Archive for February 8th, 2007

PIPILOTTI RIST at MAGASIN 3 STOCKHOLM KONSTHALL

Thursday, February 8th, 2007

Artipedia - Arts News
MAGASIN 3 STOCKHOLM KONSTHALL

PIPILOTTI RIST
“Gravity, Be My Friend”

February 10 - June 17, 2007
Curator: Richard Julin

MAGASIN 3 STOCKHOLM KONSTHALL
http://www.magasin3.com/exhibitions/pipilotti.html

Pipilotti Rist is one of the most prominent artists working today, best known for her dream-like video installations and colour-drenched imagery. Probing both physical and psychological dimensions her exploration of the body, our senses, rituals and taboos are at once poetical, intimate and playfully entertaining.

The exhibition comprises central pieces in Rist’s production as well as two newly produced works.

The title-piece “Tyngdkraft, var min vän” (“Gravity, Be My Friend”) is a new large-scale audiovisual installation is specially produced for Magasin 3. The new work offers an overall experience where the viewer laying down is taken to a place at the beginning of time or possibly in the future. Pipilotti Rist aims at including us in a specific setting, putting us ‘into the movie’ in order to open up our mind to complex themes. “Tyngdkraft, var min vän” is a further development of her working method and imagery. With this work Pipilotti Rist wants to encompass a flash of consciousness in the spectators minds, a kind of mildness to themselves.

In conjunction with the exhibition Magasin 3 is producing a publication in collaboration with Lars Müller Publishers. It contains a very personal and fascinating conversation between the artist and the curator of the exhibition Richard Julin revealing new dimensions of the world of Pipilotti Rist, with anecdotes from the creation process and reflections on life, art and food. The book is published in three separate editions: English, Swedish and German.

Pipilotti Rist was born in 1962 and lives and works in Zurich. Since the beginning of the 1990’s she has been included in a large number of group shows and has had solo exhibitions at some of the most prestigious art institutions around the world.

Read more about the exhibition: http://www.magasin3.com/exhibitions/pipilotti.html

Magasin 3 Stockholm Konsthall was founded 1987 and is one of the leading institutions of contemporary art in Sweden. Since its inception Magasin 3 has become recognized for major exhibitions presenting works by internationally established artists.

The exhibition is kindly supported by:

For more information go to: http://www.magasin3.com/exhibitions/pipilotti.html

e-flux video rental opens at Carpenter Center, Boston

Thursday, February 8th, 2007

Artipedia - Arts News
e-flux

EVR Boston
February 8 – April 13, 2007
a project by Anton Vidokle and Julieta Aranda

Carpenter Center
24 Quincy Street
Boston, MA 02138

Monday – Friday: noon – 5
Saturday & Sunday: 1 - 5

Carpenter Center Lecture
by Anton Vidokle and Julieta Aranda
Thursday, February 8 2007, 6 pm
Carpenter Center lecture hall
reception with the artists to follow

e-flux video rental (EVR) is a project comprising a free video rental, a public screening room, and a film and video archive that is constantly growing. This collection of near 700 works of film and video art has been assembled in collaboration with over 60 international artists, curators and critics. Orignally presented on New York, at 53 Ludlow Street in 2004, EVR has been presented in Amsterdam, Berlin, Frankfurt, Seoul, Istanbul, Canary Islands, Austin Texas, Budapest, Antwerp, and Miami.

Every time EVR is installed in a new city, local arts professionals are invited to serve as selectors, choosing artists whose work is added to the collection. In addition, a program of screenings of works from the EVR collection is part of the project. In Boston, the program will continue with the participation from interns from the departments of Visual and Environmental Studies, History of Art and Architecture, as well as Mass Art and the Museum School in Boston.

In the 1960s and 70s, artists were drawn to working with video in part because it was cheap to use and easily reproduced and distributed. But video art has become increasingly assimilated to the precious-object economy of the art world. EVR is an exploration on the current processes of circulation and distribution of video art, and is structured to function like a regular video store, except that it operates for free. VHS tapes can be watched in the space, or, once a viewer fills out a membership form and contract, they can be checked out and taken home. A changing selection of works showcasing the depth and breadth of the collection will be screened during all times the exhibition is open to the public, coordinated by local students from Harvard and Boston-area arts schools.

