Archive for February 20th, 2007

Dia Art Foundation announces new director: Jeffrey Weiss

Tuesday, February 20th, 2007

Jeffrey Weiss, curator and head, Department of Modern and Contemporary Art, National Gallery of Art, Washington, D.C., to join Dia

New York, NY - The Board of Trustees of Dia Art Foundation today announced the appointment of Jeffrey Weiss, curator and head of the Department of Modern and Contemporary Art at the National Gallery of Art in Washington, D.C., as Dia’s new director. Mr. Weiss, who assumes his post in late-spring 2007, succeeds Michael Govan, who became director of the Los Angeles County Museum of Art.

Nathalie de Gunzburg, chairman of Dia’s Board of Trustees, states, “We are thrilled that Jeffrey Weiss will join us as director of Dia Art Foundation. Jeffrey’s deep knowledge of modern and contemporary art, combined with his understanding of the important role of cultural institutions in contemporary society, will be critically important to Dia as we move into the next phase of our development. I know that I speak for all of my colleagues when I say how much we look forward to working with Jeffrey.”

Mr. Weiss says, “I am deeply honored to become director of Dia Art Foundation, one of the world’s most vital and pioneering institutions devoted to contemporary art. Dia fulfills a crucial role among arts organizations, showing an extraordinary commitment to serving art and artists. Indeed, by keeping artists at the center of its activities, Dia has facilitated projects and installations that might otherwise never have been realized. Dia’s identity is now both historical and forward looking-a perfect platform on which to build.”

Mr. Weiss joins Dia, which was founded in 1974, at a pivotal period in its history. In May 2003 the institution launched Dia:Beacon, Riggio Galleries, a museum in Beacon, New York, where Dia displays its world-renowned collection of art from the 1960s to today, and presents special exhibitions and public programming. To date, Dia:Beacon has drawn some 330,000 visitors. Mr. Weiss will lead the organization as it enters a new stage, redeveloping its New York City program while continuing both to present its schedule at Dia:Beacon and maintain long-term, site-specific projects in the western United States and New York City, as well as on Long Island.

Mr. Weiss brings to Dia significant experience as a museum professional and scholar. At the National Gallery, where he has worked since 1994, he has organized numerous exhibitions, edited and contributed to their catalogues, and overseen a vigorous acquisitions program. Most recently, he organized Jasper Johns: An Allegory of Painting 1955-65, which opened at the National Gallery on January 28, 2007. In addition, in 2004 he worked with Dia to bring to the Gallery the first presentation of the internationally touring Dan Flavin retrospective, which was organized by Dia in association with the Gallery. Other exhibitions that he has organized or co-organized at the National Gallery include Picasso: The Cubist Portraits of Fernande Olivier (2003), Cy Twombly: The Sculpture (2001), and Mark Rothko (1998). He has also devoted considerable attention to building the collection in art from the 1960s and 1970s. Under his tenure as department head, the National Gallery has acquired important early and classic-period works by Flavin, as well as Mel Bochner, Lee Bonetcou, Marcel Broodthaers, Robert Gober, On Kawara, Yayoi Kusama, Robert Morris, Robert Ryman, Richard Serra, James Turrell, Andy Warhol, and numerous other artists of the period.

Prior to being named curator and head of the Department of Modern and Contemporary Art at the Gallery, Mr. Weiss served as associate curator and assistant curator in the department; from 1991 to 1993, he was a research associate and associate research curator at the Gallery. He is currently the Kirk Varnedoe Visiting Professor at the Institute of Fine Arts, New York University, where he is leading a graduate seminar and, where, this spring, he will deliver public lectures on the art of the 1960s and 1970s at The Metropolitan Museum of Art.

Mr. Weiss has lectured and published widely. His writing has appeared in numerous catalogues and books, as well as in a number of prestigious magazines. He has additionally served as editor of several exhibition catalogues, and regularly participates in and organizes scholarly conferences and symposia. The latter includes the major symposium Dan Flavin: New Light, resulting in a book recently published by the National Gallery and Yale University Press for which Mr. Weiss served as editor and contributor.

