Archive for March 2nd, 2008

Museum Anna Nordlander presents The Space Between

Sunday, March 2nd, 2008

Artipedia - Arts News
Museum
Anna Nordlander

Latifa Echakhch
Micro vide/Empty microphone, 2006
dimensions variable.

The Space Between
March 16 - June 1, 2008

Bas Jan Ader - Latifa Echakhch - Maria Lindberg - Adrian Piper - Mark Raidpere - Gabriela Vanga

Curated by Mats Stjernstedt

Opening: Saturday, March 15, 2008, 2pm
Tue - Thu 10 am - 7 pm, Fri - Sun 12 - 4 pm

Museum Anna Nordlander
Nordanå
Skellefteå
T +46-910/737 492
F +46-910/736 083
man@skelleftea.se
http://man.skelleftea.org

The exhibition The Space Between addresses certain dynamics where simple gestures suggest an alteration and a politicization of temporal and spatial conditions inherent in the work and between the artwork and the viewer. This is manifested both in the content and in the formal structure of the work.

The artworks presented involve aspects including the politics of identity and language reinterpreted in concepts such as dimension and distance, spatial transformation and temporal shifts – but also psychological distances in the form of flights of fancy, changes in mentality and reverie.

The exhibition presents experiences of social solidarity as well as isolation and marginali-zation, translated here into spatiality: into a kind of architecture of emotions where the works of the artists also turn a spotlight on the more unexplored regions of psychogeography. This can be seen converted into a multitude of different formats – moving pictures, text, sculpture, animation, linguistic translations and musical interpretation – transforming the slightest object, image or everyday situation into a subject of sociological debate.

The Space Between attempts to raise issues of the construction of identity in transit, in rupture, between different cultures in a globalized reality and, furthermore, as examples of emotions of alienation in a complex, contradiction-filled world. Nevertheless, The Space Between consists of equal proportions of humour and melancholy. The works often play on inequalities and claims to power in relations, and on failures primarily based on misunderstandings of the mind, the deceptions of language and the limitations of the body.

Participating artists: Bas Jan Ader (The Netherlands/USA), Latifa Echakhch (Morocco/Switzerland), Maria Lindberg (Sweden), Adrian Piper (USA/Germany), Mark Raidpere (Estonia), and Gabriela Vanga (Romania/France).

Museum Anna Nordlander is a meeting-place for gender issues and contemporary art. The Space Between will inaugurate Museum Anna Nordlander Konsthall on occasion of the opening week of Nordanå, March 14 – 19. During these days a wide range of creative activities, lectures and performances will be offered.

Nordanå is a cultural center and recreation ground in Skellefteå with art galleries, museums, theater, museum shop and café.

Nicholas di Genova — First soloshow in germany

Sunday, March 2nd, 2008

diGenova_5_web.jpg
Nicholas di Genova

Nicholas di Genova - First Soloshow in Germany

Vernissage
March 28th 2008 / 7pm

Nicholas di Genova will be presenting his first soloshow inn
germany. Beside the presentation of his new book (edited by
belio-magazine”) he will present new drawings

Show from march 29th till april 27th 2008

At the INTOXICATED DEMONS GALLERY
Naunynstrasse 46
(close to Oranienplatz)
Berlin / Kreuzberg

http://www.intoxicated-demons.com

Kunsthaus Graz presents Thyssen-Bornemisza Art Contemporary. Collection as Aleph

Sunday, March 2nd, 2008

Artipedia - Arts News
Kunsthaus Graz

Sarah Lucas, Bunny Gets Snookered #3, 1997,
Thyssen-Bornemisza Art Contemporary,
Photo: Courtesy of Sadie Coles HQ, London

Thyssen-Bornemisza Art Contemporary
Collection as Aleph
March 6 - October 26, 2008
Tue - Sun 10am - 6pm

Curators: Adam Budak, Kunsthaus Graz
Daniela Zyman, Thyssen-Bornemisza
Art Contemporary

Exhibition architecture: The nextENTERprise, Vienna

Kunsthaus Graz am
Landesmuseum Joanneum
Graz, Austria

http://www.kunsthausgraz.at

Two years after the first endeavour in the challenging field of presenting outstanding collections of contemporary art – Inventory. The Collection of Annick and Anton Herbert, Kunsthaus Graz is proud to announce the forthcoming exhibition of the Thyssen-Bornemisza Art Contemporary collection.

