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SFMOMA

Take your time: Olafur Eliasson
September 8, 2007 - February 24, 2008

San Francisco
Museum of Modern Art
151 Third Street
San Francisco, CA 94103
415.357.4000

http://www.sfmoma.org

Widely heralded as one of the most important artists of his generation, Olafur Eliasson nimbly merges art, science, and natural phenomena to create extraordinary multisensory experiences.

Challenging the passive nature of traditional art-viewing, Eliasson engages the observer as an active participant, using tangible elements such as temperature, moisture, and light to generate physical sensations. The works assembled for this presentation–the first U.S. survey of this Icelandic artist’s oeuvre–date from 1993 to the present and reflect all facets of his creative practice. Encompassing sculpture, photography, and large-scale immersive installations–including a newly commissioned kaleidoscopic tunnel that envelops the Museum’s steel truss bridge–these projects are intentionally simple in construction but thrilling to behold, sparking profound, visceral reactions designed to heighten one’s experience of the everyday.

Eliasson describes his artworks as "devices for the experience of reality." As visitors interact with the pieces, they become conscious of their own cognition. The artist describes the effect as "seeing yourself seeing"–an idea key to all his work.

Organized by Madeleine Grynsztejn, Elise S. Haas Senior Curator of Painting and Sculpture at SFMOMA, in close collaboration with the artist, Take your time: Olafur Eliasson is accompanied by an extensive catalogue, featuring essays by Mieke Bal, Klaus Biesenbach and Roxana Marcoci, Daniel Birnbaum, Madeleine Grynsztejn, Pamela M. Lee, and Henry Urbach, as well as a conversation between Eliasson and artist Robert Irwin. The exhibition will embark on an international tour following its San Francisco debut.

Also opening:
Your tempo: Olafur Eliasson
September 8, 2007- January 13, 2008
Presented in conjunction with Take your time: Olafur Eliasson, this special exhibition marks the first public and sole U.S. presentation of Your mobile expectations: BMW H2R project, a new work by Eliasson created as part of BMW’s long-running art car program. Shrouding BMW’s hydrogen-powered H2R race car in a new skin of steel mesh, mirror-coated stainless steel, and many layers of ice, Eliasson transforms an object of industrial design into a work of art that critically and poetically reflects on the relationship between global warming and the automotive industry. Organized by Henry Urbach, SFMOMA’s Helen Hilton Raiser Curator of Architecture and Design, this independent yet complementary exhibition will resonate with the survey, refracting its overarching themes through a single project.

Take your time: Olafur Eliasson
Exhibition information and program schedule:
http://www.sfmoma.org/exhibitions/exhib_detail.asp?id=232

Your tempo: Olafur Eliasson
Exhibition information and program schedule:
http://www.sfmoma.org/exhibitions/exhib_detail.asp?id=316

Take your time: Olafur Eliasson is organized by the San Francisco Museum of Modern Art. Lead support is provided by Helen and Charles Schwab and the Mimi and Peter Haas Fund. Generous support is provided by the Bernard Osher Foundation, the Barbro Osher Pro Suecia Foundation, and Collectors Forum. Additional support is provided by Patricia and William Wilson III, the Andy Warhol Foundation for the Visual Arts, the National Endowment for the Arts, and the American-Scandinavian Foundation. Support for education programs has been provided by Helen Hilton Raiser in honor of Madeleine Grynsztejn. Media support is provided by Dwell magazine.

Your tempo: Olafur Eliasson is organized by the San Francisco Museum of Modern Art and generously supported by BMW. The freezer is supported by locally produced, renewable geothermal energy, provided by Constellation NewEnergy. Media support is provided by Dwell magazine.

For more information go to: http://www.sfmoma.org

DHC/ART Foundation for Contemporary Art

DHC/ART Foundation for Contemporary Art is delighted to announce its very first production grant to New York based Canadian artist Nancy Davenport. The grant helps Nancy to complete a project titled Workers for the 2007 Istanbul Biennial. DHC/ART is committed to initiating and supporting the production of new work by Canadian artists in a variety of media through an annual commission or grant.

Workers is an ambitious media installation which laterally tackles the representation of labour and issues arising from globalisation by connecting Norwegian workers to their out-sourced Chinese counterparts in a seamless, multi-screen DVD environment. At the centre of this merged, moving frieze of animated portraits of both sets of workers is an image of a factory — itself subjected to digital enhancements where workers gather at the gates or rocket into outer space referencing film pioneers the Lumière brothers and
Georges Méliès.

Davenport’s hauntingly beautiful work offers a wry critique of architecture and other social spaces. She fictionalises documentary modes and engages the history of performance art and film while exploring how digital culture has cast a veil of suspicion over the authority of the photographic document.

In September 2001, a week before the events of 9/11, her exhibition The Apartments opened at Nicole Klagsbrun Gallery in New York. The large-scale, digitally collaged images stage incidents of terrorist attacks and other forms of political protest on modernist apartment facades. Davenport later exhibited Campus, a series of photographs depicting "brutalist", melancholy university campuses infused with both the idealism of the enlightenment and the disenchantment of failed revolt. Set at the entrance of a university, Week-end Campus, a video loop composed of hundreds of still photographs taken by the artist, is a slow pan over the cataclysm of stalled cars, accidents and impassive witnesses, paying witty homage to Godard’s much-acclaimed tracking shot in Weekend.

Biography
Nancy Davenport’s work has been widely shown in exhibitions including the 25th Biennale de Sao Paulo, 1st Triennial of Photography and Video at the International Center of Photography, NY and "Urban Dramas" at the de Singel International Kunstcentrum in Antwerp. In 2005, an early version of Workers was exhibited at the Kennedy Center in Washington, D.C. and at the Frognerparken in Oslo. Additionally in 2005, her series entitled Campus travelled to different venues in the UK and was widely reviewed. Davenport’s writing has been published in October magazine and in "Still Moving: Between Cinema and Photography", a book edited by Karen Beckman and Jean Ma (forthcoming Duke UP, 2007). http://www.nancydavenport.com

http://www.dhc-art.org

Information: Cheryl Sim — Program Coordinator
(514) 866-6767 / cheryl@dhc-art.org

For more information go to: http://www.dhc-art.org