Jeffrey Weiss received a Ph.D. from the Institute of Fine Arts, New York University, in 1991, and a B.A. from Dickinson College, Carlisle, Pennsylvania, in June 1980.

THE DISAPPEARED (LOS DESAPARECIDOS)

Tuesday, February 20th, 2007

Artipedia - Arts News
EL MUSEO DEL BARRIO

EL MUSEO DEL BARRIO PRESENTS
THE DISAPPEARED (LOS DESAPARECIDOS)

February 23 June 17, 2007

Press Preview: Wednesday, February 21
11:00 a.m. 1:00 p.m.

El Museo del Barrio, New Yorks premier Latino and Latin American cultural institution, will present The Disappeared (Los Desaparecidos) from February 23 June 17, 2007. This traveling exhibition, organized by the North Dakota Museum of Art and curated by Laurel Reuter, brings together visual artists responses to the tens of thousands of persons who were kidnapped, tortured, killed and vanished in Latin America by repressive right-wing military dictatorships during the late-1950s to the 1980s.

The Disappeared (Los Desaparecidos) gathers 14 contemporary living artists from seven countries in Central and South America (Argentina, Brazil, Chile, Colombia, Guatemala, Uruguay and Venezuela), all of whose work contends with the horrors and violence stemming from the totalitarian regimes in each of their nations during the mid- to late-20th century. Some of the artists worked in the resistance; some had parents or siblings who were disappeared; others were forced into exile. The youngest were born into the aftermath of those dictatorships. And still others have lived in countries maimed by endless civil war. These artists whose work is represented in the exhibition are Marcelo Brodsky, Luis Camnitzer, Arturo Duclos, Juan Manuel Echavarría, Antonio Frasconi, Nicolás Guagnini, Nelson Leirner, Sara Maneiro, Cildo Meireles, Oscar Muñoz, Ivan Navarro, Luis González Palma, Ana Tiscornia and Fernando Traverso. Also included is a collaborative insta
llation Identity/Identidad by a collective of 13 Argentinean artists.

The range of visual languages — drawings, prints, photographs, installations and mixed media — incorporated in The Disappeared (Los Desaparecidos) frequently employs similar forms to evoke the presence of the missing person or persons. Bodies, faces, personal possessions and names, often methodically compiled and arranged, appear both boldly and subtly throughout the work in the exhibition. Through their intense visual and emotional impact, these works communicate the unspeakable and reveal the artists assumed role of social responsibility towards ending the silence surrounding these extreme cases of human rights violations, says Julián Zugazagoitia, Director of El Museo del Barrio. In this context of public awareness and education through art, El Museo, as the first venue in the Eastern United States for this internationally traveling exhibition, aims to assemble as broad an audience as possible to confront and preserve the memory of these recent historical t
ragedies.

Free public programs for adults, educators and children will be offered in relation to the exhibition and to encourage dialogue among viewers. Scheduled programming includes a series of film screenings, monthly family tours and workshops, an evening of music as a tribute to los desaparecidos on March 23, and an artist panel moderated by Columbia University Professor Andreas Huyssen on May 23. A bilingual illustrated color exhibition catalogue written by Laurel Reuter and Lawrence Weschler and produced by Charta, Italy with funding from The Lannan Foundation will accompany The Disappeared (Los Desaparecidos).

Sponsors for The Disappeared (Los Desaparecidos) are the Otto Bremer Foundation, the Andy Warhol Foundation and the Lannan Foundation. This exhibition has also been supported in part by a grant from the Open Society Institute, and by Mahnaz I. and Adam Bartos.

El Museo del Barrio
1230 Fifth Avenue between 104th and 105th Streets
New York, NY 10029
212-831-7272
http://www.elmuseo.org

Press Contact: Lauren Van Natten
T. 212 660 7102
lvannatten@elmuseo.org

Museum Hours:
Wednesday - Sunday, 11AM to 5PM. Closed on Monday and Tuesday.

Directions:
By subway: #6 to 103rd Street Station, #2, #3 to Central Park North/110th Street station
By bus: M1, M3, M4 on Madison and Fifth Avenues to 104th Street; local crosstown service between Yorkville or East Harlem and the Upper West Side in Manhattan M96 and M106 or M2.

