Paul Russo - Black Abstracts

Archive for September, 2006

Jonathan Monk at The Museum of Modern Art, New York

Sunday, September 17th, 2006

New Photography 2006: Jonathan Monk, Barbara Probst, Jules Spinatsch
September 21, 2006–January 8, 2007

Photography Galleries
Third floor

New Photography is the annual fall showcase of significant recent work in contemporary photography. This year’s exhibition features three artists from Europe. The Berlin-based British artist Jonathan Monk contributes a series of tongue-in-cheek photographs and two slide projections that play with the idea of falsified documents, interweaving moments of personal history with art history. German artist Barbara Probst experiments with the temporality and point of view of the shot/counter-shot technique of film by presenting multiple photographs of one scene shot simultaneously with several cameras via a radio-controlled release system. The Swiss artist Jules Spinatsch presents a selection of works from his major photographic project Temporary Discomfort—making its New York premiere in this exhibition—which documents the towns of Genoa, Davos, New York City, and Geneva/Evian during the 2001 and 2003 World Economic Forums.

Organized by Roxana Marcoci, Associate Curator, Department of Photography.

The New Photography series is made possible by JGS, Inc.

Jonathan Monk, Keeping Still (Baldessari)

Jonathan Monk
“Keep Still (Baldessari),” 2001
found black & white photograph with Letraset type
3-1/4 x 4-1/2”

For further information, please contact the gallery at any time.
CHANA BUDGAZAD
CASEY KAPLAN
525 WEST 21ST STREET
NEW YORK, NY 10011
TEL. 212.645.7335
FAX. 212.645.7835
WWW.CASEYKAPLANGALLERY.COM

Paul Russo - Black Abstracts

Recent Paintings by Gu Gan: 21 September - 12 October, 2006

Sunday, September 17th, 2006

Recent Paintings by Gu Gan:  21 September - 12 October, 2006

Recent Paintings by Gu Gan
22nd September – 12th October 2006

Private View: Thursday, 21st September 2006, 6-8pm

Goedhuis Contemporary
42 East 76th Street (between Park and Madison Avenues)
New York, NY 10021
T: 212 535 6954
F: 212 535 0256
http://www.goedhuiscontemporary.com

Gallery Hours: Monday – Friday, 10 am to 6 pm, Saturday, 11 am – 5 pm

Many artists of the avant-garde in China, however “cutting edge” their current styles, have an attachment to tradition. They will often return to ink painting in order to refresh their thinking and reinforce their links with their cultural source.

Gu Gan however has always remained within the ink painting medium while at the same time breaking the mould of the classical canon in order to make it relevant and meaningful to the contemporary world. He uses different Chinese scripts in the same pictorial area and, more radical still, expressionistic patches of vibrant colour, all of which represent a bold departure from the traditional black ink on white paper.

Born in 1942 in Hunan Province, Gu Gan is internationally recognized as the pioneer of the modernist movement in calligraphic painting in China. Of the figures who spear-headed the movement, Gu Gan is the youngest and has gone furthest in breaking tradition and exploiting the potential of abstract art.

The works in this exhibition show more recent developments in his style, including the use of acrylic colour, the inclusion of highly textured papers, and a continued experimentation with oil paint.

In 1998 Gu Gan was invited by Baroness Philippine de Rothschild to design the wine label for the Mouton Rothschild 1996 vintage. He is the first Chinese artist to ever have been thus honored. His work is held in the collections of museums around the world, and he currently lives and works in Beijing.

For further information and images, please contact Michael Goedhuis, Christine Barberi or Jeannie Kenmotsu at 212.535.6954 or newyork@goedhuiscontemporary.com.

ARTSPACE opens its New Space

Sunday, September 17th, 2006


ARTSPACE opens its New Space at
378 Aylmer Street N., Peterborough

OUR CENTRE IS CHANGING, BUT OUR ADDRESS ISN’T.
As of September 22nd, our new location presents a great opportunity to extend our mandate.

