February 26th, 2008

Solo Retrospective- Lu Chunsheng at The Red Mansion Foundation

Artipedia - Arts News
The Red Mansion Foundation

LU CHUNSHENG
An Exhibition curated by
Hans Ulrich Obrist

6th February- 31st March 2008

The Red Mansion Foundation
46 Portland Place
London W1B 1NF
Phone: +44 (0) 207 323 3700
Fax: +44 (0) 207 323 0788

http://www.redmansion.co.uk

The Red Mansion Foundation is pleased to present its third exhibition at 46 Portland Place. The Foundation invited Hans Ulrich Obrist, Co-Director of Exhibitions and Programmes and Director of International Projects at the Serpentine Gallery, to curate the first solo retrospective exhibition of the work of the artist Lu Chunsheng. Lu Chunsheng graduated from the Department of Sculpture at the China National Academy of Fine Arts, and now focuses mostly on photography and video art. Since the late 1990’s his photographs, video and multimedia art works have been recognized on an international level, though he has been well respected and renowned for many years in China, where he is regarded as extremely influential within the new generation of Chinese artists. The Red Mansion Foundation is honoured to host his first solo retrospective exhibition, which will allow the viewer a more in-depth and profound understanding of his work than earlier group shows have warranted.

Lu Chunsheng’s work consists of brooding films and photographs which appear preoccupied with the Industrial Era and Communist History. However, the stories told via his films are more mystic than nostalgic. There is a surrealist attitude to his videos; using fixed camera positions, endless drawn-out shots and seemingly amateurish shooting techniques, he documents human behavior in inexplicable and often bizarre situations. Unlike most of his fellow artists emerging from the same generation, he does not focus on the estrangement following an accelerated urbanization (including its stream of rapidly moving images and perplexed inhabitants). Instead, he has developed an oeuvre where the characters depicted (either photographically or on video) find themselves in undoubtedly weird situations. The absurdity takes its form in a series of photos entitled ‘Water’ (2000), where we witness a man standing motionless in a female nightgown while increasingly a sea of water accumulat
es at his feet. This occurrence is documented in progressive stages without any recognizable plot and without further explanation. A correspondingly fantastic situation is articulated in the large-scale photo ‘I Want to Be a Gentleman’ (2000), which depicts nine men standing on tall plinths in front of a dilapidated building as if they were statues atop a pedestal in a museum.

Lu Chunsheng has exhibited widely in China and abroad. Today he lives and works in Shanghai. His recent exhibitions include “China Contemporary, Art, Architecture and Visual Culture” at Museum Boijmans van Beuningen, Rotterdam, The Netherlands (2006), “The Thirteen: Chinese Video Now”, P.S.1 Contemporary Art Center, Long Island City, NY, USA (2006), “Out of Sight”, De Appel Foundation, Amsterdam, The Netherlands (2005), “Double Vision”, 1st Lianzhou International Foto Festival, Culture Square Lianzhou, China (2005), and “Zooming into Focus: Chinese Contemporary Photography and Video from Haudenschild Collection at the National Art Museum”, Beijing, China 2005, and subsequently in Shanghai and Mexico City. More recently, the series ‘The History of Chemistry I & II’ (2004 and 2006), is the latest and the most spectacular achievement of his exploration of a familiar but remote world. As the artist himself puts it: “Modern chemistry is derived from ancie
nt Western alchemy. Pacific Asia today is like a big alchemist’s workshop; that’s why I selected this title for my video”.

The Red Mansion Foundation is a not-for-profit organisation, which promotes artistic exchange between China and the Great Britain through a programme of lectures, exhibitions, The Red Mansion Art Prize and Building Bridges, an exchange programme for established Artists. The Red Mansion Foundation is co-producer and co-sponsor of a series of exhibitions entitled China Power Station, held at Battersea Power Station, (a show in which Lu Chunsheng featured heavily), Oslo and Beijing, The Real Thing at Tate Liverpool, the Chinese Pavilion at the 52nd Venice Biennale and the 10th Istanbul Biennale in 2007.

Dates and Opening Hours:
Opening by invitation: 6 February 2008, 6 - 8.30pm
From 7 February 9 – 5.30pm, By Appointment

The Red Mansion Foundation
46 Portland Place
London W1B 1NF
Phone: +44 (0) 207 323 3700
Fax: +44 (0) 207 323 0788

For further information and images please contact us by email at:
Miss Asha Burchett at ab@redmansion.co.uk

February 26th, 2008

ARTfutures 2008 at Bloomberg SPACE

Artipedia - Arts News
Contemporary Art Society

ARTfutures 2008
6 - 12 March 2008
Bloomberg SPACE
50 Finsbury Square
London
EC2A 1HD

http://www.artfutures.org.uk
http://www.contempart.org.uk

ARTfutures 2008 is here!

