Archive for April 24th, 2007

CCS Bard Spring Exhibitions, May 13 – 27, 2007

Tuesday, April 24th, 2007

Artipedia - Arts News
Center for Curatorial Studies, Bard College

Spring Exhibitions in the CCS Galleries, May 13 – 27, 2007
Opening reception: Sunday, May 13, 1:00 – 4:00 pm

from rest to rest
Four artists working with digital media call attention to our mobile presence in space. (Ricci Albenda, Peter Campus, David Rokeby, Peter Rose)
Curated by Emily Zimmerman

Novel Readings
Works by Glenn Ligon, Jorge Macchi, and Ernesto Neto are presented in association with novels and literary criticism to raise questions about cultural contexts.
Curated by Florencia Malbrán

Repeat Performances: Roni Horn and Ragnar Kjartansson
One hundred portraits and an incessant performance, each questioning identity and difference.
Curated by Markús Thór Andrésson

Mirror Mirror on the Wall: Intersubjectivity in Parallax
If there’s such a thing as a pornography of the emotions, then this is an orgy of an art show. (Lara Alcántara, María Elena Alvarado, Enrique La Cruz, Diego Lama, José Miyashiro)
Curated by Max Hernández Calvo

Come On Pilgrim: A 110-Mile Exhibition
A map and audio companion lead visitors to six commissioned projects between New York City and the CCS, each based in a journey. (Robert Bryn, Karl Larsson, Joanna Malinowska, Lee Walton, James Walsh)
Curated by Laura Mott

These exhibitions were made possible with support from the Rebecca and Martin
Eisenberg Student Exhibition Fund; the Audrey and Sydney Irmas Charitable
Foundation; the Patrons, Supporters, and Friends of the Center for Curatorial Studies;
and by the Center’s annual benefit for student scholarships and exhibitions. Additional
support for the spring exhibitions has been provided by the Monique Beudert Fund and the Mondriaan Foundation.

Limited free seating is available on a chartered bus that leaves from New York City for the exhibition opening. The bus returns to New York City after the reception. Reservations must be made in advance by calling the Center at 845-758-7598.

Museum Hours
Wednesday – Sunday, 1:00 – 5:00 pm
All CCS Bard exhibitions are free and open to the public.

Also on view:
WRESTLE, the inaugural exhibition at the Hessel Museum of Art, draws from 40 years of work from the Marieluise Hessel Collection. Instead of providing an overview of Hessel’s collection or a selection of “greatest hits,” WRESTLE presents provocative juxtapositions that suggest contesting conceptual strategies or the use of similar material approaches to markedly contrasting ends. Many works zero in on questions of psychological struggle, the self divided against itself, and masculinity, sexuality, and violence. Curated by Tom Eccles and Trevor Smith

The Center for Curatorial Studies
The Center for Curatorial Studies at Bard College (CCS Bard) is an exhibition and research center dedicated to the study of art and exhibition practices from the 1960s to the present day. The Center’s graduate curriculum is specifically designed to deepen students’ understanding of the intellectual and practical tasks of curating exhibitions of contemporary art, particularly in the complex social and cultural situations of present-day urban arts institutions. In November, 2006, CCS Bard inaugurated the Hessel Museum of Art, a new 17,000 square-foot building for exhibitions curated from the Marieluise Hessel Collection of more than 1,700 contemporary works. For further information, call the Center for Curatorial Studies at 845-758-7598, e-mail ccs@bard.edu, or visit http://www.bard.edu/ccs .

Center for Curatorial Studies, Bard College
Bard College, PO Box 5000
Annandale-on-Hudson, NY 12504-5000
845-758-7598
ccs@bard.edu
http://www.bard.edu/ccs

For more information go to: http://www.bard.edu/ccs

PHILIPPE MAYAUX at Collection Espace 315

Tuesday, April 24th, 2007

Artipedia - Arts News
Centre Pompidou

PHILIPPE MAYAUX

Collection Espace 315
at Centre Pompidou

For more information, visit http://www.centrepompidou.fr and http://www.adiaf.com

"The question of painting shouldn’t even be posed any longer, nor the question of beauty come to that. When I hear talk of well painted, badly painted, I feel I’m in some dusty craft exhibition in the company of grey-beards, whinging or otherwise."
Philippe Mayaux,
Philippe Mayaux in Philippe Mayaux, Semiose/Loevenbruck, Paris, 2006

Philippe Mayaux, winner of the Marcel Duchamp Prize 2006, is presented in Espace 315 at Centre Pompidou in an exhibition that demonstrates the originality and great diversity of his work. With its often glaring colour and provocative representation of sexual mechanics, his work is inscribed in a tradition that owes something to both Duchamp and Picabia.

Rich in both historical and contemporary references, Philippe Mayaux’s work juxtaposes contraries - war and love, force and fragility, the rational and the chimerical. It is in this context of duality and paradoxes that the visitor is invited to traverse the red carpet that leads him through the exhibition that brings together a mix of works, old and new.