For more information go to: http://www.elmuseo.org

New developments and projects confirm the fairs international edge

Tuesday, February 20th, 2007

Artipedia - Arts News
MiArt

Waiting for MiArt 2007
New developments and projects confirm the fairs international edge

tel. +39 0248 550.489
fax +39 0248 550. 420
e-mail miart@fmi.it
web site http://www.miart.it

About to be staged for the 12th time, Milan’s International Modern and Contemporary Art Fair is today a truly international and increasingly high level event. This is not only because of the participation of numerous galleries from all over the world, but also for its prestigious special projects, designed to create a full-immersion art experience in Milan an opportunity to discover and experience the Fair and the city in a whole new way.

Among the jewels in the MiArt 2007 crown, we must first mention the participation of the prestigious Basel-based Foundation Beyeler, which, for the first time, will be occupying a stand and telling the public something of its history through the display of some of the genuine masterpieces from its collection. And 2007 marks two important anniversaries for Ernst Beyeler, who this year is celebrating his first ten years of work with the foundation that bears his name as well as the 60th anniversary of the Beyeler Gallery. The Foundations decision to take part on MiArt was a strategic move in intensifying its relationship with people interested in art in Italy. At the Fair, Foundation Beyeler will be exhibiting two monumental and priceless works a Matisse and a Christus completing the virtual visit to the museum with a series of photographic images of the collection. An exciting key attraction with no shortage of surprises, the event will bring a special flavor to the 12th
MiArt.

And the news doesnt finish there. The Anteprima section, which this year will have a more experimental edge than ever, will be hosting a series of extremely high profile special events, complemented by discussion, meeting and roundtable sessions that will make the Fair a dynamic, effervescent and cosmopolitan center for interaction an opportunity for exchange and face-to-face discussion with the foremost art critics, curators and museum directors from around the world.

The question of the spaces used for art will come under the spotlight at the roundtable session Isomorphic Space. The homogenization of spaces in art. The session will examine the issue of spaces dedicated to contemporary art, placing the focus on the works that artists intend to create in them. The speakers, Daniel Birnbaum, Liam Gillick and Christine Macel, will endeavor to answer the question: Are art fairs today all that different from museums, galleries and independent spaces, or are there still some real differences between these spaces?

The Video and Film Lounge project will be complemented by a roundtable discussion entitled The inheritance of the cinematic form in the art video that will see the participation of Maria Rosa Sossai, Ian White, Christian Merlhiot and Bart Rutten. The Art and community conference, presented by More Art in collaboration with Art for the World, will focus on the issue of the promotion of young Italian and international artists relative to their local area. It will also feature an installation by Brazilian artist Fabiana De Barros entitled Fiteiro Cultural (Culture kiosk), designed for discussion and learning in the context of the artist-audience-place relationship. Finally, Arcipelago Olanda , conceived as a live creative workshop, will be presented alongside a discussion session entitled The Talks, which will feature all the artists involved in the workshop, who will discuss their experiences while outlining the Dutch artistic and institutional scenes.

Info:
tel. +39 0248 550.489
fax +39 0248 550. 420
e-mail miart@fmi.it
web site http://www.miart.it

Press office and PR:
Olivia Spatola, Federico Poletti: press_miart@fmi.it
Cristina Pariset: cristina.pariset@libero.it

Organizing secretariat:
Fiera Milano International spa
Via Varesina, 76 - 20156 Milan, Italy

For more information go to: http://www.miart.it

SCOPE NEW YORK TO SHOW THE BEST OF INTERNATIONAL CONTEMPORARY ART AT LINCOLN CENTER

Tuesday, February 20th, 2007

Artipedia - Arts News
SCOPE NEW YORK

SCOPE NEW YORK TO SHOW THE BEST OF INTERNATIONAL CONTEMPORARY ART AT LINCOLN CENTER

Sneak Preview Thursday, February 22nd, 3pm-8pm
Daily Entry: 10am-8pm, Friday, February 23 Monday, February 26, 2007

The Scope Pavilion
Lincoln Center
Damrosch Park,
Corner of 62 Street and 10th Avenue

Scope hunts down that most endangered of species: the emerging artist. Both moving target and elusive chameleon, Scope’s 65 participants capture this exotic breed in their roving crosshairs. Challenging passive viewing with 25,000 square feet of open-range, Scope New York exposes visitors to a real-time survey of the contemporary art world available nowhere else.

