Paul Russo - Black Abstracts

Archive for December 2nd, 2006

Simon Henwood @ Envoy Gallery

Saturday, December 2nd, 2006


SIMON HENWOOD
“CRICKLEWOOD” new paintings
8 DECEMBER - 13 JANUARY 2007
opening in the presence of the artist 14 DECEMBER 6-8pm

Tuesday thru Saturday from 11-6pm
envoy . 535 West 22nd Street . 6th Floor . New York . NY 10011

Curious, experimental, and clear-eyed, Simon Henwood is a master of many media.
Since he left Exeter College in 1986 with a degree in mixed arts, painting,
animation and illustration, he’s had numerous solo and group exhibitions around
the world and made various exclusive video projects for artists such as Roisin
Murphy, Devendra Banhart, Imogen Heap and The Delays.

Since everything in his art, at some point requires drawing and the ability to
conceive on paper, painting has always been at the center of his career.

Throughout his work, Henwood has made his superb draftsmanship apparent in
producing memorable portraits and observations by engaging directly with his
subjects. He uses gouache and most recently oil paint, to capture the people
from his surroundings with extreme detail and definition.

A recurrent theme in Henwood’s paintings and mixed-media works has been the
exploration of the complex social and cultural terrain of childhood and
adolescence. Recently however, the work has been heading in another direction.
Narrative themes are characterized by a frank, mundane realism derived from Pop
art and photography. It is done with such artistic depth that it provides his
work with a naturalistic dimension. Moving from a semi-expressionist form of
pop art, he developed a highly personal realistic style, producing images
saturated with color in which longing, emptiness and solitude all hang in the
air. His meticulously executed realist paintings, imbued with a pervasive mood
of alienation, are noble, lyrical, loving and also capture something
fundamental, a diaristic directness. They bring about a sense of life and
energy yet still capture that feeling of abandonment and solitude hiding deep
within his subjects.

As a director Henwood sees live action and animation as two sides to the same
thing, inextricably and increasingly linked by the growing demand for
postproduction techniques that cross the boundaries. He enjoys the cooperative
facet of directing and the rewards of seeing an idea come to life, be it
meticulously animated or carefully crafted moving images such as the ones in
“Poor Johnny Pumpkin.” This fascinating project was toured to museums by the
Museum of Modern Art, New York and tells the story of a pumpkin-headed boy
whose extreme sensitivity to UV light forces him to remain indoors during the
daytime. The work has now been developed into a groundbreaking 3-D
computer-animated TV series.

In addition to all of this, Henwood has created artwork for Roisin Murphy’s
latest album and his paintings have been adapted for use in a line of designer
T-shirts. Henwood has also designed a plushy toy named ‘Klong.’ an endearing
creature with long arms. Klong can’t see or hear, yet he senses your kindness
and actually hugs you back.

As a painter, illustrator, animator, writer, art director, publisher and
filmmaker, Simon Henwood embraces all aspects of his art, infusing each project
with originality and integrity.

Henwood’s most recent work will be featured exclusive at envoy from 8 December
2006 thru 13 January 2007.

envoy
535 West 22nd Street, 6th Fl.
New York, NY 10011
p. 212.242.7524
e. office@envoygallery.com
w. www.envoygallery.com

Paul Russo - Black Abstracts

December 2006 in Artforum

Saturday, December 2nd, 2006

What were the artistic successes of 2006? Monica Bonvicini’s takeover of a Los Angeles mall for West of Rome, Inc.? Jean-Luc Godard’s curatorial coup at the Centre Pompidou, Paris? Fischli & Weiss’s travelogue at London’s Tate Modern?

In the Artforum tradition, a global crew of critics, curators, artists, and art historians provide their answers in December’s year-end roundup. Among the top tens, read Daniel Birnbaum on Dominique Gonzalez-Foerster; Chrissie Iles on Cerith Wyn Evans; David Rimanelli on Christopher Williams; Francesco Bonami on Maureen Gallace; Alison M. Gingeras on David Hammons; and much more from Okwui Enwezor, Jessica Morgan, Elizabeth Schambelan, Rita Kersting, Thomas Lawson, and Mike Kelley.

“I’m a sucker for ectoplasm, and this show proved that ‘fake photography’ is nothing new.” –Mike Kelley on “The Perfect Medium: Photography and the Occult” at the Metropolitan Museum of Art, New York

Plus: Thomas Crow, Carol Armstrong, Bruce Hainley, Lynne Cooke, and Yve-Alain Bois pen essays focusing on what were, in their minds, the best exhibitions from the past year.

“Damien Hirst drew new strength from an impeccably conceived and crafted installation, lending his thinking as an artist a coherence and sustained intensity that I have not seen anywhere before.” –Thomas Crow on Damien Hirst at Galería Hilario Galguera, Mexico City

Also in this issue: Matmos, Kode9, Christina Kubisch, Wendy Fonarow, and Iain Forsyth & Jane Pollard survey the year in music; John Baldessari, Yvonne Rainer, Claire Bishop, Chris Kraus, Terry Eagleton, Josiah McElheny, and many others write up their best books; and John Waters, Amy Taubin, James Quandt, Barbara London, and Jonathan Romney select the highlights in cinema.

“The film is so depressing and great that I wish I could see it with an all-female prison audience.” –John Waters on Sherrybaby

And: Artforum’s annual “On the Ground” series, where insiders give the lay of the land in different cities. This year, Matthew Higgs surveys New York, Rachel Kushner roams Los Angeles, Melanie Gilligan takes stock of London, Massimiliano Gioni imagines Milan, Nina Möntmann combs through Mumbai, and Philip Tinari weighs events in Beijing.

