Archive for November 21st, 2007

24-hour exhibition at Museion

Wednesday, November 21st, 2007

Artipedia - Arts News
Museion

Solo24Ore24Stunden
12:00-12:00
14-15.12.2007
http://www.museion.it

Museion, museum of modern and contemporary art, Bolzano/Bozen

While the formal inauguration is scheduled for May 24th, 2008, Museion will start its program at the new building with “Solo24Ore24Stunden”: a 24-hour exhibition-event beginning on December 14 at 12:00 noon and ending at 12:00 noon of the following day, December 15. The exhibition-event will celebrate the architecture of new building, planned by the Berlin-based studio KSV Krüger,
Schuberth e Vandreike.

“Solo24Ore24Stunden” will anticipate the formal opening by giving forth the physical presence of a new public building to all citizens. It will present, in the entire new architectural space, a strong selection of visual art works and a program of interdisciplinary performances.

The 24-hour format represents not only a radical gesture in terms of exhibition apparatus, but also expresses the exceptionality of an event which will happen and then disappear after a very limited amount of time.

artists

Francis Alÿs; Carl Andre; Samuel Beckett; Joseph Beuys; Monica Bonvicini; Trisha Brown; Mircea Cantor; Boris Charmatz; Tacita Dean; Odile Duboc; Cerith Wyn Evans; Lara Favaretto; Nicolas Floc’h; Hamish Fulton; Gilbert & George; Douglas Gordon; Rodney Graham; Henrik Håkansson; Elisabeth Hölzl; Emmanuelle Huynh; On Kawara; Elena Kovylina; Xavier Le Roy; Zilla Leutenegger; Mark Lewis; Gordon Matta-Clark; Mike Meiré; Philipp Messner; Steve Paxton, Diego Perrone; Otto Piene; Cesare Pietroiusti; Michelangelo Pistoletto; Pietro Roccasalva; Dieter Roth; Thomas Ruff; Tino Sehgal; Roman Signer; Günther Uecker; Andy Warhol

With the collaboration of Slow Food - Bolzano

Jorge Pardo at the Museum of Contemporary Art, North Miami

Wednesday, November 21st, 2007

Artipedia - Arts News
Museum of Contemporary Art

Jorge Pardo, Untitled (Cesar and Mima Reyes House), 2006, Medium and Dimensions Variable. Photo: Nikolas Koenig

Jorge Pardo: House
December 4, 2007 - March 2, 2008
MUSEUM OF CONTEMPORARY ART, North Miami
770 NE 125th Street
North Miami, FL 33161
305.893.6211

http://www.mocanomi.org

The Museum of Contemporary Art presents the first comprehensive U.S. museum exhibition of Jorge Pardo. As Pardo’s work generally assumes the form of recognizable objects such as furniture, stretched paintings, or habitable structures, he is often considered one of the leading artists to cross the boundaries of art, design, and architecture. Although many of these objects are fully functional as furniture or architecture, their function actually is more complex. Pardo investigates what constitutes an aesthetic experience. In particular, he speculates on what separates an art experience from an everyday experience, especially when the environment that he has created looks very similar to objects and spaces viewers encounter in their daily life.

Reassembling works for a mid-career survey provided challenges as Pardo created most of his work for installations at galleries, museums, or specific locations. His projects and groupings of works embodied a particular course of exploration and inquiry into the aesthetic experience that Pardo pursued at the time they were created. The gallery space or site established the framework that influenced the viewer’s response. In most cases, these installations were dismantled after the exhibition and the individual objects were dispersed to collectors and museums. Some collectors use these works as functioning furniture. Other collectors and museums present these objects as art works to be looked at, but not touched.

As context plays an essential role in the presentation of his work, Pardo was invited to create a new context that would provide the conceptual framework for this exhibition. Jorge Pardo: House adopts the premise of a “home”, which is at once familiar and in the museum context, disarming. By transforming the museum into a house and treating its galleries as rooms, Pardo’s works could be reassembled according to their apparent use in the appropriate location. Pardo also designed the exhibition’s floor plan, which provides no defined path through the exhibition and in certain areas opens up the vista into several spaces at once. The exhibition also extends beyond the museum itself to encompass site-specific projects around the world. These projects are presented as large-scale photomurals, which create a disorienting space for viewers and run through the gallery like a filmstrip.

