Archive for September 15th, 2007

BAM/PFA presents One Way or Another: Asian American Art Now

Saturday, September 15th, 2007

Artipedia - Arts News
University of California, Berkeley Art Museum and Pacific Film Archive

One Way or Another:
Asian American Art Now
September 19 through December 23, 2007

University of California,
Berkeley Art Museum and
Pacific Film Archive
2626 Bancroft Way
Berkeley CA 94720

http://bampfa.berkeley.edu

The University of California, Berkeley Art Museum and Pacific Film Archive (BAM/PFA) presents One Way or Another: Asian American Art Now, a major exhibition that asks what it means to be Asian American in today’s world.

The exhibition features more than thirty works by seventeen Asian American artists, most of whom were born after 1970 or who grew up in the U.S. during that decade. Working in a range of styles and media, the artists reveal widely divergent ideas about being Asian American. One Way or Another: Asian American Art Now is organized by the Asia Society, New York, and opens at BAM/PFA on September 19 and runs through December 23, 2007.

Unlike an earlier generation of Asian American artists whose work made very bold and deliberate statements of identity — as seen in the ground-breaking Asia/America: Identities in Contemporary Asian American Art, organized by the Asia Society in 1994 –the artists featured in One Way or Another create work that is not dominated or defined by their ethnicity. Instead, "Asian Americanness" is a theme that informs, rather than drives, the artists’ work.

"The biggest thing we had to address was what constitutes ‘Asian American arts,’" says Susette Min, one of the exhibition curators. "Is it art created by an artist who identifies as Asian American? Is it art created by an artist who has at least one parent who’s Asian? Is it art that has something thematically associated with being Asian in America? Does it have to be politically motivated, or engaged with ‘traditionally’ Asian American issues?"

One Way or Another features artists primarily from three major regions with large Asian American populations: Los Angeles, New York, and the San Francisco Bay Area. Four artists are based in the Bay Area — Ala Ebtekar and Indigo Som (Berkeley), Mike Arcega (San Francisco), and Binh Danh (San Jose) — and four in Los Angeles: Glenn Kaino, Mari Eastman, Anna Sew Hoy, and Kaz Oshiro. The exhibition’s title is taken from the 1978 Blondie hit, and reflects the visible influence of popular culture on these artists’ work.

Film Series
In conjunction with the exhibition, the Pacific Film Archive will present More than One Way, a film series that looks at several generations of Asian American moving-image artists, concentrating on earlier moments in their creative careers. This nine-part series affords an overview of a quest for cultural identity that has evolved throughout recent decades. Artists such as Jon Moritsugu, Shu Lea Cheang, Gregg Araki, and Gina Lim, display in all their energetic departures a restless instinct for the brash, the unconventional, and the fearless. Patty Chang, a performance artist included in the gallery exhibition, will participate in a short residency, bringing her forceful and telling work to several BAM/PFA events.

Public Programs
One Way or Another will include a wide array of public programs that explore the question of Asian American identity. These include an interdisciplinary panel featuring several of the artists featured in the exhibition, a talk and demonstration by artist Binh Danh, a reading by young Asian American poets, a performance by artist Patty Chang, and a panel discussion focusing on Asian American identity and Asian adoption in the U.S.

Credit Line
The exhibition was organized by Asia Society Museum, New York, with support from Altria Group, Inc., the W. L. S. Spencer Foundation, Nimoy Foundation, and Asia Society’s Contemporary Art Council. The Berkeley presentation is supported in part by Richard Shapiro and Patricia Sakai. In-kind support provided by Southwest Airlines.

University of California, Berkeley Art Museum and Pacific Film Archive
2626 Bancroft Way, Berkeley CA 94720
http://bampfa.berkeley.edu

Gallery Hours:
Wednesday and Friday to Sunday, 11 to 5; Thursday 11 to 7.
Closed Monday and Tuesday.