A comparative reading of the complex literary oeuvre of the Argentinian writer, Jorge Luis Borges lies at the point of departure for the exhibition Thyssen-Bornemisza Art Contemporary. Collection as Aleph. Borges’s oeuvre and its conceptual as well as narrative landscape is used as a methodology to build up a sequence of potential narratives (and fictions), continued (as if) en abîme in a collective archive of visual imaginary, based upon the Thyssen-Bornemisza Art Contemporary collection. Within this labyrinthine context, the collection takes on a mode of one of the most enigmatic Borges’s symbols, Aleph – the point that includes all the times and all the spaces of the universe, an abstract and at the same time concrete sphere where they are contained. It cannot be grasped through “normal” perception because it encloses infinity but anyone who gazes into it can see everything in the universe from every angle simultaneously, without distortion, overlapping or confu
sion. As such, the collection is a Model, a primary Structure, unfolded into infinity, in a circular choreography of fiction and reality.

The exhibition considers Borges’s favourite stylistic trope, structure en abîme as a spatial metaphor and rhizomatic device: here, the structural (and symbolic) endlessness of Kunsthaus Graz’s architecture connects with an attempt to (mentally) navigate through temporal and spatial layers of T-B A21 Collection. Thyssen-Bornemisza Art Contemporary. Collection as Aleph is organized within the sequence of potential structures and possible fictions: from the issues concerned with the principles of identity and meanders of authorship through paradoxes of language and space-time confluences down to conjunctions of universe and utopia, reality and fiction, mirror and encyclopaedia… It consists of three narrative chapters – themselves subdivided in multiple re-arrangements - dramatized within an architectural setting developed by Vienna-based architectural office, the nextENTERprise (Marie-Therese Harnoncourt and Ernst J. Fuchs). The exhibition architecture, supported by a
cosmic pantomime” of mirrors, spatialises the exhibition gallery as an inversed horizon, reinforcing both endlessness and simultaneity by means of displacement and fractal vision and activating the powers of memory and imagination, embedded at the very core of the Aleph.

Thyssen-Bornemisza Art Contemporary. Collection as Aleph offers a kaleidoscope of knowledge unfolded in an array of visual representations of reality on the edge of its ontological doubt where fiction and fantasy conspire with scientific research and mathematical exactitude in order to construct a parallel reality of imagination. Paradoxes of infinity, spatial fantasies, identity’s disorders and mythological translations are the main motives of the exhibition’s first chapter, whereas inner worlds, imaginary creatures, utopian visions and alternative images of society build up a narrative thread of the second chapter. Such Borgesian “conjunction of mirror and encyclopedia” is concluded by a following sequence where the attempts at conquering the reality and tracing the paths of a labyrinth of mind
are undertaken.

Participating artists: Haluk Akakçe, Fiona Banner, Olafur Eliasson, Tracey Emin, Douglas Gordon, Florian Hecker, Carsten Höller, Jim Lambie, Los Carpinteros, Sarah Lucas, Paul McCarthy, Jason Rhoades, Catherine Sullivan, Heimo Zobernig, Darren Almond, Tiago Carneiro da Cunha, Michael Elmgreen & Ingar Dragset, Iran do Espírito Santo, Isa Genzken, Jón Laxdal, Ernesto Neto, Rivane Neuenschwander & Cao Guimarães, Olaf Nicolai, Do-Ho Suh, Thomas Struth, Kutlug Ataman, Monica Bonvicini, Janet Cardiff & George Bures Miller, Cerith Wyn Evans, Mathilde ter Heijne, Roger Hiorns, Ján Mancuska, Sarah Morris, Olaf Nicolai, Raqs Media Collective, Matthew Ritchie, Thomas Ruff, Hans Schabus,
Salla Tykkä.

Founded in Vienna in 2002 by Francesca von Habsburg, Thyssen-Bornemisza Art Contemporary represents the fourth generation of the Thyssen family’s dedication to the arts. The foundation is committed to supporting the production of contemporary art and actively engaged in commissioning and disseminating unconventional projects that promote research-based, context- and site-specific, performative artistic practices, often informed by an interest in social aesthetics. Exhibitions based upon the foundation’s collection are regularly presented to the public. Collaborations have also been a focus of the foundation’s work, amongst others, with the New York Public Art Fund, Art Angel, Venice Biennale, documenta, Wiener Festwochen and the Staatsoper Unter den Linden, Magazin.

