Archive for August, 2007

Le Flâneur at fette‘s gallery.

Tuesday, August 28th, 2007

fly.jpg
Left image, Adrien Missika, Untitled, from the series Safari Classique, 2006, C-print, ed. 3, 18 x 24 cm - Right image, Aya Saito, Untitled, 2007, Oil, acrylic and China ink on paper, 135 x 119 cm.

Le Flâneur.
Joshua Callaghan, Christopher Davison, Christiane Feser, Bas Louter, Adrien Missika, Aya Saito, and Ami Tallman.

September 7 - October 13, 2007.
Opening Reception for the Artists | Friday, September 7, 2007, 6-9 pm.

http://www.fette-gallery.com

fette’s gallery is delighted to present Le Flâneur, a group show with Joshua Callaghan (us), Christopher Davison (us), Christiane Feser (de), Bas Louter (nl), Adrien Missika (ch), Aya Saito (jp), and Ami Tallman (us).

For this exhibition, we invited seven artists to visually discuss their relation with the flâneur - a 19th century character portrayed by the French as a well dressed man, strolling through the Parisian arcades to pass the time, free to explore his surroundings to gather inspirational substance.
According to Walter Benjamin, the flâneur rose to prominence primarily because of an architectural change in the city. While Baron Haussmann was redesigning boulevards and tearing up many of the old twisting streets, the flâneur became the anonymous face in this revived crowd.

Re-defining flânerie in a current context within the Los Angeles boundaries appears quite foolish, yet it is rather compelling.
While the urban sprawl that is the city of LA remains fairly discouraging to the strolling of the Beaudelarian character, it still allows for a new genre of wandering poetry to be generated. Artists such as Ed Ruscha, Charles Bukowski and Andrea Zittel, whose work is heavily influenced by the atmosphere of their surroundings and daily routines, come to mind. The anonymity, compartmentation and luxurious façade of the vast LA suburban area greatly influenced new artistic vocabularies.

With this new exhibition we will gather alternative meanings associated with the historical flâneur in this current context of changes.

Los Angeles based Joshua Callaghan re-appropriates plastic and other found objects and solicits the viewers to reshape their experiences toward the medium. Often cynical, Callaghan’s installations ressemble allegoric landscapes from consumers’ reports. For this show, the artist will create a site specific installation revising the concept of flânerie from a suburban point of view.
Callaghan was recently included in the group show Rogue Wave ‘07 at LA Louver.

Christopher Davison is based in Philadelphia where he graduated last year from Tyler School of Art. His body of work includes mostly drawings and paintings on paper, their colorful and naive quality resonating within the narrative. Inspired by Bosch, his pieces carry layers of dark humor and disturbing accounts.
Davison’s work was recently included in two paper based group shows, one at Tower Gallery in Philadelphia and another at V1 Gallery in Copenhagen.

Christiane Feser lives in Germany. She takes photographs which she subtly alters digitally to question our aptitude to recognize truth and habits. The two images featured in the show are from the series Strassen (Roads) in which traces of the human interaction between the inside and the outside have been removed. By reducing the buildings and roads to their surface, these landscape describe new journeys and unfamiliar uses.
She recently received the Charlotte Prinz Fellowship from the city of Darmstadt in Germany.

Often, the protagonists drawn by Amsterdam based artist Bas Louter, are depictions of power and absurd arrogance. For this show, Louter will present a new charcoal drawing on paper. The character in this piece, although fictional, carries the aesthetic of the classic surrealist’s muse. She posses the attributes of a willful, dark, yet sensitive and imaginative individual. One can reflect on her radiance and witness the changes her historical figure embodies.
The artist just had his first solo show at fette’s gallery which was in part founded by a grant from the Fonds BKVB.

Adrien Missika will present four photographs from his series Safari Classique. These intimate sized works picture the wild dioramas, sans animals, which one can observe at the Natural History Museum in New York. These inanimate sceneries reflect on our aptitude to romanticize, yet organize our surroundings.
Missika just graduated from ecal in Lausanne, Switzerland. This is his first show in the US.

Japanese artist Aya Saito creates large oil, acrylic and ink works on paper. By mixing these mediums, she achieves an intricate and expressionist palimpsest of texture and matter. Often dark and engaged, her work grabs the viewer to question what he recognizes.
A catalogue of her recent work was recently published by Little More. Last year, she participated in the 8th Gunma Biennial for Young Artist at the Museum of Modern Art of Gunma, Japan.