Building on last year’s success, which broke all sales and attendance figures for an alternative art fair, Scope New York 2007 is proud to announce its new location: a 25,000 square-foot pavilion with a glass facade at New York’s most famous cultural icon, Lincoln Center. Situated in Lincoln Center’s Damrosch Park, at the corner of 62nd Street and 10th Avenue, Scope New York is just blocks from the Armory Show.

Scope New York returns for its sixth-straight year with its new location. Featuring galleries from four continents and 20 countries, including China, Mexico, Japan, Korea, Brazil, Italy, France, Belgium, the Netherlands, Norway, Switzerland, Germany, UK, Spain, and Canada, Scope New York 2007 is the most internationally diverse fair to date. Scope’s sixty-five international exhibitors will uphold its unique tradition of one-person and thematic group shows presented alongside museum-quality programming, collector tours, screenings, and special events. The fair opens daily at 10 AM.

Continuing its mandate to redefine what an art fair is, this year’s Scope New York will take advantage of its unique location with special projects by Scope exhibiting artists. Visitors to the fair will be embraced and initiated by roving performers, sound and video pieces interspersed throughout the fair. Nestled atop a snow blown "mountain," viewers can seek sanctuary in a veritable hunting lodge, where art stars, icons and iconoclasts interview each other and warm to a crackling fire.

For more information about Scope’s special projects and daily programming, please download the picture schedule at http://www.scope-art.com/images/stories/picturesched1.pdf .

Highlights of Scope New York 2007 include:
SNEAK PREVIEW, Thursday, February 22nd, 3PM-8PM: Be the first to see the best of international emerging contemporary art while enjoying a chilled Grolsch Swingtop. Sponsored by Christiania Vodka and Grolsch. To rsvp, please email preview@scope-art.com.

VIP/Press Preview Brunch, Friday, February 23rd, 10 AM - 2PM: Scope New York 2007 launches with a press and VIP brunch featuring special performances and screenings. Press RSVP: press@scope-art.com; VIP RSVP: vip@scope-art.com.

Scope Foundation Benefit, Friday, February 23rd, 6pm-9pm: Collectors and museum patrons join Scope exhibitors as they benefit the launch of the Scope Foundation, whose mandate it is to help emerging artists through grants, awards, and acquisitions.

Culture on the Verge, Friday, February 23rd, 10pm-late (offsite)
In conjunction with Beautiful Decay, Scope New York 2007’s highly anticipated opening night event begins after the VIP Benefit. The event will feature local emerging bands, screenings and performance. Located at Element, 225 East Houston St, New York, NY.

Cinema-Scope: The Perpetual Art Machine: Presenting more than 600 videos by over 400 emerging and established artists from 60 countries, [PAM] allows the visitor to become part of the curatorial process. PAM is organized in collaboration by Lee Wells, Raphaele Shirley, Chris Borkowski and Aaron Miller.

Performance Scope: Featuring Performances by Mark McGowan (CHARLIE SMITH london), Gabriel Martinez (Samson Projects), FEAST (ADA Gallery), Ambrose Martos (chashama), Zhen Heinemann and the Endless Love Crew (chashama), Edisa Weeks (chashama).

GRIZZLY Hunting Lodge/ Interview Booth: Nestled atop a snow blown "mountain," viewers can seek sanctuary in a veritable hunting lodge, where art stars, icons and iconoclasts interview each other and warm to a crackling fire. Hosted by Althea Viafora-Kress of WPS1 MoMA Art Radio, Vernissage TV, and Scope President Alexis Hubshman.

Dues ex Machina: Right of Passage: Scope’s curated program, featuring outdoor and indoor installation projects by Ryan Humphrey (Nina Arias), Katja Flieger (Umtrieb Gallery), Fernando Mastrangelo (RARE Gallery), Oh Seok Kwon (Umtrieb Gallery), Chris Duncan (Gregory Lind Gallery), Brose Partington, (DAM, STUHLTRAGER), Andrei Molodkin (Daneyal Mahmood), and Rose Kallal (Legion).