Thyssen-Bornemisza Art Contemporary. Collection as Aleph is the first large-scale museum presentation of the foundation’s holdings and the starting point for an international tour travelling to selected venues in Europe, Asia and the USA.

The exhibition is accompanied by a programme of events:
Wednesday, March 5
3pm: Aleph – Paradoxes of Collecting. Francesca von Habsburg in conversation with Peter Pakesch, Space04
4pm: Tracing Aleph. Artists of the exhibition in conversation with the curators Daniela Zyman and Adam Budak, Space04
7pm: Exhibition opening, Space02
10pm: NAKED LUNCH, Dom im Berg/Concert
Special Guest DJs Jim Lambie & Florian Hecker

Tuesday, March 18/7pm, Space04/Lecture
The next ENTERprise – architects (Marie-Therese Harnoncourt and Ernst J. Fuchs):
Spatial Sequences

Tuesday, April 15/7pm, Space04/Film screening Jorge Luis Borges
Performance (1970, dir. by Nicolas Roeg, Donald Cammell)
Profile of a Writer, Vol. 7: Jorge Luis Borges (1983)

May 16–18/Space04/Symposium Jorge Luis Borges
Aleph

Tuesday, June 3/7pm, Space04/Film screening Jorge Luis Borges
Cuentos de Borges I (1991, dir. by Héctor Olivera, Gerardo Vera)
Los libros y las noches (1999, dir. by Tristán Bauer)

Sept. 5–6/Space04/Symposium
Collection as Aleph

The exhibition is generously supported by Wiener Städtische Vienna Insurance Group

NOH Suntag at Württembergischer Kunstverein Stuttgart

Sunday, March 2nd, 2008

Artipedia - Arts News
Württembergischer
Kunstverein Stuttgart

NOH Suntag, Black Hook Down, Photo series, 2006

NOH SUNTAG
State of Emergency
March 1 - May 18, 2008

Württembergischer
Kunstverein Stuttgart
Schlossplatz 2
D-70173 Stuttgart
Fon: +49 (0)711 - 22 33 70
Fax: +49 (0)711 - 29 36 17
info@wkv-stuttgart.de
http://www.wkv-stuttgart.de

From March 1 to May 18, 2008, Württembergischer Kunstverein in Stuttgart is presenting the first comprehensive solo exhibition of the South Korean photo artist NOH Suntag in Europe. The show will feature about 200 photographs. NOH, born in Seoul in 1971, ranks among the most advanced photo artists in South Korea, his works having attracted great attention there in recent years. Among other shows, he took part in the Gwangju Biennale in 2006. The exhibition showcases works from between 2000 and 2007.

His series, which he usually develops over the course of several years and that consist of black-and-white as well as colour photos, observe conflict situations in contemporary Korean society. These conflicts go back to the division and war between North and South Korea, to the dictatorships in both parts of the country that lasted till the 1980s, and – in South Korea – to rampant turbo-capitalism since the 1990s. The picture that NOH draws of Korea is that of a constant state of emergency.

NOH, who creates his photographs in North and South Korea, is interested in the ambivalences and breaks within and between the two societies: their mirror relationship, the military presence and ideological extremes on both sides, the relationship between the individual and the masses, or the situations – both subtle and openly violent – that pervade everyday life in the South and the North alike.

This ambivalence is reflected in NOH’s very individual aesthetic, that combines the documentary with the fictitious, the snapshot with stringent composition. The harsh contrasts amplify the drama of the mostly conflict-laden situations that he depicts – a drama that is, at the same time, countermanded by the sobriety and detachment of his gaze. As a result of being integrated in series, the perfection of the single picture must be seen in perspective. Far removed from the aesthetics and strategies of staged photography, they nevertheless appear posed. They remind us of film scenes or apply aesthetics of fashion photography as well as traditions of pathos-laden landscape photography. It is precisely this unclassifiable, contradictory aspect that distinguishes NOH’s photographs.

An exhibition by
Württembergischer Kunstverein Stuttgart

Curated by
Hans D. Christ, Iris Dressler
in collaboration with
Nathalie Boseul SHIN

Supported by
Stiftung Kunstfonds
Kunststiftung der LBBW

NOH Suntag. State of Emergency
March 1 - May 18, 2008

Press conference
Friday, February 29, 2008, 11 am

Opening
Friday, February 29, 2008, 7 pm

Artist’s exhibition tour
Saturday, March 1, 2008, 1 pm

Hours
Tue, Thu - Sun: 11 am - 6 pm
Wed: 11 am - 8 pm