Archive for August 28th, 2007

Le Flâneur at fette‘s gallery.

Tuesday, August 28th, 2007

fly.jpg
Left image, Adrien Missika, Untitled, from the series Safari Classique, 2006, C-print, ed. 3, 18 x 24 cm - Right image, Aya Saito, Untitled, 2007, Oil, acrylic and China ink on paper, 135 x 119 cm.

Le Flâneur.
Joshua Callaghan, Christopher Davison, Christiane Feser, Bas Louter, Adrien Missika, Aya Saito, and Ami Tallman.

September 7 - October 13, 2007.
Opening Reception for the Artists | Friday, September 7, 2007, 6-9 pm.

http://www.fette-gallery.com

fette’s gallery is delighted to present Le Flâneur, a group show with Joshua Callaghan (us), Christopher Davison (us), Christiane Feser (de), Bas Louter (nl), Adrien Missika (ch), Aya Saito (jp), and Ami Tallman (us).

For this exhibition, we invited seven artists to visually discuss their relation with the flâneur - a 19th century character portrayed by the French as a well dressed man, strolling through the Parisian arcades to pass the time, free to explore his surroundings to gather inspirational substance.
According to Walter Benjamin, the flâneur rose to prominence primarily because of an architectural change in the city. While Baron Haussmann was redesigning boulevards and tearing up many of the old twisting streets, the flâneur became the anonymous face in this revived crowd.

Re-defining flânerie in a current context within the Los Angeles boundaries appears quite foolish, yet it is rather compelling.
While the urban sprawl that is the city of LA remains fairly discouraging to the strolling of the Beaudelarian character, it still allows for a new genre of wandering poetry to be generated. Artists such as Ed Ruscha, Charles Bukowski and Andrea Zittel, whose work is heavily influenced by the atmosphere of their surroundings and daily routines, come to mind. The anonymity, compartmentation and luxurious façade of the vast LA suburban area greatly influenced new artistic vocabularies.

With this new exhibition we will gather alternative meanings associated with the historical flâneur in this current context of changes.

Los Angeles based Joshua Callaghan re-appropriates plastic and other found objects and solicits the viewers to reshape their experiences toward the medium. Often cynical, Callaghan’s installations ressemble allegoric landscapes from consumers’ reports. For this show, the artist will create a site specific installation revising the concept of flânerie from a suburban point of view.
Callaghan was recently included in the group show Rogue Wave ‘07 at LA Louver.

Christopher Davison is based in Philadelphia where he graduated last year from Tyler School of Art. His body of work includes mostly drawings and paintings on paper, their colorful and naive quality resonating within the narrative. Inspired by Bosch, his pieces carry layers of dark humor and disturbing accounts.
Davison’s work was recently included in two paper based group shows, one at Tower Gallery in Philadelphia and another at V1 Gallery in Copenhagen.

Christiane Feser lives in Germany. She takes photographs which she subtly alters digitally to question our aptitude to recognize truth and habits. The two images featured in the show are from the series Strassen (Roads) in which traces of the human interaction between the inside and the outside have been removed. By reducing the buildings and roads to their surface, these landscape describe new journeys and unfamiliar uses.
She recently received the Charlotte Prinz Fellowship from the city of Darmstadt in Germany.

Often, the protagonists drawn by Amsterdam based artist Bas Louter, are depictions of power and absurd arrogance. For this show, Louter will present a new charcoal drawing on paper. The character in this piece, although fictional, carries the aesthetic of the classic surrealist’s muse. She posses the attributes of a willful, dark, yet sensitive and imaginative individual. One can reflect on her radiance and witness the changes her historical figure embodies.
The artist just had his first solo show at fette’s gallery which was in part founded by a grant from the Fonds BKVB.

Adrien Missika will present four photographs from his series Safari Classique. These intimate sized works picture the wild dioramas, sans animals, which one can observe at the Natural History Museum in New York. These inanimate sceneries reflect on our aptitude to romanticize, yet organize our surroundings.
Missika just graduated from ecal in Lausanne, Switzerland. This is his first show in the US.

Japanese artist Aya Saito creates large oil, acrylic and ink works on paper. By mixing these mediums, she achieves an intricate and expressionist palimpsest of texture and matter. Often dark and engaged, her work grabs the viewer to question what he recognizes.
A catalogue of her recent work was recently published by Little More. Last year, she participated in the 8th Gunma Biennial for Young Artist at the Museum of Modern Art of Gunma, Japan.

Los Angeles based Ami Tallman draws opulent interiors and failed aristocratic gatherings. She colorfully rewrites history, combining elements of decor, ornamented generals, politicians in drag and disappearing fame.
For this exhibition, she will present new works on paper.
Her work was recently shown at Cirrus Gallery’s Naive Set Theory group show curated by Catherine Taft and was also included in the last MOCA’s silent auction. 2nd Cannons also published a book of her drawing.