Information:
t. (510) 642-0808
f. (510) 642-4889
TDD: (510) 642-8734

Press contact
Rod Macneil rmacneil@berkeley.edu

For more information go to: http://bampfa.berkeley.edu

The Warehouse Gallery presents COME ON…

Saturday, September 15th, 2007

Artipedia - Arts News
The Warehouse Gallery

COME ON: Desire Under The Female Gaze
until 27 October 2007

Artists:
Jo-Anne Balcaen
Juliet Jacobson
Rachel Rampleman

Curator:
Astria Suparak

Artist Talks: 20 Sept. 2pm
Reception: 20 Sept. 5-8pm

The Warehouse Gallery
at Syracuse University
350 W. Fayette St.
Syracuse, NY 13202
T: 315.443.6450

http://www.thewarehousegallery.org

Three artists in Montreal and Brooklyn explicitly express desire, fantasy, disappointment and pleasure in The Warehouse Gallery’s new exhibition, COME ON: Desire Under The Female Gaze.

A rock star’s virility is deflated through real-life testimonial in a video by Rachel Rampleman, male lovers are displayed in exquisite drawings evoking classical painting conventions by Juliet Jacobson, and Jo-Anne Balcaen employs the trappings of romance in humorous text works and suggestive, ephemeral sculpture.

Join the artists, Director Astria Suparak, and Assistant Director Frank Olive on Thursday, September 20th for a reception celebrating The Warehouse Gallery’s one-year anniversary. For details, images and preview clips, visit http://www.thewarehousegallery.org

COME ON: Desire Under The Female Gaze

We may be the inheritors of 20th-century feminisms, yet the continued objectification of young girls and women remains devastating and oppressive. Despite the protests and critiques shaped by two generations of thinkers, activists and image-makers, mainstream media continues to enforce the notion of dichotomous gender. Double standards, as well as double entendres, are the stock-in-trade of television programming, prevalent humor, dominant cinema and insidious advertising.

The young artists whose work comprises COME ON: Desire Under the Female Gaze seek to present desire as a polymorphous experience. They reject the use of their nude bodies, a foundational strategy frequently employed in feminist art since the 1960s. Instead, they direct our focus to the performance of looking and at the objects of their gaze. Rampleman’s video calls attention to the gross imbalance between the cultural championing of male debauchery and the repudiation of female promiscuity. Jacobson’s drawings depict the mythic blurring of physical, emotional and spiritual thresholds transgressed by subjects in love. Balcaen’s sculpture and language-based work unveil the commodification of desire as simply cheap, seductive materials and socially scripted feelings.

COME ON presents unabashed explorations and unapologetic articulations of female libido. It encourages us to widen our notions of acceptable behavior for women and girls, and to expand our tolerance for images of sexualized, passive males. This exhibition is a response to both the barrage of sexually "available" female figures and to the rejection of queer and eroticized male imagery in mass media.

The title of the exhibition, COME ON, works in a number of ways: it can be read as a dismissive phrase, referring to the way the female gaze and empowered female sexuality are often discounted; and, simultaneously, as encouragement, invitation, goad, proposition, incitement. Ultimately, COME ON aspires to open up radical possibilities of pleasure.

COME ON RELATED VIEWING

Concert : Fri. 24 Aug. 8pm @ New York State Fair
Poison + other metal bands

Screening : Sun. 26 Aug. 8pm @ Spark Art Space
Daughters of Joy! Experimental video and audio about sex + Lickety Split smut zine

Screening : Thu. 18 Oct. 8pm @ Watson Theater, Syracuse University
Emotional Realism: Videos that pose questions about the rhetoric of honesty and the production of empathy in the viewer

Store : Tue.- Sat. during exhibition @ The Warehouse Gallery
Videos, art journals, artist posters, zines available

Television : Sundays 9pm @ VH1
Rock of Love

THE WAREHOUSE GALLERY at Syracuse University exhibits and commissions work by emerging and accomplished artists whose work engages the community in a dialogue regarding the role the arts can play in illuminating critical issues.

For more information contact:
info@thewarehousegallery.org
350 W. Fayette St., Syracuse, N.Y. 13202
T: 315.443.6450
http://www.thewarehousegallery.org

For more information go to: http://www.thewarehousegallery.org