Archive for March 3rd, 2008

Tom Burr at SculptureCenter, New York

Monday, March 3rd, 2008

Artipedia - Arts News
SculptureCenter, New York

Installation view of Addict-Love by Tom Burr,
January 13 - March 30, 2008 at SculptureCenter
Image c. 2008 SculptureCenter and the artist
Photo: Jason Mandella

sculpture in a constricted
space and other stories
A performance by Tom Burr
Saturday, March 8, 2008, 6pm

Reading by Tom Burr
Live music by Gaël Horellou, Ari Hoenig, and Isaac Preiss

http://www.sculpture-center.org

SculptureCenter is pleased to present sculpture in a constricted space and other stories, a performance by Tom Burr, in concert with his current exhibition Addict-Love at SculptureCenter on Saturday, March 8, 2008 at 6pm.

Tom Burr reads sculpture in a constricted space and combines his 2006 text Ode to A Chair with improvised music by two highly regarded jazz musicians, Gaël Horellou on alto saxophone and Ari Hoenig on drums, accompanied by twelve-year-old Isaac Preiss on cello.

The artists mirror each other’s moods in humorous, tragic-comic swirls of responses, taking Burr’s Ode to A Chair as a point of departure and incorporating the musical energies of Kurt Weill, Rimsky-Korsakov, and various lineages of jazz.

Organized as a musical reading and cocktail party, the evening also emulates and renders homage to the environments of Chick Austin, Frank O’Hara, Kurt Weill, and Gertrude Stein.

Placed within the context of Tom Burr’s current exhibition Addict-Love, sculpture in a constricted space and other stories further explores how modernism can be perceived as a script meant to be
endlessly repeated.

Tom Burr: Addict-Love
On view through March 30, 2008 at SculptureCenter

In Addict-Love, Tom Burr creates a set of abstract tableaux reflecting on modernity: its history, its personalities, and of course, its style. Burr ruminates on figures, moments, and the heady mises en scène that both gave rise to and were shaped by Modernism’s powerful ideology. These groupings include elements that are further developments in Burr’s repertory of forms. Burr describes his approach to the making of sculptural work as so many acts in a play, or stills in a film. This theatricality and his allegorical use of specific forms of the theater: platforms/stages, railings, curtains, lighting, mirrors, and personal articles that function as sculptural props suggest a history of modernism, and a history of sculpture, as a series of scripted gestures to be performed. To read more, click here to download the full press release.

In Practice
On view through March 30, 2008 at SculptureCenter
Forde & the Ashbirds (Aurelién Gamboni, Benjamin Lavigne, Damien Navarro, Vanessa Safavi, Konstantin Sgouridis, and Kim Seob Boninsegni), Drew Heitzler, Alix Lambert, Haley Mellin, Leyden Rodriguez-Casanova, Erik Smith, Agathe Snow

In Practice is an ongoing project series designed to support the creation of innovative work by emerging artists. To read more, click here to download the full press release.

SculptureCenter Lectures at The New School
Subjective Histories of Sculpture II
At the Theresa Lang Center at The New School
55 West 13th Street, 2nd Floor, New York City

SculptureCenter, in collaboration with the Vera List Center for Art and Politics at The New School, presents a series of artist-led lectures: Subjective Histories of Sculpture II. This lecture series furthers SculptureCenter’s exploration of how contemporary artists think about sculpture - its contingency and
its legacies.

Sanford Biggers
Monday, March 3, 6:30pm

Robert Morris
Monday, April 7, 6:30pm

Visit SculptureCenter at the Armory Show
March 26-30, 2008
Pier 94, Booth 1301

Save the Date
SculptureCenter’s Lucky Draw
Thursday, April 17, 2008
For more information, click here.

For additional information please contact SculptureCenter: (1) 718.361.1750 or info@sculpture-center.org
Media contact: Katie Farrell, kfarrell@sculpture-center.org

About SculptureCenter
Founded by artists in 1928, SculptureCenter is a not-for-profit arts institution dedicated to experimental and innovative developments in contemporary sculpture. SculptureCenter commissions new work and presents exhibits by emerging and established, national and international artists. In 2001, SculptureCenter purchased a former trolley repair shop in Long Island City, Queens. This facility, designed by artist/designer Maya Lin, includes 6,000 square feet of interior exhibition space, offices, and outdoor exhibition space.

SculptureCenter
44-19 Purves Street
Long Island City, NY 11101
http://www.sculpture-center.org
+1.718.361.1750

Directions
7 to 45th Road / Courthouse Square, E or V to 23rd / Ely, or G to Courthouse Square (note: the V train does not run on weekends). From all trains, walk north on Jackson Avenue one block past 44th Drive and turn right onto Purves Street.

SculptureCenter is five minutes from Midtown by subway.

UBS Openings: Saturday Live at Tate Modern

Monday, March 3rd, 2008

Artipedia - Arts News
Tate Modern

UBS Openings: Saturday Live
Happening Again: Allan Kaprow’s Fluids and Scales

Fluids
Tate Modern river landscape
Construction will start at 11.00

Scales
Tate Modern building stairwells
Construction will start at 14.00

Saturday 29 March 2008

http://www.tate.org.uk/modern

“To the extent that a Happening is not a commodity but a brief event, from the standpoint of any publicity it may receive, it may become a state of mind. Who will have been there at that event? It may become like the sea monsters of the past or the flying saucers of yesterday.”
Allan Kaprow (1961)

In the late 1950s Allan Kaprow, the legendary American pioneer of performance art, coined the term ‘Happening’, describing a unique art form involving people, objects and events. Two London-specific reinventions of two of his most significant Happenings take place at Tate Modern – building ice structures in Fluids, constructing stairways made of concrete blocks in Scales – and which evolve into experiences of the physical body and communal effort.

Fluids, originally commissioned by the Pasadena Art Museum as part of Allan Kaprow’s midcareer retrospective in October 1967, involves stacking blocks of ice into a rectangular enclosure on Tate Modern’s river landscape. Its walls will be unbroken and left to melt over the ensuing days.

For Scales, first instigated in 1971 in the stairwells of the CalArts campus in Valencia, California, participants ascend and descend Tate Modern’s staircases by placing cement blocks on the steps to form new ones to be walked upon, and move their way through the building.

In preceding workshops, participants will work on strategies to realise both works, secure the necessary equipment and design their structures.

Visit http://www.tate.org.uk/modern for full details.

This event is part of UBS Openings: Saturday Live, a series of bi-monthly performance events celebrating contemporary cultural practice at Tate Modern.

Opening up art
Tate Modern Collection with UBS

Tate Modern
Bankside
London SE1 9TG

Free to experience