San Juan Poly/Graphic Triennial presents Stigma

Tuesday, August 28th, 2007

Artipedia - Arts News
San Juan Poly/Graphic Triennial

Stigma: An exhibition of the
San Juan Poly/Graphic Triennial in the
27th Ljubljana Biennial of Graphic Arts

September 6-October 28
Cankarjev Dom Gallery
27th Ljubljana Biennial of Graphic Arts

Curated by: Marimar Benítez (Puerto Rico)

Artists: Allora & Calzadilla, Papo Colo, Miguel Luciano, Antonio Martorell, Omar Obdulio Peña Forty, Raquel Quijano, Carlos Reyes, Arnaldo Roche, Carlos Ruiz Valarino, Garvin Sierra and Rafael Trelles

The San Juan Poly/Graphic Triennial of the Instituto de Cultura Puertorriqueña presents Stigma, an exhibition that seeks to explore the manner in which Puerto Rican artists have addressed personal, racial, social and all manner of stigmas. In 2005, the San Juan Poly/Graphic Triennial was awarded the Grand Prix of the 26th Ljubljana Biennial of Graphic Arts. Stigma is presented as part of this award.

The exhibition focuses on works that engage the concept of stigma (the indelible mark) as a metaphor for technical and conceptual experimentation in printmaking. The works included in Stigma spring from the need to make images relevant to the dilemmas facing these times.

Stigma is one of the events that will serve as a prelude to the opening of the San Juan Poly/Graphic Triennial: Latin America and the Caribbean on April 31, 2009. The second edition of the San Juan Poly/Graphic Triennial will be curated by a team comprised of Julieta González (Venezuela), Jens Hoffmann (USA) and Beatriz Santiago (Puerto Rico) under the artistic direction of internationally recognized curator Adriano Pedrosa (Brazil).

Established in 2004, the San Juan Poly/Graphic Triennial is a new iteration of the former San Juan Biennial of Latin American Prints (1970-2001). The San Juan Poly/Graphic Triennial, an official event of the Commonwealth of Puerto Rico, expands the spectrum of the graphic arts, from the traditional print to a more ample concept of polygraphic art, which includes all kinds of mediums and artistic languages.

For further information about the San Juan Poly/Graphic Triennial and the Instituto de Cultura Puertorriqueña contact Elaine Delgado (787)725-5932 or visit our website: http://www.icp.gobierno.pr/apl/trienal/bienal_infogen.htm

For more information go to: http://www.icp.gobierno.pr/apl/trienal/bienal_infogen.htm

Book Works New Titles

Tuesday, August 28th, 2007

Artipedia - Arts News
Book Works

New Titles for 2007

Book Works
19 Holywell Row
London
EC2A 4JB
gavin@bookworks.org.uk

http://www.bookworks.org.uk

New Titles published in Fabrications, a series edited for Book Works by Gerrie van Noord

The So-called Utopia Of The Centre Beaubourg: An Interpretation by Luca Frei (September 2007)

An interpretive translation of Albert Meister’s fictional account of a libertarian space under the Centre Beaubourg, originally published in 1976 under the pseudonym Gustave Affeulpin. Co-published by Book Works and CASCO, Utrecht. Printed offset, 208 pages with a colour soft cover. Designed by Luca Frei.

Luca Frei will be in discussion with Alun Rowlands, and public works, at the Friday Session on 14 September 2007, and performing a reading at the Elastic Gallery, Malmö, in October.

Today in History/Tarihte Bugün by Ahmet Ögüt (September 2007)

Drawings and stories, extracted from Turkish newspapers, raising questions about the construction of history. Co-published by Book Works and Platform Garanti, Istanbul. Printed offset, b&w, 72 pages, with a soft cover. Designed by Secondary Modern.

Today in History/Tarihte Bugün will be launched during the Istanbul Biennial at Platform Garanti, Istanbul on 7 September 2007.

New Titles published in Singular Sociology, a series commissioned for Book Works by Nav Haq

A Stella Key To The Summerland by Olivia Plender (October 2007)

Mimicking the techniques of nineteenth century pamphlets, a graphic novel exploring the hidden history of the Modern Spiritualist movement. Printed offset in b&w, 128 pages, with a soft cover. Designed by Sara De Bondt.

Proximity Machine by Rosalind Nashashibi (October 2007)

Found and re-photographed images edited into associative groups, constructing fragments of narratives in which unexpected projections, shapes, and mythologies materialise. Printed offset, colour, 80 pages, soft cover. Designed by Sara De Bondt,

New Titles published by Book Works

3 Communiqués by Alun Rowlands (September 2007)

3 Communiqués is a documentary fiction charting a journey through three marginal histories of communalism. It renegotiates utopian propositions as a way of both making art and as a tool for progressive thinking. Printed offset, b&w and colour, three pamphlets, 80 pages, gatefold binding. Designed by Secondary Modern.