Scope Shuttle: The Scope Shuttle provides service from the Armory show to Scope New York every fifteen minutes for the duration of the fair.

Scope New York Exhibitors
ADA Gallery (Richmond), Ambrosino Gallery (Miami), Andrea Meislin (NYC), Andreas Binder (Munich), Anna Klinkhammer (Dusseldorf), art affairs (Amsterdam), Artspace Witzenhausen (Amsterdam), Begona Malone (Madrid), Bonelli Arte (Mantova), Brain Factory (Seoul), Bryce Wolkowitz (NYC), Carter Presents (London), CHARLIE SMITH (London), Chinese Contemporary (NYC/ UK), Christopher Cutts (Toronto), Christopher Henry (NYC), Claudine Papillon (Paris), Crown (Brussels), Cynthia Broan (NYC), DEAN PROJECT (NYC), douz and mille (Washington, DC), El Charro Negro (Zapopan), Eric Dupont (Paris), Galerie Adler (NYC/ Frankfurt), Galerie Baer (Dresden), Galerie Romerapotheke (Zurich), Galerie Schuster (Berlin/Frankfurt), Galleri K (Oslo), Gallery 10G (NYC), Greener Pastures (Toronto), Gregory Lind (SF), GRIZZLY (NYC), Hamburg Kennedy (NYC), heliumcowboy artspace (Hamburg), Houlsdworth (London), Howard House (Seattle), Janet Oh Gallery (Seoul), Jean Brolly (Paris), Ka tharine Mulherin (Toronto),
Kuckei + Kuckei (Berlin), LEGION (NYC), leo bahia (Belo Horizonte), lincart (SF), loop: raum fur aktuell kunst (Berlin), Magnan Emrich (NYC), MARCdePUECHREDON (Basel), Marlborough Chelsea (NYC), Mike Weiss Gallery (NYC), Moti Hasson Gallery (NYC), Other Gallery (Winnipeg), RARE (NYC), Regis Krampf (NYC), SALTWORKS (Atlanta), Samson Projects (Boston), Sara Nightingale (Watermill), Shine Art Space (Shanghai), Sixty Seven Gallery (NYC), Spinello Gallery (Miami), Steve Turner Contemporary (LA), Store House Group (San Juan), TAKEFLOOR 404&502 (Tokyo), Taylor de Cordoba (LA), The Flat (Milan), The Proposition (NYC), TZR Gallery (Dusseldorf), Yancey Richardson (NYC), Yossi Milo Gallery (NYC)

About Scope: Scope’s continued mission is to turn viewers into users. Founded in 2002, Scope gives a view of the contemporary art world available nowhere else. Scope international art fairs present up-and-coming dealers, curators, and artists, alongside museum quality programming at fairs in New York, London, Miami, Basel and the Hamptons. Scope is dedicated to not only supporting the international emerging artistic community, but local artistic and not-for profit institutions.

Scope Basel
FreeView: Tuesday, June 12, 2007 from 10am-4pm
Daily Entry: Wednesday, June 13th Sunday, June 17th, 2007 from 10am-8pm
Location: E-Halle, Erlenstrasse 15, CH-4058 Basel, http://www.e-halle.ch

Building on the success of its international art fair program, Scope is delighted to announce the launch of the first SCOPE Basel, June 13 June 16, 2007, with a FreeView for VIPs and Press on Tuesday, 10am-4pm. Located in a 27,000 square-foot, post-industrial warehouse within walking distance of Art Basel 38, Scope will present its most international fair to-date with emerging galleries from all over the world.

Scope New York 2007 Sponsors:

Host Sponsors
Corcoran Group Real Estate
Providers
American Apparel
Christiania Vodka
Grolsch
Johnnie Walker Blue
Casa Noble Tequila
Izze

Media Sponsors
Vernissage TV
Beautiful Decay
Artnet
Max Custom Media

Catering Provided by Restaurant Associates

For more information go to: http://www.scope-art.com