Los Angeles based Ami Tallman draws opulent interiors and failed aristocratic gatherings. She colorfully rewrites history, combining elements of decor, ornamented generals, politicians in drag and disappearing fame.
For this exhibition, she will present new works on paper.
Her work was recently shown at Cirrus Gallery’s Naive Set Theory group show curated by Catherine Taft and was also included in the last MOCA’s silent auction. 2nd Cannons also published a book of her drawing.

San Juan Poly/Graphic Triennial presents Stigma

Tuesday, August 28th, 2007

Artipedia - Arts News
San Juan Poly/Graphic Triennial

Stigma: An exhibition of the
San Juan Poly/Graphic Triennial in the
27th Ljubljana Biennial of Graphic Arts

September 6-October 28
Cankarjev Dom Gallery
27th Ljubljana Biennial of Graphic Arts

Curated by: Marimar Benítez (Puerto Rico)

Artists: Allora & Calzadilla, Papo Colo, Miguel Luciano, Antonio Martorell, Omar Obdulio Peña Forty, Raquel Quijano, Carlos Reyes, Arnaldo Roche, Carlos Ruiz Valarino, Garvin Sierra and Rafael Trelles

The San Juan Poly/Graphic Triennial of the Instituto de Cultura Puertorriqueña presents Stigma, an exhibition that seeks to explore the manner in which Puerto Rican artists have addressed personal, racial, social and all manner of stigmas. In 2005, the San Juan Poly/Graphic Triennial was awarded the Grand Prix of the 26th Ljubljana Biennial of Graphic Arts. Stigma is presented as part of this award.

The exhibition focuses on works that engage the concept of stigma (the indelible mark) as a metaphor for technical and conceptual experimentation in printmaking. The works included in Stigma spring from the need to make images relevant to the dilemmas facing these times.

Stigma is one of the events that will serve as a prelude to the opening of the San Juan Poly/Graphic Triennial: Latin America and the Caribbean on April 31, 2009. The second edition of the San Juan Poly/Graphic Triennial will be curated by a team comprised of Julieta González (Venezuela), Jens Hoffmann (USA) and Beatriz Santiago (Puerto Rico) under the artistic direction of internationally recognized curator Adriano Pedrosa (Brazil).

Established in 2004, the San Juan Poly/Graphic Triennial is a new iteration of the former San Juan Biennial of Latin American Prints (1970-2001). The San Juan Poly/Graphic Triennial, an official event of the Commonwealth of Puerto Rico, expands the spectrum of the graphic arts, from the traditional print to a more ample concept of polygraphic art, which includes all kinds of mediums and artistic languages.

For further information about the San Juan Poly/Graphic Triennial and the Instituto de Cultura Puertorriqueña contact Elaine Delgado (787)725-5932 or visit our website: http://www.icp.gobierno.pr/apl/trienal/bienal_infogen.htm

For more information go to: http://www.icp.gobierno.pr/apl/trienal/bienal_infogen.htm

Book Works New Titles

Tuesday, August 28th, 2007

Artipedia - Arts News
Book Works

New Titles for 2007

Book Works
19 Holywell Row
London
EC2A 4JB
gavin@bookworks.org.uk

http://www.bookworks.org.uk

New Titles published in Fabrications, a series edited for Book Works by Gerrie van Noord

The So-called Utopia Of The Centre Beaubourg: An Interpretation by Luca Frei (September 2007)

An interpretive translation of Albert Meister’s fictional account of a libertarian space under the Centre Beaubourg, originally published in 1976 under the pseudonym Gustave Affeulpin. Co-published by Book Works and CASCO, Utrecht. Printed offset, 208 pages with a colour soft cover. Designed by Luca Frei.

Luca Frei will be in discussion with Alun Rowlands, and public works, at the Friday Session on 14 September 2007, and performing a reading at the Elastic Gallery, Malmö, in October.

Today in History/Tarihte Bugün by Ahmet Ögüt (September 2007)

Drawings and stories, extracted from Turkish newspapers, raising questions about the construction of history. Co-published by Book Works and Platform Garanti, Istanbul. Printed offset, b&w, 72 pages, with a soft cover. Designed by Secondary Modern.

Today in History/Tarihte Bugün will be launched during the Istanbul Biennial at Platform Garanti, Istanbul on 7 September 2007.