  • The new ARTSPACE includes:
  • An expansive main gallery with improved street level exposure.
  • The MUDROOM - a project space for screenings, speakers, symposiums and workshops, within which local artists can share, produce and perform.
  • The Tool Box - a resource centre welcomes both members and the public to further their understanding of contemporary art through a library, media archives and lending services.

It’s an exciting time for the arts community in Peterborough. As one of the hubs for artistic endeavour in the region, and as a centre whose ambitions are national in reach, our momentum depends on your support, interest and involvement. Artspace invites you to come and see what you haven’t yet seen, to do what you haven’t yet done, and to realize that there is the potential to see and do and experience so much more, right here in Peterborough.

Grand Opening:
Friday, September 22, 2006 at 7pm. After party, 10pm

Featuring an exhibition by Thomas Bégin and a screening of short films by Lester Alfonso.

Contact: Iga Janik, Director
PO Box 1748, 378 Aylmer St. N. Peterborough, ON K9J 7X6
T: 705.748.3883 F: 705.748.3224
www.artspace-arc.org info@artspace-arc.org

SHORT DOCS ROCK! screening at Camera Bar on Sunday, Sept. 17

Thursday, September 14th, 2006

Short Docs Rock!
Camera Bar
1028 Queen Street West
(416) 530-0011
www.camerabar.ca
Sunday, September 17, 2006 at 7pm and 9pm
Tickets are $10 at the door

Works by Paul Baines, Leif Harmsen, Shariar Karimi, Gail Maurice, Dave McKellar, Angela O’Hara, Jamie Phelan, and Khanhthuan Tran.

Back by popular demand! Last year Trinity Square Video and Camera presented two sold-out screenings of short documentaries in the Queen West Art Crawl. This year, catch another group of innovative shorts.

Eschewing fiction for fact, these fearless documentary-makers dare to aim their cameras at the world around them and their own lives. In doing so, they tell gripping, thought-provoking and surprisingly intimate stories. Made with small budgets but not small ideas, these videos prove that short docs rock!

All videos in this program were made by members of Trinity Square Video, a media arts centre committed to helping artists with a Do-It-Yourself attitude and a story to tell. TSV provides support with production and post-production video equipment, workshops, exhibitions and artist-in-residences. For more information see www.trinitysquarevideo.com .

P.S.1 Presents The Gold Standard

Thursday, September 14th, 2006

October 29, 2006 through January 8, 2007
P.S.1 Opening Day Celebration: October 29, 2006 from noon to 6

(Long Island City, NY – September 14, 2006) P.S.1 Contemporary Art Center is pleased to present The Gold Standard, on view in the Kunsthalle from October 29, 2006 through January 8, 2007. All of the works in the exhibition are gold in color, and deal with the iconographic complexity of gold. The exhibition examines the idea that otherwise uninflected objects, through material and surface transformation, become objects of desire, expanding upon and negotiating the chimerical presence—both materially and symbolically—of gold. Themes such as alchemy and religion, symbols of power and wealth, the ostentatious and the sublime, are also of chief concern. The exhibition includes historical figures alongside younger artists, and numerous works commissioned especially for The Gold Standard.

The formal groundwork or strategies that seem most urgent for these artists raise questions of substitution, doubling, copying, decoys, and spectacle in relation to a material that has, as its base, a sense of unrelenting authenticity and power, a fantastical foundation for exchange—both literally in an economic sphere, and in a more general social sense.

The artists in the exhibition include: John Armleder, Andisheh Avini, Barry X Ball, Marcel Broodthaers, Tim Davis, Thomas Demand, Jessica Diamond, Sylvie Fleury, Felisa Funes, Piero Golia, Wayne Gonzales, Kent Henricksen, Thomas Hirschhorn, Fred Holland, Alfredo Jaar, Annette Kelm, Terence Koh, Yayoi Kusama, Louise Lawler, Daniel Lefcourt, Sherrie Levine, John Miller, Geof Oppenheimer, Mai-Thu Perret, Paul Pfeiffer, Seth Price, Rob Pruitt, David Ratcliff, Tim Rollins and K.O.S., Haim Steinbach, Vincent Szarek, Wolfgang Tillmans, Kelley Walker, James Welling, and Eric Wesley.