“The recent changes at the city’s not-for-profits constitute a profound shift in ambition and attitude, and, maybe, an equally profound opportunity to reanimate an entire culture.” –Matthew Higgs on New York

“The ascendance of the market in Beijing made 2006 a year not only of new cars and apartments but also of deep-seated neurosis and anxiety among artists, curators, and gallerists trying desperately to shore up their places in an ambiguous new order.” –Philip Tinari on Beijing

“At the Serpentine, Dan Graham delivered a short diatribe against Rem Koolhaas’s architecture, punctuated by an attack on the professionalization of art: ‘There’s a disease, and it’s called Goldsmiths.’” –Melanie Gilligan on London

Plus: “The Artists’ Artists.” The toughest judges divulge the shows that inspired and influenced them this year, with contributions from Vito Acconci, Jennifer Bornstein, Thomas Hirschhorn, Marine Hugonnier, Luisa Lambri, Kalup Linzy, Daria Martin, Damián Ortega, Rob Pruitt, Jim Shaw, Hiroshi Sugimoto, Richard Tuttle, Rebecca Warren, and Andrea Zittel.

“Munch came at me like a spider monkey!” –Amy Sillman on “Edvard Munch: The Modern Life of the Soul” at the Museum of Modern Art, New York

Amy Bennett paintings @ The Richard Heller Gallery

Saturday, December 2nd, 2006


Amy Bennett Neighbors
January 6 ­ February 10, 2007

Opening reception: January 6, 2007 5 ­ 7 pm

RICHARD HELLER GALLERY
Bergamot Station
2525 Michigan Ave. B-5A
Santa Monica, CA 90404
T 310.453.9191 F 310.453.2791
www.richardhellergallery.com

Richard Heller Gallery presents new oil paintings by Brooklyn based artist
Amy Bennett. These works consist of various scenarios unfolding within an
imaginary suburban neighborhood. Bennett has created a tabletop scale model
on which the paintings are based.

³The model becomes a stage on which to develop the psychological
implications of belonging to a particular family, with all of its dramas,
struggles and familiar routines. I think: this tree will be taken down after
an old man crashes into it; a father will transform this lawn into an ice
skating rink; this house will be abandoned after its residents are
scandalized on the evening news.² - Amy Bennett

This is Amy¹s debut solo show in Los Angeles. She also shows with Galleri
Magnus Karlsson in Stockholm, Sweden.

For further information please contact the Richard Heller Gallery
art@richardhellergallery.com

Centre culturel suisse de Paris presents PEINTURES ALLER/RETOUR

Saturday, December 2nd, 2006


To close the 2006 theme, which aimed to establish close links between artists of different generations and to grasp the evolution of a constantly changing artistic quest, we have devoted the exhibitions of this last event of the year to painting.

These allers/retours let us understand the genesis of creation, its differences and its permanence by observing how creation unfolds. Such an experience may not be evident in each case, although certain major affinities are clearly perceptible. We should always attempt to understand the multiple investigations of our time and anticipate the major issues of tomorrow.

As a starting point for this aller/retour in painting, we chose concrete art which made its appearance as of the 1940s in Zurich with RICHARD PAUL LOHSE, VERENA LOEWENSBERG. Their pictorial offspring were the productions of CHRISTOPH GOSSWEILER, LUIGI LURATI, OLIVIER MOSSET and PETER STÄMPFLI.

The exhibition closes with a new generation of abstract painters: FRANCIS BAUDEVIN, STÉPHANE DAFFLON, PHILIPPE DECRAUZAT, CHRISTIAN FLOQUET, LAURENCE PITTET. This group of Swiss artists represents a selection that lays no claim to being an exhaustive historic view and is just one of a number of possible versions. The works of these painters are keen to enter upon a dialogue with the works of other generations, between past and present references.

In counterpoint to a certain form of abstract painting and by proposal of the new director of the Kunsthalle in St Gallen, Giovanni Carmine, in the PROJECT ROOM we will present successive solo exhibitions of three artists whose work focuses on figurative painting: Georgian painter ANDRO WEKUA (03.12 – 31.12/ opening 03.12), Armenian ARMEN ELOYAN (04.01 – 04.02 / opening 11.01) and American DAVID CHIEPPO (08.02 – 11.03 / opening 08.02).

Alongside the exhibition, the Rendez-Vous du Jeudi Soir and La Séance du Dimanche will pick up the same principle of Aller/Retour in the different disciplines presented.

Some of the highlights will be:

Cinema: Tribute to film director Daniel Schmid.

Theatre : Invitation of the master of the solo performance Peter Wyssbrod (11.01 – 19.01).

Music : The Voix des Alpes cycle with the Lauterburg – Neuhaus duo (25.01), Vox vokalensemble (08.02), Erika & Roots of communication (22.02) and Betty Legler (08.03).

Complete programme of the evenings: http://www.ccsparis.com

Handy information:
Open from Wednesday to Sunday / 1 pm – 8 pm / late night Thursday till 10 pm
(entrance by 38 rue des Francs-Bourgeois – at the end of the passage) / free entry

Rendez-vous du jeudi soir
Avez-vous quelque chose à lire? / 6 pm / library / free entry
Evenings / 8 pm / reservation recommended 01 42 71 38 38

Sunday screenings / every Sunday / 6 pm

The Centre culturel suisse de Paris is the representation of Pro Helvetia, Arts Council of Switzerland

PEINTURES ALLER/RETOUR
03 December – 11 March 2007

OPENING
2 December 2006 / from 6 pm to 9 pm

Centre culturel suisse de Paris
38 rue des Francs-Bourgeois – 75003 Paris

Open
from Wednesday to Sunday / 1 pm – 8 pm
late night Thursday till 10 pm

Press officer: Elsa Guigo
Tel: +33 1 42 71 44 50
ccs@ccsparis.com

http://www.ccsparis.com