New Titles published in Singular Sociology, a series commissioned for Book Works by Nav Haq

A Stella Key To The Summerland by Olivia Plender (October 2007)

Mimicking the techniques of nineteenth century pamphlets, a graphic novel exploring the hidden history of the Modern Spiritualist movement. Printed offset in b&w, 128 pages, with a soft cover. Designed by Sara De Bondt.

Proximity Machine by Rosalind Nashashibi (October 2007)

Found and re-photographed images edited into associative groups, constructing fragments of narratives in which unexpected projections, shapes, and mythologies materialise. Printed offset, colour, 80 pages, soft cover. Designed by Sara De Bondt,

New Titles published by Book Works

3 Communiqués by Alun Rowlands (September 2007)

3 Communiqués is a documentary fiction charting a journey through three marginal histories of communalism. It renegotiates utopian propositions as a way of both making art and as a tool for progressive thinking. Printed offset, b&w and colour, three pamphlets, 80 pages, gatefold binding. Designed by Secondary Modern.

Vox Populi, Tokyo by Fiona Tan (September 2007)

The third in the series of Vox Populi publications, presenting us with a social portrait selected from personal and private family photo albums. Drawing on the documentary tradition, in combination with contemporary concerns of participation and egalitarianism, Vox Populi, Tokyo continues this ever-expanding mappo mundi.

Vox Populi, Tokyo is published by Book Works in association with Pinakothek der Moderne, Munich and Siemans Arts Program. Printed offset, full colour, 128 pages, with a soft cover. Designed by Gabrielle Franziska Götz, with an essay by Chris Keulemans.

New Titles published in Book Works’ Chap Books Series

Letters 2004–2006: Confirmation That You Still Exist; I Respect Your Authority; When Will It End; One London by Martin John Callanan (March 2007)

Collected here are a selection of responses to a series of letters mailed between 2004-06. Published as part of the Chap Books’ Series (No 8) , printed offset, full colour, 48 pages, with a soft cover. Designed by Valle Walkley.

Not So Too Much Of Much Of Everything by NaoKo TakaHashi (March 2007)

The narrator takes the reader on a breathless journey through the air-conditioned rooms and arid streets of the modern Arab metropolis. Her every move, whether in solidarity with Arab women, street cleaners and bar staff, or confronting male hostility, is misread; her identity repeatedly forced upon her, manipulated and rendered paranoid. Printed offset, b&w, 72 pages with a colour soft cover. Designed by Emma Peascod.

Book Works is supported by Arts Council England

For more information go to: http://www.bookworks.org.uk/asp/detail.asp?uid=book_97B7A366-72F8-4DFD-A957-3AC4D581DB8B&sub=new

Tino Sehgal at the CCA Wattis Institute for Contemporary Arts

Tuesday, August 28th, 2007

Artipedia - Arts News
CCA Wattis Institute for Contemporary Arts

TINO SEHGAL
Opening September 5, 2007 (permanent exhibition)

CCA Wattis Institute for
Contemporary Arts
California College of the Arts
1111 Eighth Street
San Francisco CA 94107
T: 415.551.9210

http://www.wattis.org

The CCA Wattis Institute for Contemporary Arts presents Tino Sehgal’s first solo show in the United States, opening September 5, 2007, and on view indefinitely thereafter. This permanent exhibition will feature all of Sehgal’s existing works to date as well as new works configured specifically for the Wattis Institute. The pieces will be presented one at a time and will appear concurrently with the Wattis’s other exhibitions and programs.

Taking the framework of a traditional retrospective but removing its time constraints, this continuous, gradual presentation of a single artist’s oeuvre will allow audiences to follow and engage with Sehgal’s practice in new ways. The project will also investigate how an art institution can commit to the development and understanding of one artist’s career in a manner that extends beyond the confines of conventional exhibition practice.

Sehgal does not produce material objects. Rather, he engages his audiences through transformative actions without producing anything tangible or object-based that would leave a physical trace. Coming from a background in dance and economics, both of which continue to influence him, he stages situations that are enacted in a gallery space by one or several people over the duration of an exhibition. His past works have involved a person rolling on the floor (Instead of allowing some thing to rise up to your face dancing bruce and dan and other things, 2000), a couple engaged in a kiss (Kiss, 2002), and four generations discussing the relative merits of progress (This Progress, 2006). Sehgal has worked with a diverse range of interpreters, including academics, children, school classes, the socially disadvantaged, and museum guards, using the human voice, language, movement, and social interaction to create ephemeral works of art that are intended to challenge, and enchant, the v
iewer.