The Gold Standard is organized by Walead Beshty and P.S.1 Curatorial Advisor Bob Nickas.

Exhibitions at P.S.1 are made possible by the Annual Exhibition Fund with support from Peter Norton and the Peter Norton Family Foundation, Patricia Phelps de Cisneros, The Horace W. Goldsmith Foundation, Lawton W. Fitt and James I. McLaren Foundation, Marie-Josèe and Henry Kravis, Jerry I. Speyer and Katherine G. Farley, Philip Aarons and Shelley Fox Aarons, Kathy and Richard S. Fuld, Jr., Lily Auchincloss Foundation, J. Christopher Daly and Sheldrake Organization Inc., Rosa and Gilberto Sandretto, David Teiger, Michel Zaleski, Enzo Viscusi, Sue & Edgar Wachenheim Foundation, The Broad Art Foundation, Mimi and Peter Haas Fund, Dennis W. LaBarre, Julia Stoschek, Pamela and Richard Kramlich, Richard Anderman, Paul Beirne, Douglas S. Cramer, L. Matthew and Elizabeth Quigley, Mathis-Pfohl Foundation, SilverCup Studios, Yellow Book U.S.A., The Friends of Education in honor of Peter Norton and Gwen Adams, and The Contemporary Arts Council and The Junior Associates of The Museum of Modern Art.

Time Out New York is the official print partner of exhibitions and public programs at P.S.1.

P.S.1 Contemporary Art Center

Background:
P.S.1 was founded in 1971 by Alanna Heiss as The Institute of Art and Urban Resources Inc., a non-profit organization dedicated to the organization of contemporary art exhibitions in abandoned or underutilized buildings. P.S.1 became an affiliate of The Museum of Modern Art in 2000 and now operates two internationally acclaimed spaces for contemporary art: P.S.1 in Long Island City, featuring museum-quality galleries, and The Clocktower Gallery, which now contains the radio studio for P.S.1’s online radio station WPS1.

P.S.1 is one of the largest and oldest arts organizations in the United States solely devoted to contemporary art. Recognized as a defining force of the alternative space movement, P.S.1 stands out from major arts institutions in its cutting edge approach to exhibitions and direct involvement of artists within a scholarly framework. P.S.1 acts as an intermediary between the artist and its audience. Functioning as a living and active meeting place for the general public, P.S.1 is a catalyst for ideas, discourses and new trends in contemporary art. With its educational programs, P.S.1 assists the public in understanding art and provides the tools to appreciate contemporary art and its practices.

Support:
Operations and programs of P.S.1 are supported by the P.S.1 Board of Directors, the New York City Department of Cultural Affairs, The Office of the President of the Borough of Queens, The Council of the City of New York, the National Endowment for the Arts, and the New York State Council on the Arts, a state agency. Additional funding is provided by individuals, foundations and corporate contributions.

Directions:

P.S.1 Contemporary Art Center is located at 22-25 Jackson Avenue at 46th Street in Long Island City, Queens, across the Queensboro Bridge from midtown Manhattan. It is easily accessible by bus and subway. Traveling by subway, visitors should take either the E or V to 23 Street-Ely Avenue (note that the V does not run on weekends); the 7 to 45 Road-Courthouse Square; or the G to Court Square or 21 Street-Van Alst. Visitors may also take the Q67 bus to Jackson and 46th Avenues or the B61 to Jackson Avenue.

Hours:
P.S.1 is open from 12:00 p.m. to 6:00 p.m., Thursday through Monday. It is closed on Thanksgiving, Christmas and New Years Day.

• artbook@PS1 is open from 1:00 p.m. to 5:30 p.m., Thursday through Sunday.

• LeRosier Café is open from 12:00 p.m. to 6:00 p.m., Thursday through Monday.