Philippe Mayaux’s exhibition follows that of other Marcel Duchamp Prize winners, Thomas Hirschhorn (2000-2001), Dominique Gonzalez-Foerster (2002), Mathieu Mercier (2003), Carole Benzaken (2004) and Claude Closky (2005).

Every year, the ADIAF (Association for the Dissemination of French Art) awards the Marcel Duchamp Prize to a young emerging artist.

PHILIPPE MAYAUX
Collection Espace 315
Directed by: Françoise Bertaux and Geneviève Munier
Editions du Centre Pompidou
Format: 17 x 22 cm, 80 pages
Bilingual version French/English
Authors: Jean-Pierre Bordaz, Jean-Yves Jouannais, Didier Ottinger

For more information, visit http://www.centrepompidou.fr and http://www.adiaf.com

For more information go to: http://www.centrepompidou.fr

Contemporary Sculpture and the Social Turn, a panel discussion

Tuesday, April 24th, 2007

Artipedia - Arts News
skulptur projekte muenster 07

skulptur projekte muenster 07

Panel discussion: Contemporary Sculpture and the Social Turn
with Kasper König, James Lingwood, Maria Pask, Carina Plath, Mark Wallinger, Chair: Achim Borchardt-Hume
Wednesday, 25 April 2007, 6.30 pm
Tate Modern, Starr Auditorium, Bankside, London

http://www.skulptur-projekte.de
http://www.tate.org.uk/modern/

Book out now: skulptur projekte muenster 07 – Vorspann
ISBN 978-3-86560-209-1

Join Kasper König and Carina Plath, the curators of the skulptur projekte muenster 07 together with Brigitte Franzen, in a discussion with two of this years participating artistis, Maria Pask and Mark Wallinger, and James Lingwood, director of Artangel. The panel will be chaired by Achim Borchardt-Hume, curator at Tate Modern.

“Contemporary Sculpture and the Social Turn” will take place on Wednesday, 25 April 2007, from 6.30 to 8 pm. Organized by the skulptur projekte muenster 07 in association with Tate Modern, this panel is held in the Starr Auditorium at Tate Modern, Bankside, London.

Tickets will be available for purchase at the door. The panel discussion is supported by Goethe-Institut London.

Out Now: skulptur projekte muenster 07 – Vorspann
Every ten years since 1977, the exhibition Skulptur Projekte examines the relationship between art and public space under the conditions prevailing at a given time and in light of the contemporary concept of a democratic society. Skulptur Projekte is long-term study that always reflects the current zeitgeist. “Art in public space” has now become a genre definition encompassing such aspects as city furnishing and marketing, tourism and image enhancement. Therefore the task of curators should be to reposition the object of investigation and the specific relationship between art and its recipients and to firmly establish it in the experimental field of reality. Thus, for the curators of skulptur projekte muenster 07 the emphasis has shifted from site-specificity to situation- and artist-specificity and to the objective of creating free space. In this sense, skulptur projekte muenster 07 is not a sequel. This year’s exhibition will show how current the format still is today. The
goal is a truly contemporary presentation of artists’ approaches to public space and sculpture. How this occurs and how the participating artists come to terms with their respective objects of investigation are demonstrated in the book “skulptur projekte muenster 07 – Vorspann” with reference to 11 selected projects for skulptur projekte muenster 07.

For all those who cannot join the panel discussion at Tate Modern and had not had the chance to go to one of the previous discussions, “Vorspann” is the ideal reading to get prepared for the skulptur projekte muenster 07, opening to the public on 17 June 2007. “Vorspann” comprises interviews with 12 artists participating in skulptur projekte münster 07, namely Guy Ben-Ner, Martin Boyce, Dominique Gonzalez-Foerster, Marko Lehanka, Eva Meyer/Eran Schaerf, Deimantas Narkevicius, Susan Philipsz, Andreas Siekmann, Silke Wagner, Clemens von Wedemeyer, and Annette Wehrmann. The extensive conversations with the artists about their work, their questions regarding art, public and urban space as well as their individual approaches to Muenster and to the exhibition are complemented by a discussion with Kasper König, Brigitte Franzen, and Carina Plath, the curators of skulptur projekte muenster 07.

skulptur projekte muenster 07 – Vorspann
Edited by Hildegund Amanshauser and Brigitte Franzen
196 pages with numerous b&w illustrations, texts in English and German
Published by Verlag der Buchhandlung Walther König, ISBN 978-3-86560-209-1
The book is available in all bookshops and during the exhibition at various sales points.

For further information please contact:
skulptur projekte muenster 07
c/o LWL-Landesmuseum für Kunst und Kulturgeschichte
Claudia Miklis, Communication Office
Domplatz 10, 48143 Muenster, Germany
Phone +49-251-59 07 309, Fax +49-251-59 07 158
mail@skulptur-projekte.de, http://www.skulptur-projekte.de

Welcome to the Grand Tour 2007
52nd International Art Exhibition of the Biennale di Venezia, Art 38 Basel, documenta 12, skulptur projekte muenster 07 are pleased to invite you to the Grand Tour of the 21st century – through an initiative to support the art travellers.
http://www.grandtour2007.com

For more information go to: http://www.skulptur-projekte.de