Arts News
Bonniers Konsthall

Adrian Paci, Per Speculum, 2006. Courtesy of francesca kaufmann, Milan.

Adrian Paci: Per Speculum
March 13 - May 18, 2008

Bonniers Konsthall
Torsgatan 19, S-113 90 Stockholm, Sweden
Phone: +46 8 736 42 48
info@bonnierskonsthall.se
http://www.bonnierskonsthall.se

Adrian Paci’s film work Per Speculum is now receiving its Swedish premiere at Bonniers Konsthall. The Albanian-Italian artist’s latest film takes the viewer to an ostensibly pastoral landscape, where some children play with mirrors, slingshots and reflections of the sun. The movie was shot in the summer of 2006 in Milton Keynes in England and is screened with a 35mm projector.

Adrian Paci’s latest film Per Speculum takes place in an idyllic landscape, more reminiscent of a fairy tale than reality. The camera pans over the billowing landscape, but soon focuses on a group of children dressed in timeless clothes. The image zooms out and it is revealed that this image of the children is enclosed within the frame of a large mirror. There they are caught in the eye of the camera and in the reflection from the mirror. A boy picks up a slingshot and releases a shot that shatters the glass of the mirror and the picture it has created. The landscape expands behind the mirror and shows that the children, like a picture in the picture, are captured in a representation of reality.

A simple way of translating Per Speculum is ”by means of a mirror”. The allegorical film contains references to religion, art history and feature films. Towards the end of Per Speculum we see the children perching on branches high up in a tree. They are holding the shards of the mirror glass in their hands towards the camera and blind us with the reflections of the sun. The tree is an ancient Biblical symbol that has been used in art ever since the Middle Ages. The title of the film alludes to the Bible’s First Letter to the Corinthians. Just like the Italian filmmaker Pier Paolo Pasolini, Adrian Paci has also become interested in sacred symbols that are seen, for example, in icon paintings. The children in Per Speculum are extremely similar to the artist’s earlier sketches of film stills from Pasolini’s films Decameron (1971) and The Gospel According to St. Matthew (1964), films that are actually tales from the Bible.

Adrian Paci was born in Shkoder, Albania, in 1969 and is based in Milan. Originally a painter, Paci also works in film, photography, sculpture and installation. The artist has attracted a good deal of attention for his story-telling art, which has often emanated from personal experiences of exile and rootlessness. Adrian Paci is moving forwards with Per Speculum from the documentary element that was characteristic of his many earlier films.

Adrian Paci has exhibited in solo shows and group exhibitions around the world. Previously he has exhibited at Brussels Art Biennial 2007 and Moderna Museet in 2005, amongst other places. In spring 2008 works by Adrian Paci can also be seen at Kunstverein Hanover and Tate Modern in London.