This project also includes a special series of screenings on Tuesday nights curated by local artists, writers and curators as well as interns from the departments of Visual and Environmental Studies and History of Art and Architecture, Massachusetts College of Art, and the School of the Museum of Fine Arts.

Works selected by: fernanda arruda, marilyn arsem, defne ayas, gabriel perez barreiro, rene barilleaux, regine basha, thomas bayrle, katrin becker, ariane beyn, cis bierinckx, daniel birnbaum, osman bozkurt, adam budak, cac tv, annette dimeo carlozzi, luca cerizza, binna choi, mariana david, catherine david, nikola dietrich, power ekroth, mai abu eldahab, esra ersen, jose louis falconi, hedwig fijen, elena filipovic, lauri firstenberg, susanne gaensheimer, gabrielle giattino, massimiliano gionni, julieta gonzález, francesca grassi, andrea grover, cao guimaraes, alfred guzzetti, jörg heiser, arne hendriks, sofia hernandez, maria hlavajova, jens hoffmann, teresa hubbard & alexander birchler, anthony huberman, pierre huyghe, eungie joo, yu hyun jung, christoph keller, sung won kim, adam klimczak, anders krueger, pablo leon de la barra, fernando llanos, omar lopez-chahoud, jaroslaw lubiak, bill lundberg, ives maes, karen mahaffy, raimundas malasauskas, franco mari
notti, vincent meessen, viktor misiano, edit molnár, kassandra nakas, molly nesbit, hans ulrich obrist, lívia páldi, november paynter, wim peeters & marie denkens, zsolt petrányi natasa petresin, stephen prina, risa puleo, alia rayyan, karyn riegel, david rych, hyun jun ryu, esra sarigedik, nermin saybasili, itala schmeltz, stefanie schulte strathaus, basak senova, henk slager, hajnalka somogy, ali subotnik, christine tohme, regina vater, gilbert vicario, florian waldvogel, franciska zólyom, nathalie zonnenberg