About the Artist
Tino Sehgal was born in London in 1976 and currently lives and works in Berlin. He has had solo exhibitions at the Institute of Contemporary Arts, London (2007, 2006, 2005); Stedelijk Museum Amsterdam (2006); Kunsthaus Bregenz, Austria (2006); the Art Gallery of Ontario, Toronto (2006); Hamburger Kunstverein, Germany (2006); Fundação de Serralves, Porto, Portugal (2004); Musée des Beaux-arts de Nantes, France (2004); and Van Abbemuseum, Eindhoven, the Netherlands (2004). He has participated in the Lyon Biennial, France (2007); the Tate Triennial, Tate Britain, London (2006); the Moscow Biennale of Contemporary Art (2005); the Venice Biennale (2003); and Manifesta, Frankfurt, Germany (2002). Sehgal represented Germany at the Venice Biennale in 2005. In 2006 he was nominated for the Hugo Boss Prize at the Guggenheim Museum, New York. He received the Baloise Art Prize at Art Basel, Switzerland, in 2004 and the Kunstpreis der Böttcherstrasse in Bremen, G
ermany, in 2003.

Founding support for CCA Wattis Institute for Contemporary Arts programs has been provided by Phyllis C. Wattis and Judy and Bill Timken. Generous support provided by the Phyllis C. Wattis Foundation, Grants for the Arts / San Francisco Hotel Tax Fund, Ann Hatch and Paul Discoe, and the CCA Curator’s Forum.

For more information go to: http://www.wattis.org

Montalvo Arts Center Presents DSN: Do Something New

Monday, August 27th, 2007

Artipedia - Arts News
Montalvo Arts Center

DSN: Do Something New
with Mario Ybarra Jr. and Karla Diaz
Through September 30, 2007

Montalvo Arts Center’s
Project Space
15400 Montalvo Road
Saratoga, CA 95070
Information: 408.961.5814

http://www.montalvoarts.org

Los Angeles-based artists Mario Ybarra Jr. and Karla Diaz did something new at Montalvo Arts Center: they collaborated with eleven teens to facilitate the development of the Center’s first teen program. The culminating installation, DSN: Do Something New, is presented in the Project Space through September 30 and tells the story of the teens work with the artists. On view is media created by the DSN teens, including t-shirts, sound pieces and publications, as well as an oral history project capturing the stories of 10 members of the Montalvo Service Group, an auxiliary that has supported Montalvo since the 1950s. The installation includes a studio area where visitors can
create their own art.

Commissioned by Montalvo to develop a series of teen programs and an installation addressing the theme Concerns of Our Times, Ybarra and Diaz served as collaborators/mentors to the DSN while they were in-residence at the Center’s Lucas Artists Programs. "Our goal for the first half of the DSN project was to give the students an opportunity to develop their skills and learn to collaborate with each other and with the community," said Ybarra. "Every student has different strengths and ideas to bring to the group and it has been very interesting learning what these students see as concerns of our times. The second half of the program focused on giving the students sounding boards for voicing their concerns and what they wanted to learn about, then creating projects that focused on these things."

Like most artistic projects, Montalvo’s DSN group has evolved since its execution. Originally the group was just called Teen Council, but Ybarra, Diaz and the students wanted the name to represent their mantra for making decisions and creating projects that meant something to them — the name Do Something New was born. Four main themes surfaced from the DSN Teen Council — friends, family, technology and violence. Ybarra and Diaz tailored their ten weekly sessions to include different artistic exercises that allowed the students to create projects that included these themes.

"Aside from having the students create their projects, we also wanted them to experience real-world applications," said Diaz. "We’re hoping the students will develop a sense that what they are producing in class can be transferred to their experiences outside of the DSN."

Robert Sain, Executive Director, noted, "The next generation is an important part of Montalvo’s new initiative for thematic programming. It is important for young people to see Montalvo as a place where they can learn about art as well as express themselves."
Montalvo’s Project Space is open Fri-Sun, Noon-3 p.m.

Mario Ybarra Jr.’s work has been featured in a number of institutional exhibitions, recently including Alien Nation at the Institute of Contemporary Arts, London, Uncertain States of America, curated by Hans Ulrich Obrist, and the 2006 California Biennial, at the Orange County Museum of Art. This year, he is participating in The World as a Stage, curated by Jessica Morgan at the Tate Modern, and the Prague Biennial 3 in the Czech Republic. He is a founding member of the artist’s collective Slanguage.