Artfutures is a unique and un-missable event in the contemporary arts calendar. Each year, the Contemporary Art Society handpicks work by approximately 100 artists to form an exhibition of work for sale. Selected through a combination of exhaustive research including studio visits, ARTfutures offers a truly unrivalled opportunity to buy contemporary art, selected by the UK’s leading non-profit agency for independent advice on contemporary collecting.

The exhibition offers a snapshot of contemporary practice – showing work by artists who have recently graduated to those who have substantial reputations - and embracing the full spectrum of media. Independent curator Jeni Walwin, and artist Nicky Hirst lead the selection this year, inviting a number of distinguished artists to nominate other artists and to contribute work themselves has extended the boundaries of the show.

With prices ranging from 500 to 5000 pounds, approximately 100 artists will contribute around 1000 works, all created in the last two years. ARTfutures is therefore ideal for those in the market for contemporary art and the selectors, curators and specialists from the Contemporary Art Society will be on hand at all times for information and expert advice. ARTfutures will be held at Bloomberg SPACE, London EC2.

“We need artists that expose and exploit the mechanisms of wonder”
Nicky Hirst 2007

Artists confirmed so far:

Pio Abad, Jananne Al-Ani, Ed Allington, Salvatore Arancio, Charles Avery,
Alex Baker, Darren Banks, Beagles and Ramsay, Zadok Ben-David, Simon and Tom Bloor, Brass Art, G.L. Brierley, Matt Calderwood, Jacob Cartwright, Toby Christian, Declan Clarke, Ruth Claxton, Marcus Coates, Liz Collini, Susan Collis, Michael Craig-Martin, Andrew Cross, Simon Cunningham, Layla Curtis, Dexter Dalwood, Kaori Dan, Jeffrey Dennis, Sean Edwards, Giles Eldridge, Tim Etchells and Vlatka Horvat, Simon Faithfull, Peter Finnemore, Laura Ford, Matt Franks, Margarita Gluzberg, Rachel Goodyear, Tommy Grace, Mark Gubb, Nathalie Guinamard, Graham Gussin, Tim Head, Melanie Jackson, Jackson Webb, Tess Jaray, Juneau Projects, Anish Kapoor, David Kefford, Karin Khilberg and Reuben Henry, Penny Klepuszewska, Karen Knorr, Tim Knowles, Shay Kun, Rannva Kunoy, Langlands and Bell, Julia Langley, Leo, Rory Macbeth, Oswaldo Macia, Alastair Mackie, Sarah MacKillop, Matt & Ross, Jeff McMillan, Sarah Michael, Heather and Ivan Morison, Stephen Nelson, Harold Offeh, Eamon O’Kane, Julian Op
ie, Robert Orchardson, Uriel Orlow, Sally Osborn, Gyan Panchal, Andy Parker, Katie Paterson, Paul Mart, Ana Prada, Elizabeth Price, Kieren Reed, Clunie Reid, Magali Reus, Frances Richardson, Boo Ritson, Keith Roberts, Danny Rolph, Gideon Rubin, Zineb Sedira, DJ Simpson, Jane Simpson, Shaan Syed, Tatham and O’Sullivan, Roy Voss, Ben Washington,
Jen Wei Kuo, Bedwyr Williams, Keith Wilson, John Wood and Paul Harrison

For up-to-date list of participating artists visit http://www.artfutures.org.uk

ARTfutures relies upon the generosity of artists and support of dealers, who allow the Contemporary Art Society to take commission on sales, which generates funds for our charitable work, including purchasing contemporary art to gift to public collections across the UK. In doing so, we ensure contemporary art is accessible to the most diverse audience nationally and that the artists of our own times are represented in public collections, for the pleasure and inspiration of audiences tomorrow.

ARTfutures 2008
6 - 12 March 2008

Bloomberg SPACE
50 Finsbury Square
London
EC2A 1HD

Opening hours:
11am - 6pm daily
Except for Sunday and Monday 11am - 5pm
Late night opening Wed until 9pm
FREE ADMISSION

http://www.artfutures.org.uk
http://www.contempart.org.uk

T 0207 831 3222
E artfutures@contempart.org.uk

February 26th, 2008

Arteamericas Brings the Best Latin American Art to Miami

Artipedia - Arts News
arteaméricas

Jose Benito, “no tendra titulo”, 2007,
madera, lapiz, papel filandes y cable de acero
55×160x23cm.
Courtesy of Galeria Via Margutta Arte Contemporaneo, Argentina

arteaméricas
Friday, March 28th -
Monday, March 31st

http://www.arteamericas.com

MERRILL LYNCH ARTEAMERICAS BRINGS THE BEST LATIN AMERICAN ART TO MIAMI

Merrill Lynch arteaméricas, the premier fair of art from Latin America, will be returning to Miami for the sixth year in a row. Starting on Friday, March 28th through Monday, March 31st, Merrill Lynch arteaméricas will showcase the latest trends in paintings, sculpture and multimedia from contemporary artists as well as renowned masters at the Miami Beach Convention Center.