Artists: 24/7 tv, a-clip, vahram aghasyan, doug aitken, lucas ajemian, nevin aladag, kamal aljafari, jennifer allora & guillermo calzadilla, paulo almeida, can altay, carlos amorales, andré amparo, j tobias anderson, alexander apóstol, vasco araújo, assume vivid astro focus, michel auder, sven augustijnen, alexandra bachzetsis, miriam bäckström, lucas bambozzi, edson barrus, judith barry, yael bartana, taysir batniji, thomas bayrle, sarah beddington, patricia belli, elisabetta benassi, kazimierz bendkowski, roberto berliner, janet biggs, colectivo bijari, marc bijl, johanna billing, julien jonas bismuth, alberto bitar e leonardo bitar, john bock, manon de boer, mike bouchet, frank boue, andrea bowers, osman bozkurt, ulla von brandenburg, pavel braila, candice breitz, wojciech bruszewski, martin butler, chris caccamise, yane calovski & FOS, mircea cantor, domenico cappello, carolina caycedo, alex cecchetti & christian frosi, alejandro
cesarco, juan cespedes, paul chan, terry chatkupt, marcos chaves, mina cheon, loulou cherinet, olga chernysheva, ali cherri, sunah choi, heman chong & isabel cornaro, kerstin cmelka, cecilia condit, joost conijn, marie cool & fabio balducci, alexander costello, alfredo b. crevenna, carlo crovato, roberto cuoghi, federico curiel, hubert czerepok, marilá dardot, simona denicolai & ivo provoost, marta deskur, angela detanico y rafael lain, stefaan dheedene, wilson diaz, melissa dubbin & aaron s. davidson, ivan edeza, effi & amir, james elaine/william basinski, fouad elkoury, hala elkoussy, shahram entekhabi & mieke bal, annika eriksson, espacio la culpable, marcell esterházy, extrastruggle, héctor falcón, matias faldbakken, jeanne faust/jorn zehe, rochelle feinstein, jakup ferri, dirk fleischmann, oriana fox, alicia framis, jonah freeman, gabrielle fridriksdottir, anna friedel, peter friedl, yang fudong, rene gabri, rubén galindo, andrea geyer, gilbert & george, jérémie gindre, christoph girardet, piero golia, emilio gómez muriel, francis gomila, dominique gonzales-foerster, rogelio a. gonzáles, rogelio a. gonzales jr., jacqueline goss, laurent grasso, loris gréaud, sagi groner, christian grou & tapio snellman, eva grubinger, cao guimaraes, dmitry gutov & radek group, joanna hadjithomas & khalil joreige, driton hajredini, yang-ah ham, adad hannah, sharon hayes, daniel herskowitz, shere hite, karl holmqvist, judith hopf & stephan geene, vlatka horvat, laszlo hudak & imre lenart, jane hudson, oliver husain, kristina inciuraite, las indestables, matthew day jackson, christian jankowski, evaldas jansas, tom johnson, ilya kabakov, gülsün karamustafa, franka kaßner, leopold kessler, hassan khan, nesrine khodr, laleh khorramian, heidi kilpelainen, changkyum kim, se-jin kim, shin il kim, tae-eun kim, szabolcs kisspál, leszek knaflewski, seung wook koh, jeroen kooijmans, korpys/löffler, katarzyna kozyra, elke krystufek, pawel kwiek, tim lee, crystobal lehyt, dominik lejman, jesse lerner, xavier le roy, erik van lieshout, deborah ligorio, khoór lilla & will potter, minouk lim & frederic michon, daniel lima, lana lin, lin + lam, petra lindholm, fernando llanos, dora longo bahia, polonca lovsin, cecilia lundqvist, mary lucier, maria lusitano, jorge macchi, cynthia madansky, gintaras makarevicius, joanna malinowska, marepe, teresa margolles, gilberto martinez solares, trish maud, marssares, eileen maxson, mc messiah, mc liezuvis, vincent meessen, jonas mekas, bjørn melhus & yves netzjammer, john menick, ohad meromi, wieslaw michalak, simone michelin, christopher miner, lim minouk & frederic michon, sarah minter, aleksandra mir, mixrice, slava mizin & sasha shaburov, avi mograbi, naeem mohaiemen, sebastián díaz morales, frédéric moser & philippe schwinger, melvin moti, tova mozard, rabih mroue, felipe mujica, matthias müller, takeshi murata, juan nascimento&daniela lovera, deimantas narkevicius, argentino neto, sergio & rivane neuenschwader, tuan andrew nguyen, jesper nordahl, love nordberg, filip noterdaeme, sophie nys, yoshua okon, bjargey ólafsdóttir, anneè olofsson, yoko ono, els opsomer, anna orlikowska, tanja ostojic & david rych, the otolith group, chan-kyong park, philippe parreno, sean paul & david dempewolf, jenny perlin, diego perrone, alessandro pessoli, michael pfrommer, pablo pijnappel, john pilson, steven pippin, michelangelo pistoletto, shannon plumb, rafael portillo & manuel san fernando, linda post, liza may post, dean proctor & michael laub, the atlas group/walid raad, judy radul, orit raff, anne-britt rage, arturas raila, khaled d. ramadan, tere recarens, mandla reuter, jae oon rho, robin rhode, józef robakowski, camila rocha, tracey rose, douglas ross, karl ingar røys, julika rudelius, daniel rumiancew, david rych, natascha sadr haghigian, anri sala, samir, fernando sánchez castillo, beatriz santiago muñoz, julia scher, markus schinwald, andrea schneemeier, karin schneider & nicolás guagnini & jeff preiss, meggie schneider & bin-chuen choi, corinna schnitt, solmaz shahbazi, wael shawky, taro shinoda, santiago sierra, silverio, guy richards smit, gregg smith, michael smith, sean snyder, aaron steffes, a.l. steiner, hito steyerl, deborah stratman, jános sugar, özlem sulak, superflex, pál szacsva y, mathilde ter heijne, tetine, kika thorne, rirkrit tiravanija, maciej toporowicz, ana torfs, cecilia torquato & andré amparo, mario garcia torres, kerry tribe, caecilia tripp, stefanos tsivopoulos, nasan tur, alexander ugay, johanna unzueta, utopia station, michael van den abeele, mona vatamanu & florin tudor, gabriel acevedo velarde, mark verabioff, katleen vermeir & ronny heiremans, dmitry vilensky, joe villablanca, gitte villesen, barbara visser, jenny vogel, sharif waked, marek wasilewski, ryszard wasko, douglas weathersby, clemens von wedemeyer, lawrence weiner, suara welitoff, aleksandra went & alicja karska, klaus weber, adrian williams, marten winters jordan wolfson, tin tin wulia, erwin wurm, cerith wyn evans, sislej xhafa, haegue yang, adnan yildiz, carey young, akram zaatari, olivier zabat, florian zeyfang, igor zupe and others