Karla Diaz is a poet, performer and art critic. She has read her work and exhibited projects in venues including the Getty Art Museum, REDCAT and the Natural History Museum in Los Angeles; the Serpentine Gallery, London, and at the Zocalo in Mexico City. She is a founding member of the artist’s collective Slanguage. She lives and works in Los Angeles where she is associate director for the New Chinatown Barbershop gallery.

About Montalvo Arts Center
Montalvo Arts Center is a nonprofit organization dedicated to forging meaningful connections between art, artists and the communities it serves through creation, presentation and education in extraordinary ways and settings.

Photo caption: DSN: Do Something New opening held at the Project Space, June 10, 2007. Artists Karla Diaz (far left) and Mario Ybarra Jr. (far right) with 9 of the 11 DSN teens that they mentored while in residence at Montalvo’s Lucas Artists Programs. (Photo by Jakub Mosur)

For more information go to: http://www.montalvoarts.org

Pleasures and Terrors

Monday, August 27th, 2007

5[1]. Katarzyna Gajewska_Deep Dream_Mixed Media on Canvas_100x70cm, 2007.jpg
Deep Dream, Mixed Media on Canvas, 100×70cm, 2007

“Pleasures and Terrors” in The Mill Theatre Art Gallery would be Katarzyna’s seventh instalment in the last year in Ireland.

The relation between painting and imagination, eroticism, dreams all have been always a constant theme for me. The abiding theme is the human condition, explored over in painting. It is the relationship, the struggle and fragility of feelings that inspire me. Self destructive love, imagination, mystery, compulsiveness, addiction, insecurity, mistrust, tragedy, love, imagination, continuity, dream, safeness, fear, cold, hot, night, day, peace, trap – it is a journey of pleasures and terrors. What I am telling is a story about dark and private theatre, which is reaching the subconscious roots of human condition. A massive expanse of rich colour is exposing the raw vitality of the mind.
A big part of the paintings is open – ended, which constitutes effects of saving suppressed emotion. Some parts of the paintings are abstracted (Utilizing automatic techniques and careful study I am exploring physical expression of emotion) because of the elusive nature of our feelings. The effect of the feeling’s complexity is doubled by the works chaotic texture. Trying to contour human silhouette in bold structure on the surface, I am exploring the physical expression of the theme. The paintings give direct attention to their own physicality and because of that, the human form emanates with psychological structure, driving to insubstantial. Colour and texture are symbols.
The tale of passion and reflection is improvised.

Like all addictions and strong love and emotion, painting is my pleasure and my terror.

Pleasures and Terrors, New Paintings by Katarzyna Gajewska
The Mill Theatre Art Gallery, on Saturday, 8th September 2007, at 5.30 pm
Exhibition continues until 4th October,

Dundrum Town Centre,
Dundrum,
Dublin 14,
Co. Dublin,
Phone : +353 01 296 9340
Email : aoife@milltheatre.com

CCAN Seeks to Appoint New Senior Curator

Monday, August 27th, 2007

Artipedia - Arts News
Centre for Contemporary Art Nottingham

Senior Curator

The forthcoming Centre for Contemporary Art Nottingham (CCAN) is looking to appoint a Senior Curator with excellent creative and organisational abilities. He or she will work closely with the Director, Alex Farquharson, to develop an ambitious, innovative and diverse programme of exhibitions and other events in a new landmark building of around 3000 square metres, in the middle of Nottingham, designed by Caruso St John. He or she will be responsible for the day-to-day management of the exhibitions team.

The individual we are looking for will have excellent international knowledge of recent contemporary art; experience of devising and managing international exhibitions of both loaned and commissioned work; a proven ability to raise funds for projects; excellent written and oral communications skills; and an interest in art’s social, political and cultural contexts and frameworks. S/he will have an enthusiasm for teamwork and collaboration and a commitment to engaging creatively with diverse publics.

CCAN will be the East Midland’s flagship contemporary art venue. Starting this autumn, we are preparing an imaginative programme of off-site artistic and education events in anticipation of our opening in late 2008.

Nottingham is the cultural capital of the region, with one of the largest student populations in the UK per capita. It is well connected by train to London (1 hour, 41 mins) and other major British cities. East Midlands Airport, which is 11 miles away, serves many European destinations.