In six short years, Merrill Lynch arteaméricas has become one of the world’s most important and most prestigious fairs of Latin American art. Seventy of the best galleries from Argentina, Bolivia, Colombia, Ecuador, Haiti, Mexico, Panama, Peru, Puerto Rico, Spain, Uruguay, the Dominican Republic, the United States and Venezuela will be in attendance this year. With them, they will bring works by internationally celebrated artists, including Fernando Botero, Lygia Clark, Wifredo Lam, Armando Reverón, Jesús Soto, Rufino Tamayo and Joaquín Torres-García. Vanguard contemporary artists including José Bedía, Tony Bechara, José Pedro Costigliolo, Eduardo Chapela, Bastón Díaz, León Ferrari, Carmen Herrera, Kcho and Hugo Zapata will also be represented at the 2008 edition of Merrill
Lynch arteaméricas.

Participating galleries include:
Aldo de Sousa, Alvear Arte, Fundación Alfonso y Luz Castillo / Arte x Arte, Archimboldo, Del Infinito Arte, Dharma Galería, Fundación Leopoldo Torres Agüero, GM Espacio de Arte, Pabellón 4, Javier Balina, RO Galería , Van Eyck Galeria de Arte and Via Margutta Arte Contemporáneo, from Argentina; Fundación Es Art and Salar Galeria de Arte, from Bolivia; Alonso Arte, Galería El Museo and Galería Sextante, from Colombia; Galería Jacob Karpio, from Costa Rica; dpm Arte Contemporáneo, from Ecuador; Galería Fernando Pradilla and Joan Guaita, from Spain; Galerie Bourbon-Lally and Galerie Marassa, from Haití; Alfredo Ginocchio, Aqua Gallery, EDS Galería and Quetzalli, from México; Galería Arteconsult, Aleman & Grimberg, from Panamá; Artco Galería, Enlace and La Galería, from Perú; Alinka Arte Contemporáneo, Arawack, Arte Berri and Lyle O. Reitzel Gallery, from Dominican Republic; Galería Sur, from Uruguay; Artepuy, Galería Blasini, Galería Durban S
egnini, Galería Okyo and Juan Ruiz Galeria, from Venezuela.

Latin American art in the United States is widely represented by: Aldo Castillo Art Gallery, Chicago; PanAmerican Art Projects, Dallas; Alejandra von Hartz Fine Art, Amat Gallery, Arévalo Arte, ArtSpace / Virginia Miller, Beaux Arts, Cernuda Arte, Dot Fifty One, Hardcore Art Contemporary Space, Diana Lowenstein Fine Art, Durban Segnini Gallery, dpm Arte Contemporaneo, Latin Art Core, PanAmerican Art Projects, Praxis International Art, Sammer Gallery, Signature Art , The Americas Collection and Tresart, Miami; Cecilia de Torres LTD, Galería Solar, Latin Collector and Leon Tovar Gallery, New York; A. Cueto, Gómez Fine Art and Latitude Art Project, Puerto Rico; Ruiz-Healy Art, San Antonio; and Blue Morphos Gallery, West Palm Beach.

Prestigious art institutions
as Florida’s Arts Connection, Bass Museum of Art, CIFO/ Cisneros Fontanals Art Foundation, Lowe Art Museum, MAM / Miami Art Museum and MOCA / Museum of Contemporary Art, Museum of Art Ft. Lauderdale, Rubell Family Collection, and the Patricia & Phillip Frost Art Museum; Museo del Barrio from New York; MoLAA from California; Museo de Arte de Puerto Rico; and Caracas’ Colección Patricia Phelps de Cisneros are all supporting the 2008 installation of Merrill Lynch arteaméricas in
Miami Beach.

Merrill Lynch arteaméricas is directed by Leslie Pantín serving as the fair’s President; Emilio Calleja as Vice President; and Diego Costa Peuser, publisher of Arte al Día Internacional and director of PINTA Art Fair in New York as Fair Director of arteaméricas. Visit Merrill Lynch arteaméricas online at http://www.arteamericas.com for more information.

Public Relations Director:
Liana Pérez, liana@artcircuits.com , 305.661.0511

Press Contacts:
Sara Bradford, sara@thinkbsg.com , 305.929.9710
Carolina Ledezma, contacto@artcircuits.com , 347.901.6641

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