Archive for February 24th, 2008

Pawnshop to file for bankruptcy

Sunday, February 24th, 2008

Artipedia - Arts News

Pawnshop to file for bankruptcy
CLOSE OUT SALE
February 29th, 2008

PAWNSHOP
53 Ludlow street
New York, NY 10002

Pawnshop to file for bankruptcy

NEW YORK, February 24th 2008 —Troubled art project by Julieta Aranda, Liz Linden and Anton Vidokle, entitled Pawnshop, said yesterday it will close at the end of this month and file for bankruptcy protection, becoming the latest such lender to fall to the mounting mortgage and credit crises and general recession around the United States.



The artists said in an announcement that they have stopped accepting new submissions, and that talks are underway with potential buyers to leverage its artistic assets. Pawnshop said that it has been unable to complete a hoped-for deal for further financing with Manhattan-based Angelo, Lewis & Co.

Pawnshop said in its announcement, “We do not expect to be able to consummate the…transaction with Angelo, Lewis & Co. Furthermore, Pawnshop does not believe that it will be able to continue as a going concern.” Staff of Pawnshop and Angelo, Lewis & Co. did not return calls for comment.



Pawnshop, which has reduced its workforce in recent months, did not spell out the impact of the bankruptcy on the remaining employees.



But at least five people were seen leaving Pawnshop ’s office on Ludlow Street with boxes by early afternoon yesterday and three acknowledged that they had been laid off, although they would not give their names. Another person said there had been “a lot of tears” at the shop because “people love this place.” People said they would not give their names because Pawnshop had told them not to talk to the press.


Charles Seilinger, founder of Fast Easy Funding in Wheehawken, NJ, said there was little surprise in Pawnshop’s bankruptcy. “I was shocked that they hung on as long as they did,” Seilinger said. “They were only a small-time lender. With the current economic climate, nobody is willing to buy that art stuff.”

A former Pawnshop assistant, who spoke on condition of anonymity, said he was taken aback by the bankruptcy filing. “I am surprised because it’s such a well-run art project,” said the former assistant, who worked at Pawnshop for several months before being laid off a few days ago. “They were not by any stretch of the imagination a project that took risks. That was evident in their artists line-up. But I’m not surprised that the market forces were bigger than they were. Unfortunately, they were not operating in a vacuum.”

Pawnshop ’s announcement, coming on the same day that President Bush announced the federal government’s plan to try to defuse the mortgage crisis, follows other lender companies around the country filing for bankruptcy, including the giant American Home Mortgage. American Home, one of the top 10 mortgage companies in the country, collapsed over the summer. 

The final day of Pawnshop ’s operation in New York — Friday, February 29th, dubbed Black Friday by industry insiders, is expected to feature a massive “going out of business” sale and a goodbye reception for patrons of the establishment. The precise hour of the reception has not been confirmed, but an ex-employee told us that she is “95% sure the shop will stay open real late on this last day, at least till 10PM and possibly even later.”

Unconfirmed rumors surrounding the closing in New York suggest that Aranda, Linden & Vidokle are trying to relocate Pawnshop to a more robust economic zone. Rotterdam and Beijing were named among several possible new locations. 

Pawnshop ’s controversy has recently appeared in the New York Times and the BBC world radio. 