Salary: £28,770 to £31,339

Please email info.ccan@btconnect.com for further details and an application form.
Closing date for applications is 24 September:

CCAN aims to be an equal opportunity employer.

http://www.ccan.org.uk/

Registered Charity No:1116670

For more information go to: http://www.ccan.org.uk/

Forms of Resistance at Van Abbemuseum

Monday, August 27th, 2007

Artipedia - Arts News
Van Abbemuseum

FORMS OF RESISTANCE
Artists and the desire for
social change from 1871 to the present
22/09/2007- 06/01/2008

VAN ABBEMUSEUM
BILDERDIJKLAAN 10
EINDHOVEN - THE NETHERLANDS
+31 [0]40 238 1000
info@vanabbemuseum.nl

http://www.vanabbemuseum.nl

On 22 September, the exhibition Forms of Resistance will open in the Van Abbemuseum. It departs from four historical moments: the French Commune in 1871, the Russian Revolution of 1917, May 1968 and our world after 9/11. Based on these benchmarks it includes works by Manet, Courbet, Lissitzky, Rodchenko, Malevich, Brigada Ramona Parra, Atelier Populaire, Tucuman Arde, Sherk, Haacke, Johanesson, General Idea, Leonard, Piper, Ressler and Superflex amongst others.

THE NARRATIVE
The exhibition tells the story of art and social change through the lens of resistance and artistic desire. Ambitions for progressive social or political changes in the past 150 years are compared, selecting specific moments at which collaborations between art and activism were at their most pronounced.

The connection between art and social change was a fundamental aspect of modernism. The concept of the avant-garde as the phalanx of a revolutionary movement intended to resist or destroy old habits and produce the new man, was bound up with modernism’s formalist innovations as much as its direct engagement in political action. Artists combined resistance with speculating about the future and support of certain political developments, their critique was propositional as well as severe, and they often made work for a world that did not yet exist — but that they wanted to see come about.

Following the political and social upheavals of 1968 and 1989, this modernist and avant-garde model gradually lost its applicability. Artists developed different ways to resist and speculate. In the 21st century, with ideological struggles beginning to reconstitute themselves, the role of art is once again under pressure. Do resistance and speculation have a place in a world where economy is the instrument of contemporary politics? What does it mean to resist the current political establishment? What can we learn from past models and experiences and what light do they shed on our contemporary ideas of the world?

ARTISTS AND MOVEMENTS
Gustave Courbet and Eduard Manet are the key figures from the first period, followed immediately by William Morris, the founder of the British Arts & Crafts movement. Next up is the constructivism of artists such as Kazimir Malevich, El Lissitzky, Liobov Popova and Varvara Stepanova, Bauhaus student demonstrations and the surrealism and actions of Pablo Picasso and Joan Miro during the Spanish Civil War. The San Francisco Diggers, Bonnie Sherk and The Artists’ Liberation Front precede May ‘68, the Paris and Prague revolts. We also examine wall paintings from Chile. The activism and political identity studies of the 1970s can be found in the work of Hans Haacke, the Artworkers’ Coalition, Zoe Leonard, Martha Rosler, General Idea and Adrian Piper. Why some did artists opt to abandon the art world after ‘68, while others chose to comment on conflict zones within the confinement of the institution? How did art relate to the identity politics and rainbow coalitions of the 1980
s and 1990s? Disobedience, finally, is a small exhibit curated by Marco Scotini, in which Oliver Ressler, Marcelo Esposito and others provide insight into art activism in recent years. The present day is again a time for collectives but also an opportunity to look back on the past utopian century. What went before and what will follow the major ideological shifts of recent years?

CURATORS
The exhibition has been put together by a team of curators: Will Bradley, Phillip van den Bossche and Charles Esche.

PUBLICATION
Art and Social Change: A critical reader, edited by Will Bradley and Charles Esche, published by Afterall Books and Tate Publishing.
ISBN: 978 1 85437 626 8

This project has been realized in part by a contribution of Mondriaan Foundation.
The project has been carried out within the framework of TRANSFORM and with the support of the Culture 2000 programme of the European Union.

