Archive for June 18th, 2007

SCENE & HERD IN BASEL AND AT DOCUMENTA

Monday, June 18th, 2007

Artipedia - Arts News
ARTFORUM

EVERYONE WAS THERE

Artforum’s online diary takes you behind the scene with day-to-day reporting from Venice, Basel, and Documenta. LOG ON at http://www.artforum.com/

06.18–NICOLAS TREMBLEY AROUND BASEL

"The bar at the Kunsthalle Basel resembles the waning moments of Le Palace or Studio 54 in the ’80s–though with a properly Swiss air, of course. Everyone was there. Whether rich or poor, beautiful or ugly, thin or plump, artists and dealers from each of the fairs convened to mix and barter with liaisons from other worlds, including fashion (Yves Saint Laurent’s Stefano Pilati seemed to be everywhere) and architecture (represented by the eminent Jean Nouvel)."

READ ON http://www.artforum.com

06.14–SARAH THORNTON ON ART BASEL 38

"’There is north, south, east, and Barbara,’ said one collector as we entered the Restaurant Stucki Bruderholz for a dinner hosted by Barbara Gladstone and Sadie Coles. Every conversation led back to the market. "I’m feeling bearish. I’ve only spent two million dollars since January," said a gent who has been collecting for fifty years."

READ ON http://www.artforum.com

COMING NEXT: David Velasco on Documenta 12.

WHILE YOU’RE ON THE TOUR

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A Prior Magazine at documenta12

Monday, June 18th, 2007

Artipedia - Arts News
A Prior Magazine

A Prior Magazine presents:

issue #14-Sven Augustijnen, Deimantas Narkevicius,
Joachim Koester;

issue #15-Valérie Mannaerts, Martha Rosler, Allan Sekula.

A Prior Magazine is a contributor to this year’s documenta12 magazines project - an open source collaborative project between over 90 on- and off-line (art)publications. A Prior’s two issues of this year take their cue from the conceptual outlines of the documenta12 project. A Prior also took the occasion to extend its activities, exchange articles and organise seminars and educational sessions.

Board of editors: Els Roelandt, Andrea Wiarda, Monika Szewczyk, Raimundas Malasauskas, Dieter Roelstraete, Hilde van Gelder, Ann Demeester, Anton Vidokle, Aneta Szylak, Dirk Snauwaert, Barbara Vanderlinden.

[APM#14_modernity]

Chèr Pourquoi Pas? - Sven Augustijnen
Who killed Patrice Lumumba? And who murdered his alleged murderer? What was the role of journalist Pierre Davister? Sven Augustijnen’s investigative and elaborative project on (post)colonial events and media in both Congo–a former Belgian colony–and Belgium, recalls the thin lines between truth and fiction, the manipulation of words and data, power structures and media. Based on magazine and archived articles, real and fictional interviews the project also features an extensive series of covers from the 1960s reviews Pourquoi Pas? and Spécial. Jan Verwoert elaborates on the ‘Practical Surrealism’ Augustijnen’s work.

Re-visiting Solaris - Deimantas Narkevicius
Narkevicius reconsiders Solaris–the enigmatic Tarkovsky film adaptation in 1971/2 of the novel by futurologist Stanislaw Lem. An extensive text by writer Jean-Pierre Rehm and a conversation between Narkevicius and Larissa Harris, discuss Narkevicius’ mastery in addressing the contemporary and (recent) past, in the context of the wrangling of the economic and the socio-cultural condition, specifically in the former Eastern Bloc.

Königsberg / Kaliningrad - Joachim Koester
Koester travelled to the city of Königsberg / Kaliningrad together with curator and writer Anders Kreuger and literary scholar Claudia Sinnig and discovered that Kant’s beloved hometown (and Hannah Arendt’s birthplace) was now covered with shopping malls and other marks of post-communist, capitalist influence. Koester elaborated his project The Kant Walks with new photographs for A PRIOR and produced a new series of photographs: Kaliningrad is Full of Holes. With reflections on Königsberg / Kaliningrad by Dieter Roelstraete, Anders Kreuger and Claudia Sinnig.

/ VISIONS

I Am Alive and You Are Dead…
Curator and writer François Piron elaborates on the inherent tensions and contradictions of modernity starting from Glass Architecture–a manifesto written by the German poet Paul Scheerbart in 1910–and subsequently on the production of errors as an interpretative methodology or, what modernity could have been if….

[APM#15_on Life]

A Monster of LochNess Feeling - Valérie Mannaerts
Belgian artist Valérie Mannaerts presents a four-part series of new photographs: A Monster of Loch Ness Feeling yielding a vision of life in a bare, abstract form, but one that is rarely evident in contemporary theoretical discourse. In a contribution by Monika Szewczyk on Mannaerts work the question of bare life emerges as the object of ‘an experimental knowledge’. Further elaborations on Mannaerts work are contributed by Jeroen Boomgaard and Kersten Geers.