At its peak, Pawnshop included works by: Lucas Ajemian, Ayreen Anastas, James Angus, Julieta Aranda, Artemio, Julie Ault, Fia Backström, Steven Baldi, Agnes Barley, Julien J. Bismuth, Bengala, Mike Bouchet, Ethan Breckenridge, Willie Brisco & Danna Wajda, Kadar Brock, AA Bronson/General Idea, François Bucher, Paul Chan, Jan Christensen, Heman Chong, COPYSHOP/Superflex, Keren Cytter, Marcelline Delbecq, Wilson Diaz, Nico Dockx, Christoph Draeger, Gardar Eide Einarsson, Jakup Ferri, Jean-Pascal Flavien, Claire Fontaine, Rene Gabri, Nikolas Gambaroff, Mario Garcia Torres, Jaime Gecker, Benjamin Gervis, Andrea Geyer, Simryn Gill, Liam Gillick, Sara Greenberger Rafferty, Martha Rosler, Diango Hernández, Gregory Hilton, Ralf Homann, Karl Holmqvist, Sejla Kameric, Matt Keegan, Christoph Keller, Brandon Kennedy, Gabriel Kuri, Adriana Lara, Annika Larsson, Francine LeClercq, Gabriel Lester, Liz Linden, Esther Lu, Rodrigo Mallea Lira, Aleksandra Mir, Naeem Mohaiemen, Lucas Moran, C
arlos Motta, Sina Najafi, Angel Nevarez and Valerie Tevere, Olaf Nicolai, Ernesto Neto, Ylva Ogland, Yoshua Okon, Serge Onnen, Joe Pflieger, Lisi Raskin, Fay Ray, Martha Rosler, Natascha Sadr Haghighian, Anri Sala, Eduardo Sarabia, Aaron Simonton, Matt Sheridan Smith, Michael Smith, Nedko Solakov, Kimsooja, Francesco Spampinato, Anna Stein, Rirkrit Tiravanija, Gabriela Vainsencher, Costa Vece, Anton Vidokle, Lawrence Weiner, Florian Wüst and Andrea Zittel.

Wim Delvoye at Ernst Museum, Budapest

Sunday, February 24th, 2008

Artipedia - Arts News
Ernst Museum

Wim Delvoye
February 16 - March 23, 2008

Ernst Museum
Nagymezo u. 8..
H-1065Budapest
Phone: (36 1) 413 1310
Fax: (36 1) 321 6410
info@mucsarnok.hu
http://www.ernstmuzeum.hu

Ernst Museuem Budapest is pleased to present the solo show of Wim Delvoye open until March 23.

An event of LOW, the Dutch-Flemish Cultural Festival, Budapest 2008

Opening: Friday, 15 February 2008, 6 p.m.
Opening speech by: Dieter Roelstraete, curator of MuHKA, Antwerp

Whether you love it or hate it, you will have an opinion: Wim Delvoye, enfant terrible of the contemporary scene, makes art that will not go unnoticed. These provocative works, which make emphatic use of antagonisms, flout conventions and dogmas. His raw honesty and grotesque humour will make you laugh and wonder at the same time.

It is impossible not to notice a kinship with earlier Belgian art. His works resonate with Ensor’s scatological/obscene humour, Magritte’s austere absurdism, Broodthaers’ interest in the unspoken rules of the world of art. Delvoye’s art is a celebration of paradox, based as it is on the Belgian surrealist tradition, the practice of conjoining two different elements/ideas in the same work. The gas cylinders painted in the style of Delft porcelain; the teak wood concrete mixer with baroque ornamentation; painted glass windows with sex scenes; excavators in the style of gothic cathedrals: they all reference, in their peculiar manner, the history of art.

His creative methods extend from the simple drawing to real tattoos, from stuffed animals to bronze casts, from installation to live pigs, from lipstick marks to X-ray photos. If his works are often heavy, massive, they are always vibrant with playful ideas and an ironic overtone.

Beside the pigs tattooed with elaborately detailed Harley-Davidson and Walt Disney motifs, his probably best-known work is Cloaca (2000-2007), which he has prepared in eight versions. The large installation is a complex device that models human digestion. It has a mouth, a stomach, a duodenum and a pancreas, containers with enzymes, and a belt conveyor, which produces, when regularly fed, the end result,
i.e. excrement.

Born in 1965, Wim Delvoye lives and works in Gent. He earned international recognition with such high-profile exhibitions as the Venice Biennale in 1990 and 1999, and the Documenta 9 in 1992. Presented in Ernst Museum, the exhibition offers an overview of the Flemish artist’s work to date, where beside the tattooed pigs and the Gothic concrete mixer truck, an original, working Cloaca is expected to invite considerable media attention.