For more information go to: http://www.e-flux.com

Dolores Zinny Juan Maidagan at sala rekalde

Thursday, February 8th, 2007

Artipedia - Arts News
sala rekalde

Dolores Zinny Juan Maidagan
The coast, the attack, the same

8 February to 8 April 2007

sala rekalde
Alameda Recalde, 30
Bilbao 48009 (Spain)
http://www.salarekalde.bizkaia.net

The coast, the attack, the same is a new installation by Argentine artists Dolores Zinny and Juan Maidagan made specifically for sala rekalde that establishes an interplay between design, painting, sculpture and architecture. The exhibition’s point of departure is a middle-sized architectural construction entitled Alarga la lengua (Stretch your tongue out), which unfurls within the exhibition space to reveal two series of basic materials (wood and polyester) that are interwoven. Accompanying it is a set of complementary works, including some drawings inspired by the same piece and a series of collages among others.

The work of Zinny Maidagan is remarkable for the architectural interventions it involves. Some of these develop along lines of a post-minimalist formalism (in that they are established as discrete architectural alterations that announce a new experience that is finally frustrated), whilst others reproduce prototypes, previously designed in small model format, on an architectural scale, recreating subjective scenarios from which a place for fiction becomes active within the exhibition space.
The titles of Zinny Maidagan’s works have a special function. Indeed they announce the performative capacity of their interventions. This occurred in pieces like Semantic Gap (2004), an installation, made specifically for the Lund Konsthall, that was inspired by their research into the history of the building and its architect Klas Anshelm, which championed a space empty of significance in relation to the work of art; and in A Façade that Considers no Interior Contains an Illusory Garden (2002), an engraved piece within the architectural environment of the Bibliothèque Royale in Brussels, which provoked a suspension of time through a delay in the actual expectations aroused by the work and the separation of its institutional or urban setting; and 27 de Marzo (March 27th, 1993), a public installation made for the inauguration of the Bernardino Rivadavia Cultural Centre in Rosario, Argentina which consisted of a set of empty art containers placed opposite the buil
ding that, rather than celebrating its opening, deliberately stirred up confusion by hinting at its imminent demolition.

The installation in sala rekalde likewise plays on the multiplicity of readings available. One title, for instance, directly suggests that you stick out your tongue, urging you to stretch it to its full length, as the doctor might suggest when you go for an examination. The singularity of the installation lies in the dialectical movement of the two sequences of materials, whose impulsive form is proposed as a metaphor for the movement of language — a language that, swept by the force of History, stretches out towards another and ends up in deadlock with it. From this picture of discontentment the artists challenge the spectator, once more taking up the idea of the final untranslatability of text —or of a work of art—, just as, in order to liberate its interpretation, Walter Benjamin chose to formulate it in “The task of the translator” (in Illuminations). And it is precisely in the idea of loss of origin which Benjamin communicates to us in his essay that we rediscover anothe
r constant in the artistic practice of Dolores Zinny Juan Maidagan: the manifestation of permanent phenomenological fracture that takes place vis-à-vis the work of art, or the unfulfilled promise of an absolute experience.

To accompany the exhibition, sala rekalde will publish a book, designed by the artists, with essays by Mónica Amor, Hyjunjin Kim and Leire Vergara.

During the same dates, the Abstract Cabinet of sala rekalde will be showing a solo project by Basque artist Iñaki Imaz. Lo Mío is a new collection of works that set up a mental relationship between the exhibition and the educational space of the Arts School of the Basque Country. The work of Iñaki Imaz constitutes a clear example of how contemporary painting —like photography, video or other media— establishes strong links with the context from which the work is produced. However, the way his painting sets you thinking goes further than an automatic response to a set of physical conditions that must supposedly be adapted to.

For further information please contact:
Constanza Erkoreka, Press Officer
Tel:(+34) 94 406 87 07
Fax: (+34) 94 406 87 54
salarekalde@bizkaia.net

For more information go to: http://www.salarekalde.bizkaia.net