Jorge Pardo: House is sponsored by U.S. Trust, Bank of America Private Wealth Management, Rosa and Carlos de la Cruz, and Christie’s.

The exhibition is organized by the Museum of Contemporary Art, North Miami and curated by Bonnie Clearwater. It also will be presented at the Museum of Contemporary Art, Cleveland in Fall 2008; other venues to be announced. An illustrated catalog accompanies the exhibition.

On view at MOCA at Goldman Warehouse, the Museum of Contemporary Art’s satellite gallery in Wynwood
First solo museum exhibition of Enoc Perez
December 6 2007 - March 22, 2008
404 NW 26th Street, Miami
305.573.5441

Enoc Perez uses a complex painting process to create evocative portraits, tropical still lifes and renderings of modernist architectural icons. Thirty-five of his major canvases from 2000 to the present will be on view, along with a selection of new works on paper Perez created especially for
the exhibition.

Enoc Perez is organized by the Museum of Contemporary Art, North Miami and is curated by Bonnie Clearwater. The exhibition is made possible in part with funds raised from Mystery Dates 2007. An illustrated catalog accompanies the exhibition.

Special hours during Art Basel Miami Beach:
MOCA, North Miami
Wed, Dec 5- Mon. Dec 10 9 am - 5 pm

MOCA at Goldman Warehouse
Thurs, Dec 6 - Mon., Dec 10 9 am - 5 pm
Free Shuttle Service to MOCA North Miami
Wed Dec 5-Mon Dec 10
9 am - 1 pm
Leaving from Sagamore Hotel, 1671 Collins Avenue, Miami Beach, every 30 minutes.

Fiona Tan at Lund Konsthall

Wednesday, November 21st, 2007

Artipedia - Arts News
Lund Konsthall

Fiona Tan, The Changeling, 2006-07,
digital installation.

Time and Again. Fiona Tan
24 November 2007 - 27 January 2008
Opening Friday, 23 November 5 - 8 pm
Lund Konsthall
Mårtenstorget 3
SE-223 51 Lund
Sweden
Phone: +46(0)46-35 52 94
Fax: +46(0)46-18 45 21

http://www.lundskonsthall.se

Lund Konsthall’s presentation of Fiona Tan’s art includes both newer and older work and is the largest to date in Sweden. The exhibition’s title speaks of difference and repetition, of the new and
the recognizable.

Fiona Tan was born 1966 in Indonesia. She grew up in Australia, and now she lives and works in the Netherlands. She is a leading contemporary artist, often shown in biennials, group and solo exhibitions during the last ten years. Fiona Tan has achieved mastery of her selected means of expression: video, film, photography, text. She has won the appreciation and affection of viewers and critics for the precision, meaningfulness and visual impact of her work.

Fiona Tan’s art asks questions that support different interpretations. How has western colonialism affected contemporary understandings of identity and belonging? How can archival material be used to articulate the exotic? What is portraiture today? How can notions such as subjectivity and time be portrayed in still and moving images?

The exhibition at Lund Konsthall revolves around two recent works, the video installation A Lapse of Memory from 2007 and a Swedish-language version of the voice and image installation The Changeling from 2006/07. Fiona Tan asks herself and the viewer how a character and a story can be created and understood. Who is Henry, the old man in A Lapse of Memory who inexplicably inhabits the orientalist Royal Pavilion in Brighton? Are we to assume that the uniformly styled Japanese schoolgirls in The Changeling become different apparitions of the narrator, here impersonated by the celebrated Swedih actress Anita Björk, who in turn appears to become both daughter, mother
and grandmother?

Fiona Tan wants us to see and listen to the characters and their stories. She stages that fleeting incommensurability of language and image that is usually called the audiovisual. What we hear and what we see is not necessarily fused into a seamless whole. The voiceover does not always add truth to the picture; the image does not always show evidence for the text.

The exhibition also includes a series of photographs from 2006 entitled West Pier I−V, associated with A Lapse of Memory since both works depict locations in Brighton. Three earlier works are also shown: Downside Up, a video installation from 2002, Message, a 16mm film installation from 1997 and n.t. (Leidsestr.), a video from 1997.

Time and Again. Fiona Tan is organised with a generous grant from the Mondriaan Founadtion
in Amsterdam.