The exhibition was initiated by art historian Barnabás Bencsik.
Curator: Kati Simon, Mucsarnok / Kunsthalle, Budapest

The exhibition was made possible with the precious help of the Studio Wim Delvoye in Ghent
( info@cloaca.be ).

Special sponsor of the exhibition, caterer of Cloaca is: Két Szerecsen Cafe and Bistro in Budapest
( http://www.ketszerecsen.com ).

Supporters: Embassy of Belgium – Flemish Representation, Embassy of the Kingdom of the Netherlands, National Cultural Fund of Hungary, Flemish Authorities, Ministry of Foreign Affairs of the Netherlands, Ministry of Education, Culture and Science of the Netherlands, Service Centre for International Cultural Activities / SICA, Hungarofest, Ministry of Education and Culture of Hungary, Két Szerecsen Cafe and Bistro

Media sponsors: Art-magazin, Színes RTV

For further information please contact:
Reka Csejdy at rcsejdy@mucsarnok.hu

The Hayward presents Laughing in a Foreign Language

Sunday, February 24th, 2008

Artipedia - Arts News
The Hayward

Julian Rosefeldt, Clown (detail), 2005
3-screen film installation
Copyright: the artist 2007
Courtesy Arndt & Partner Berlin / Zurich and
Max Wigram Gallery London

LAUGHING IN A
FOREIGN LANGUAGE
25 January - 13 April 2008

The Hayward
Southbank Centre
Belvedere Road, London, SE1 8XX

http://www.southbankcentre.co.uk/visual-arts

In the first major UK gallery survey of its kind, Laughing in a Foreign Language explores the role of laughter and humour in contemporary art through the work of 30 international artists, including Jake and Dinos Chapman (UK); Ugo Rondinone (Switzerland); Makoto Aida (Japan); Doug Fishbone (US); John Bock (Germany); David Shrigley (UK); Jun Yang (China); Julian Rosefeldt (Germany); Olaf Breuning (Switzerland); Candice Breitz (South Africa), Matthew Griffin (Australia) and Marcus Coates (UK). Laughing in a Foreign Language, from 25 January – 13 April is the first exhibition curated by The Hayward’s new international Curator, Mami Kataoka.

In a time of increasing globalisation, the exhibition questions if humour can only be appreciated by people with similar cultural, political or historical backgrounds and memories, or whether it can act as a catalyst for understanding the unfamiliar. Bringing together 80 works including videos, photographs and interactive installations, many of which have not been shown in the UK before, the show investigates the whole spectrum of humour, from jokes, gags and slapstick to irony, wit and satire, as well as questioning what it means to share a sense of humour and what it is that makes an individual laugh.

Talks and Events:
MARCUS COATES
Spirit Caravan: mobile personal consulting
Saturday 1 March, 3pm-6pm

DOUG FISHBONE
An Evening with Doug Fishbone
Saturday 1 March, 6.30pm

GHAZEL: Home film screening
Friday 4 March, 7pm

ABOUT LAUGHTER, SERIOUSLY: LAUGHLAB
Tuesday 11 March, 7pm

JAKE CHAPMAN
Wednesday 26 March, 7pm

http://www.southbankcentre.co.uk/laughing

Also on at The Hayward:
Alexander Rodchenko: Revolution in Photography
7 February - 27 April 2008
Featuring some 120 original prints and photomontages, the exhibition traces the development of Rodchenko’s photography over two decades from 1923, a period when he created many classic works of Russian and world photography. The exhibition is organised by the Moscow House of Photography and curated by its Director Olga Sviblova. The Hayward’s presentation of this exhibition is made possible with the support of Roman Abramovich.

Talks:
RODCHENKO: REVOLUTIONARY AND ROMANTIC
Talk by David Elliot, cultural historian and curator
Friday 11 February, 7pm

RODCHENKO: THE LEGEND AND THE LEGACY
Talk by curator Olga Sviblova
Tuesday 15 April, 7pm

http://www.southbankcentre.co.uk/rodchenko