Archive for November 7th, 2007

Miami Art Museum presents The Killing Machine and Other Stories

Wednesday, November 7th, 2007

Artipedia - Arts News
Miami Art Museum

Janet Cardiff — George Bures Miller
The Killing Machine
2007
Mixed media audio installation.
Courtesy the artists
Copyright: Photo: Seber Ugarte

U.S. PREMIERE OF NEW EXHIBITION OF WORKS BY JANET CARDIFF AND
GEORGE BURES MILLER AT MAM

THE KILLING MACHINE AND OTHER STORIES
October 21, 2007 - January 20, 2008

SOLE U.S. VENUE FOR THIS INTERNATIONALLY TOURING EXHIBITION
Miami Art Museum and Freedom Tower
101 West Flagler Street
Miami, FL 33130
305.375.3000
http://www.miamiartmuseum.org

Miami Art Museum presents 11 installations by Janet Cardiff and George Bures Miller. The first exhibition in the Museum’s new collaboration with Miami Art Central (MAC@MAM) Janet Cardiff and George Bures Miller: The Killing Machine and Other Stories 1995-2007 premiered on October 21, 2007 and remains on view through January 20, 2008. This exhibition is presented in two locations: Miami Art Museum and Freedom Tower, both in downtown Miami.

Janet Cardiff and George Bures Miller: The Killing Machine and Other Stories 1995-2007 was organized by the Museu d’Art Contemporani de Barcelona (MACBA) and the Institut Mathildenhöhe (Darmstadt, Germany). The exhibition premiered at the MACBA and was on view at the Institut Mathildenhöhe before traveling to Miami.

The Killing Machine and Other Stories 1995-2007 features11 installations that weave together independent but complementary experiences. Each piece moves to its own time and rhythm, uniting sound with moving image in order to produce stories that live side by side in time. The installation that gives the exhibition its name, The Killing Machine (2007), is based on Franz Kafka’s story In the Penal Colony. A reflection on the use of the death penalty in the United States, the piece seems to invite the spectator to approach it, while simultaneously arousing a feeling of rejection. Also on view will be The Paradise Institute which was created for the Canadian Pavilion of the 2001 Venice Biennial and won both the Biennale di Venezia Special Award and the Benesse Prize.

“We are thrilled to launch our MAC@MAM exhibition series with the U.S. premiere of these groundbreaking works by Janet Cardiff and George Miller,” said Terence Riley, Director of Miami Art Museum. “Visitors will find themselves transported to and immersed in new, dreamlike worlds. This exhibition continues both MAM’s and MAC’s shared mission to make the work of living artists readily accessible to the people of Miami and the region.”

Since the early nineties, the husband-and-wife team of Cardiff and Miller have worked together on installations in which they use sound as the principal subject and raw material to create memorable spatial environments. Using binaural recording techniques to create three-dimensional sound spaces, their audio installations challenge the visitor’s sensory experiences, pitting the sense of hearing in opposition with the sense of sight. Their installations also unite forms of high culture such as opera, German Expressionist cinema and French New Wave films with popular culture, such as B-movies, rock and roll and radio broadcasts.

In addition to their collaborations, both artists work separately and the exhibition includes examples of individual productions by each artist. The Freedom Tower venue at 600 Biscayne Boulvard, will feature Cardiff’s Forty Part Motet, based on a 16th century choral piece -Spem in Alium by Thomas Tallis. Cardiff embodied Tallis’ composition for 40 voices in an oval arrangement of 40 speakers, one for each voice in the composition. By moving around and through the space Cardiff created, participants can experience the piece just as it is perceived by the performers themselves. At MAM, Miller’s Imbalance 6 (Jump) (1998) which consists of a television suspended from the ceiling by a cable which seemingly reacts to the screen image of the artist’s jumping feet will be on view.

The installation of Cardiff’s Forty Part Motet at Freedom Tower is Tuesday through Saturday from 12:00 pm - 5:00 pm. There is no admission charge at Freedom Tower.