Vox Populi, Tokyo by Fiona Tan (September 2007)

The third in the series of Vox Populi publications, presenting us with a social portrait selected from personal and private family photo albums. Drawing on the documentary tradition, in combination with contemporary concerns of participation and egalitarianism, Vox Populi, Tokyo continues this ever-expanding mappo mundi.

Vox Populi, Tokyo is published by Book Works in association with Pinakothek der Moderne, Munich and Siemans Arts Program. Printed offset, full colour, 128 pages, with a soft cover. Designed by Gabrielle Franziska Götz, with an essay by Chris Keulemans.

New Titles published in Book Works’ Chap Books Series

Letters 2004–2006: Confirmation That You Still Exist; I Respect Your Authority; When Will It End; One London by Martin John Callanan (March 2007)

Collected here are a selection of responses to a series of letters mailed between 2004-06. Published as part of the Chap Books’ Series (No 8) , printed offset, full colour, 48 pages, with a soft cover. Designed by Valle Walkley.

Not So Too Much Of Much Of Everything by NaoKo TakaHashi (March 2007)

The narrator takes the reader on a breathless journey through the air-conditioned rooms and arid streets of the modern Arab metropolis. Her every move, whether in solidarity with Arab women, street cleaners and bar staff, or confronting male hostility, is misread; her identity repeatedly forced upon her, manipulated and rendered paranoid. Printed offset, b&w, 72 pages with a colour soft cover. Designed by Emma Peascod.

Book Works is supported by Arts Council England

For more information go to: http://www.bookworks.org.uk/asp/detail.asp?uid=book_97B7A366-72F8-4DFD-A957-3AC4D581DB8B&sub=new

Tino Sehgal at the CCA Wattis Institute for Contemporary Arts

Tuesday, August 28th, 2007

Artipedia - Arts News
CCA Wattis Institute for Contemporary Arts

TINO SEHGAL
Opening September 5, 2007 (permanent exhibition)

CCA Wattis Institute for
Contemporary Arts
California College of the Arts
1111 Eighth Street
San Francisco CA 94107
T: 415.551.9210

http://www.wattis.org

The CCA Wattis Institute for Contemporary Arts presents Tino Sehgal’s first solo show in the United States, opening September 5, 2007, and on view indefinitely thereafter. This permanent exhibition will feature all of Sehgal’s existing works to date as well as new works configured specifically for the Wattis Institute. The pieces will be presented one at a time and will appear concurrently with the Wattis’s other exhibitions and programs.

Taking the framework of a traditional retrospective but removing its time constraints, this continuous, gradual presentation of a single artist’s oeuvre will allow audiences to follow and engage with Sehgal’s practice in new ways. The project will also investigate how an art institution can commit to the development and understanding of one artist’s career in a manner that extends beyond the confines of conventional exhibition practice.

Sehgal does not produce material objects. Rather, he engages his audiences through transformative actions without producing anything tangible or object-based that would leave a physical trace. Coming from a background in dance and economics, both of which continue to influence him, he stages situations that are enacted in a gallery space by one or several people over the duration of an exhibition. His past works have involved a person rolling on the floor (Instead of allowing some thing to rise up to your face dancing bruce and dan and other things, 2000), a couple engaged in a kiss (Kiss, 2002), and four generations discussing the relative merits of progress (This Progress, 2006). Sehgal has worked with a diverse range of interpreters, including academics, children, school classes, the socially disadvantaged, and museum guards, using the human voice, language, movement, and social interaction to create ephemeral works of art that are intended to challenge, and enchant, the v
iewer.

About the Artist
Tino Sehgal was born in London in 1976 and currently lives and works in Berlin. He has had solo exhibitions at the Institute of Contemporary Arts, London (2007, 2006, 2005); Stedelijk Museum Amsterdam (2006); Kunsthaus Bregenz, Austria (2006); the Art Gallery of Ontario, Toronto (2006); Hamburger Kunstverein, Germany (2006); Fundação de Serralves, Porto, Portugal (2004); Musée des Beaux-arts de Nantes, France (2004); and Van Abbemuseum, Eindhoven, the Netherlands (2004). He has participated in the Lyon Biennial, France (2007); the Tate Triennial, Tate Britain, London (2006); the Moscow Biennale of Contemporary Art (2005); the Venice Biennale (2003); and Manifesta, Frankfurt, Germany (2002). Sehgal represented Germany at the Venice Biennale in 2005. In 2006 he was nominated for the Hugo Boss Prize at the Guggenheim Museum, New York. He received the Baloise Art Prize at Art Basel, Switzerland, in 2004 and the Kunstpreis der Böttcherstrasse in Bremen, G
ermany, in 2003.

Founding support for CCA Wattis Institute for Contemporary Arts programs has been provided by Phyllis C. Wattis and Judy and Bill Timken. Generous support provided by the Phyllis C. Wattis Foundation, Grants for the Arts / San Francisco Hotel Tax Fund, Ann Hatch and Paul Discoe, and the CCA Curator’s Forum.

For more information go to: http://www.wattis.org