Bringing the War Home - Martha Rosler
Martha Rosler presents a verion of her series of images which powerfully rearticulates the kind of domestic, everyday, regular life in the context of (current) war(s). Accompanied by a conversation around the Martha Rosler Library between Martha Rosler, Dieter Roestraete and Anton Vidokle–shedding a different light on Rosler’s work as well as the critical universe that books construct.

Shipwreck and Workers–Version 3 for Kassel (2007) -Allan Sekula
Allan Sekula offers an in-dept (pre)view of his project for Documenta12, accompanied by an elaborate commentary on this new project, previous series and the broader context of Sekula’s work by Hilde Van Gelder. Asserting labour as a noble poetic and essential part of human life.

/ VISIONS

‘What’s the place of art in all this?’ A conversation with Maria Hlavajova by Andrea Wiarda; Rudi Laermans on COMMONism and other things we may not share…; Dirk Lauwaert discusses Wanda… Barbara Loden’s only feature film; Hito Steyerl elaborates on the uncertain status of documentary footage; Marius Babias reflects on the relations of ‘populism’, ‘public sphere’ and ‘terrorism’ in his text on Zones of Indifference.

A Prior Magazine is supported by The Flemish Community, the University College Ghent – Department of Visual Arts and Design, Duvel and the Advertisers.

A Prior Magazine info and subscriptions on: http://www.aprior.org
Tel: +32 9 267 01 69
J. Kluyskensstraat 2
9000 Ghent, Belgium
Andrea Wiarda: andrea@aprior.org
Els Roelandt: els@aprior.org

For more information go to: http://www.aprior.org

Lessons from Bernard Rudofsky at CCA

Monday, June 18th, 2007

Artipedia - Arts News
CANADIAN CENTRE FOR ARCHITECTURE

Lessons from Bernard Rudofsky
4 July to 30 September 2007

CANADIAN CENTRE FOR ARCHITECTURE
1920, rue Baile
Montreal, Québec,
Canada H3H 2S6
http://www.cca.qc.ca/exhibitions

Organised by the Architekturzentrum Wien, Vienna, in collaboration with The Getty Research Institute, Los Angeles, and in association with the CCA.

The first retrospective to examine the life and work of Bernard Rudofsky, the controversial architect, designer, and critic whose groundbreaking buildings, exhibitions, and fashion designs challenged the Western world’s perceptions of comfort and culture. Lessons from Bernard Rudofsky highlights the diverse contributions of a unique and underappreciated pioneer of modernism, and brings to light the relevance of Rudofsky’s principles today.

The exhibition spans the entire career of Bernard Rudofsky (1905-1988), including his roots in the early years of European modernism; his world travels, which shaped his views as a designer and critic; and his influence as a curator and writer on international discourse on architecture, fashion, and design. The underlying motivation that unified Rudofsky’s work was what he saw as a loss of sensual awareness in all aspects of modern life. Rudofsky is perhaps best known for the exhibitions and publications that he conceived in the second half of the twentieth century. The most famous of these is Architecture Without Architects, the landmark book and exhibition at the Museum of Modern Art (MoMA), New York (1964), which toured for 11 years and was presented in more than 80 venues around the world. Carefully researched and visually engaging, Architecture Without Architects challenged conventional notions of architecture and dwelling through its study of vernacular building technol
ogies and alternative ways of living. Rudofsky’s openness to different social and architectural traditions and his recognition of the sensory dimensions of the environment continue to be of great relevance for architecture and urbanism today.

As an architect, Rudofsky employed a modernist vocabulary — with its characteristic white, undecorated, cubic shapes in concrete and glass — yet at the same time he was an outspoken critic of modern architecture. He rejected the notion of universal or standardized concepts of dwelling and instead promoted the idea that an individual’s built environment should reflect the history, culture, and climate of his or her immediate surroundings. Architecture, for Rudofsky, was “not just a matter of technology and aesthetics but the frame for a way of life – and with luck, an intelligent way of life.”

Lessons from Bernard Rudofsky is curated by Monika Platzer, Curator, Archive/Collection at the Architekturzentrum Wien, and Wim de Wit, Head of Special Collections and Visual Resources and Curator of Architectural Collections at the Getty Research Institute.

EXHIBITION CATALOGUE

The exhibition is accompanied by a 296-page catalogue with contributions by Andrea Bocco- Guarneri, Monika Platzer, Felicity D. Scott, Wim de Wit, Maria Welzig, and includes forewords by Thomas Crow, Director of The Getty Research Institute, Architekturzentrum Wien Director

Dietmar Steiner, and CCA Director Mirko Zardini. A selection of Rudofsky’s visual and text contributions to Domus are also reproduced and translated. Published by the Architekturzentrum Wien and The Getty Research Institute in English and German editions, Lessons from Bernard Rudofsky is lavishly illustrated with over 200 black and white and colour images including fullpage reproductions of Rudofsky’s photographs. The English edition is available at the CCA Bookstore.

For more information go to: http://www.cca.qc.ca/exhibitions