Janet Cardiff and George Bures Miller: The Killing Machine and Other Stories 1995-2007 is organized and co-produced by the Museu d’Art Contemporani de Barcelona (MACBA) and the Institut Mathildenhöhe (Darmstadt, Germany) in collaboration with Miami Art Museum. In Miami, it is a MAC@MAM program coordinated by Adjunct Curator Rina Carvajal. The Freedom Tower venue is courtesy of Terra Group.

Major support is provided by the Cisneros Fontanals Art Foundation in partnership with Porsche Cars North America.

Additional support is provided by Terra Group, The Consulate General of Canada in Miami and MAM’s Annual Exhibition Fund.

MAC@MAM
MAC@MAM is an innovative collaboration between two major Miami cultural institutions. Merging MAC’s cutting-edge exhibitions into MAM’s nationally recognized museum program, MAC@MAM provides an exciting new contemporary art resource in Miami’s thriving arts community. Conceived by MAC founder and MAM Trustee Ella Fontanals-Cisneros, together with the leadership of Miami Art Museum, MAC@MAM enhances and expands Miami Art Museum’s contemporary programs in anticipation of the museum’s move to a state-of-the-art new waterfront building designed by architects Herzog and de Meuron in 2011.

Miami Art Museum
Miami Art Museum is dedicated to engaging the public with art from the twentieth century through the present. Since its founding in 1996, the Museum has built a collection of contemporary art with the goal of providing Miami with a legacy for future generations. MAM’s collection has grown exponentially since Art in America called it “the quintessential Miami collection” in 1999. The MAM collection is dedicated to international art of the 20th and 21st centuries, taking a hemispheric perspective of the Americas.

Open Tuesday through Friday - 10 AM to 5 PM, Saturday and Sunday - noon to 5 PM. Closed Monday. Admission for MAM members, children under 12 and students (with valid ID) is free. Free admission second Saturdays.

Grey Art Gallery presents The Geometry of Hope

Wednesday, November 7th, 2007

Artipedia - Arts News
Grey Art Gallery

Judith Lauand, Concreto 61 (Concrete 61), 1957
Courtesy Colección Patricia Phelps de Cisneros.

FINAL WEEKS

THE GEOMETRY OF HOPE: LATIN AMERICAN ABSTRACT ART FROM THE PATRICIA PHELPS DE CISNEROS COLLECTION

Critically Acclaimed Exhibition Closes December 8, 2007
Grey Art Gallery
New York University
100 Washington Square East
212-998-6780

http://www.nyu.edu/greyart

The Geometry of Hope: Latin American Abstract Art from the Patricia Phelps de Cisneros Collection comprises more than 100 works from the Colección Patricia Phelps de Cisneros (CPPC). Together, these provide an illuminating and engaging overview of Latin American Geometric Abstraction from the 1930s to the 1970s. This is the first time that a major group of works from the CPPC–widely acknowledged to be among the finest of its kind in the world–has been on view in
New York City.

The Geometry of Hope includes work by such artists as Lygia Clark, Gego, Hélio Oiticica, Alejandro Otero, Joaquín Torres-García, and others. The exhibition focuses on key cities in the development of abstraction in the Americas: Montevideo, Buenos Aires, São Paulo, Rio de Janeiro, Paris, and Caracas. In tracing the development of ideas from one socio-geographic context to another, The Geometry of Hope challenges the view of Latin American art as a single phenomenon, revealing important differences and tensions among various artistic proposals articulated during the decades
under examination.

The Geometry of Hope was organized by the Blanton Museum of Art, at The University of Texas at Austin. The exhibition and its catalogue were the culminating project of the Cisneros Graduate Research Seminar at the University, a multi-year scholarly collaboration between the CPPC and
the Blanton.