For more information go to: http://www.vanabbemuseum.nl

Paradise: Lost or Under Construction? at the Roma Pavilion

Sunday, August 26th, 2007

Artipedia - Arts News
European Cultural Foundation / Roma Pavilion

Paradise: Lost or Under Construction?
Roundtable at Roma Pavilion, Venice Biennale
17 September, 3 - 7pm

Roma Pavilion
Palazzo Pisani S.Marina (Piano Nobile)
Cannaregio 6103
Calle delle Erbe, Venezia.
Tel: +36 302006031

http://www.romapavilion.org

Artists and cultural experts will debate issues of ‘trans-nationalism’ inspired by the firstever Roma Pavilion and Armenian Exhibition at this year’s Venice Biennale.

Presenting Roma and Armenian artistic production inside a world-famous exhibition associated so strongly with ‘national pavilions’ challenges the expectations of the public and the art world alike. But do the artworks in ‘Paradise Lost’ (Roma) and ‘Under Construction’ (Armenian) represent a ‘transnational community’ or a ‘historical globalised nation’? Do they usefully suggest alternative means of representing ‘community’ and ‘identity’ to those of the modern nation-state?

Debating these issues of art’s response to mixed belonging, temporary rootedness and cultural diversity will be Katia Anguelova (independent curator), Daniel Baker (artist featured in the Roma Pavilion), Silvina Der-Meguerditchian (curator of ‘Under Construction’), Annie Fletcher (curator of ‘Becoming Dutch’, Van Abbe Museum, Eindhoven, The Netherlands), Timea Junghaus (curator of ‘Paradise Lost’) and Angela Serino (moderator).

Admission is free, but those wishing to attend should email press.romapavilion@osi.hu.

The debate ‘(dis)located subjects, (re)defined communities’ has been made possible by the support of the European Cultural Foundation (ECF, http://www.eurocult.org ), which is also the main sponsor of the Roma Pavilion.

For more information go to: http://www.romapavilion.org

Harold Golen Gallery Opens In Wynwood!

Saturday, August 25th, 2007

01 HGG_1.jpg
Gallery Lounge

FOR IMMEDIATE RELEASE:

What: Grand Opening, Inaugural Exhibition of Harold Golen Gallery
When: Saturday, Sept. 8th 2007 7-11pm during the Wynwood Second Saturday Gallery Walk
Where: 2921 NW 6th Ave, Wynwood Art District, Miami FL 33127 (4 blocks west of Rubell Collection)
Gallery Contact: 305-576-1880 haroldgolengallery.com
Press Contact: dnaspaces@comcast.net

Gallery Concept & Mission:

Harold Golen Gallery will focus on exhibiting emerging and established contemporary pop surrealist artists, whose work’s are influenced by old world masters, contemporary pop imagery and 20th century ephemera.

The gallery is 4,000 sq. feet with three small exhibition spaces, one large exhibition space, and a store/lounge area. The lounge area features mid-century modern furniture, vintage lighting, and colorful graphic wall murals. The store offers original art, limited edition prints, vintage illustration art, artist books, cards, and objects pertaining to Harold Golen Gallery featured artists.

Harold Golen Gallery will host private events, parties, and exciting cultural events in addition to monthly art openings.

The gallery hours of operation will be from 11a.m. to 6p.m., Tuesday through Saturday. Appointments are suggested.

For information, please contact Harold Golen, hgolen05@aol.com or call 305-576-1880 or 305 989.3359.

Inaugural Exhibition Info:

For the Inaugural Exhibition, Harold Golen Gallery will open with a large group show that includes works from artists such as Ron English, Liz McGrath, Erik Joyner, Isabel Samaras and Skot Olsen, as well as local, national and international emerging, mid level and established artists.

The artists included in this exhibition exemplify the types of work the gallery will present year round.

About Harold Golen:

Born and raised in Miami, Florida, Harold Golen has been involved with art and design since childhood. After receiving his B.A. in Architecture at the University of Miami in 1991, he realized an office job could never fulfill his creative ambitions. He opened the inimitable POP boutique in Miami’s South Beach, which carried art, vintage collectibles, clothing, and costumes. POP quickly became a Miami Beach landmark, attracting tourists, locals, and celebrity clientele. After a successful ten year run the store was sold in 2006. As an ardent art collector, he was inspired to open his own art gallery.

Harold Golen Gallery Grand Opening, 2921 NW 6th Ave, Miami, FL 33127 7:00 pm-11 pm.

For more information, go to haroldgolengallery.com

Press inquiries and image requests please call Donnamarie Baptiste 305.904.8393 or Nina Arias, 786 543.5150 or dnaspaces@comcast.net.