The exhibition is accompanied by a series of interdisciplinary public programs: The Geometry of Hope: Abstraction as Cultural Expression–a Campus-wide Initiative, organized by Grey Art Gallery and NYU’s Dean for the Humanities Edward Sullivan. For more information, visit http://www.nyu.edu/greyart

COLECCIÓN PATRICIA PHELPS DE CISNEROS

The Caracas-based Colección Patricia Phelps de Cisneros focuses on modern and contemporary art from Latin America, and includes as well Latin American landscapes from the seventeenth century to the present day; Venezuelan colonial art; and the drawings, diaries, and artifacts of French artist-explorer Auguste Morisot. Works from the CPPC form the basis of diverse educational and public programming, ranging from programs for teachers and students to international symposia. For additional information, visit http://www.coleccioncisneros.org

GREY ART GALLERY

Grey Art Gallery is New York University’s fine-arts museum, located on historic Washington Square Park in New York City’s Greenwich Village. Exhibitions and programs at the Gallery focus on art’s historical, cultural, and social contexts, with special emphasis on experimentation and interpretation. Exhibitions organized by the Grey have encompassed painting, sculpture, drawing and printmaking, photography, architecture and decorative arts, video, film, and performance. In addition to producing its own exhibitions, which often travel in the United States and abroad, the Gallery hosts traveling shows that might otherwise not be seen in New York.

For further information about The Geometry of Hope, please contact:
Jeanne Collins & Associates, LLC, New York City, 646-486-7050 or info@jcollinsassociates.com

Hours: Tuesday/Thursday/Friday: 11 am - 6 pm
OPEN LATE Wednesday: 11 am - 8 pm
Saturday: 11 am - 5 pm
Closed Sunday and Monday

Swiss Institute Annual Benifit Dinner & Auction

Wednesday, November 7th, 2007

Artipedia - Arts News
Swiss Institute

Live Lot: Paul and Damon McCarthy
‘Elizabeth Taylor in Doorway’ 2006
15″ X 17″
Donated by Hauser & Wirth
London Zurich

SWISS INSTITUTE ANNUAL BENEFIT DINNER & AUCTION 2007
Friday, November 16, 6PM
Prince George Ballroom
15 East 27th Street
between Fifth & Madison Avenues
New York, NY 10016

http://www.swissinstitute.net

SI AWARD 2007
Iwan Wirth
Founder of Hauser & Wirth London Zurich

SI ARTIST TRIBUTE 2007
Shirana Shahbazi

Live auction by Simon de Pury / Phillips, de Pury & Company

With art works by John Armleder, Olaf Breuning, Tom Burr, Peter Doig, Fischli/Weiss, Vidya Gastaldon, Georg Gatsas, Sara van der Heide, Markus and Reto Huber, Marco Kane, Jon Kessler, Jürg Lehni & Laurenz Brunner/ HEKTOR, Paul McCarthy and Damon McCarthy, Taylor McKimens, Marylin Minter, Dave Muller, Ernesto Neto, Olaf Nicolai, Adam Pendleton, Walter Pfeiffer, Richard Phillips, Kay Rosen, Julika Rudelius, Wilhelm Sasnal, Shirana Shahbazi, Miroslav Tichy, Olav Westphalen, Jordan Wolfson / List in formation

See the art works online
http://www.swissinstitute.net/shop/index.html

6:00PM: Cocktails and Silent Auction
7:30PM: Dinner and Live Auction
9:30PM: Silent Auction continues
until approximately 10:30 PM With Dessert Buffet, Coffee and Open Bar until 11:00 PM.

For Dinner: Business Attire

Tickets
http://www.swissinstitute.net/shop/tickets.html

Or contact Zuzia Bohdanowicz directly at (212) 925-2035 x18, zuzia@swissinstitute.net

The SI Co-Chairmen
Fabienne P. Abrecht & Dieter von Graffenried

The SI Honorary Chairman
H.E. Ambassador Christoph Bubb

The SI Director
Gianni Jetzer

The SI Benefit Committee
Brooke Alexander, Thomas Blaser, Peter Blum, Regula Bubb, Melva Bucksbaum and Ray Learsy, Jeffrey Deitch, Victor Gisler, RoseLee Goldberg, Jeanne Greenberg Rohatyn, Florian Gutzwiller and
Carolina Nitsch