Admission:
Admission is a $5.00 suggested donation; $2.00 for students and senior citizens; free for MoMA members and MoMA admission ticket holders. The MoMA ticket must be presented at P.S.1 within thirty days of date on ticket and is not valid during Warm Up or other P.S.1 events or benefits.

Web Sites:

www.ps1.org • www.wps1.org • www.moma.org

Contact: Yng-Ru Chen, Director of Press and Communications, press@ps1.org or 718.786.3139

EDWARD BURTYNSKY THE CHINA SERIES

Tuesday, September 12th, 2006

Edward Burtynsky, Manufacturing #17, Deda Chicken Processing Plant, Dehui City, Jilin Province, China, 2005 chromogenic print, 58 x 68 inches. Courtesy of Charles Cowles Gallery, New York
Edward Burtynsky, Manufacturing #17, Deda Chicken Processing Plant, Dehui City, Jilin Province, China, 2005 chromogenic print, 58 x 68 inches. Courtesy of Charles Cowles Gallery, New York

EDWARD BURTYNSKY THE CHINA
SERIES

September 16 to
November 5, 2006

ILLUSTRATED LECTURE by Ed Burtynsky, Tuesday, October 10 at 12:30 pm at Vancity Theatre, 1181 Seymour Street. Admission is FREE
 
RECEPTION FOR THE ARTIST
Tuesday, October 10, 7 pm at Presentation House Gallery
 
WESTERN CANADIAN
PREMIERE
Wednesday, October 11, 9:45 pm at Empire Granville Theatre Cinemas #3.
The feature documentary Manufactured Landscapes screens as part of the Vancouver International Film Festival. The artist will be in attendance.
 
Over the past two and a half decades, internationally acclaimed Toronto photographer Edward Burtynsky has explored the globe, documenting sites irrevocably transformed by industrial activity. His images of
quarries, mines, railcuts, oil refineries and shipbreaking are powerful depictions of human endeavor and incursions into the earth. Burtynsky’s alluring and richly detailed images achieve a disturbing eloquence—and gothic sublimity—through compositional clarity and rigorous attention to detail. Presentation House Gallery is pleased to present The China Series, an exhibition of twenty large-scale, newly completed works from the artist’s recent trips to China. These include an important series depicting the controversial Three
Gorges Dam Project, by far the world’s most extravagant and intrusive engineering feat, where over 1.2 million people have been displaced and eleven cities razed. The exhibition also features cinematic depictions of China’s burgeoning cities and industrial labour force, photographs whose formal geometries and tight organizational symmetries bring to mind the ambition—and polarity of meanings—of work by filmmakers such as Leni Riefenstahl and Fritz Lang.
 
Ed Burtynsky was born in St. Catherines, Ontario in 1955. His work has been featured in exhibitions around the world, and was recently the subject of retrospective exhibition organized by the National Gallery of Canada, Ottawa (2003), touring to the Finnish Museum of Photography at Cable Factory, Helsinki, Finland, The Art Gallery of Ontario, Toronto, Ontario, and The Brooklyn Museum of Art, Brooklyn, New York. The artist is represented by the Charles Cowles Gallery, NYC and Nicholas Metivier Gallery, Toronto.

Media contact
Diane Evans, 604-986-1351 and
devans@presentationhousegall.com

Edward Burtynsky will be available for interviews on Tuesday, October 10 and Wednesday, October 11th in
Vancouver

Edward Burtynsky: The China Series was organized by the Southeastern Center for Contemporary Art, Winston Salem, North
Carolina.

WESTERN CANADIAN PREMIERE:
Manufactured Landscapes is a feature documentary on the work of renowned artist Edward Burtynsky.  Director Jennifer Baichwal follows Burtynsky through China as he photographs the country’s massive industrial revolution. Produced by Mercury
Films Inc. (Nick de Pencier, Jennifer Baichwal) and Foundry Films Inc. (Daniel Iron), in co-production with the National Film Board of Canada (Peter Starr, Gerry Flahive).

PRESENTATION HOUSE GALLERY,
333 Chesterfield Avenue North Vancouver, BC
V7M 3G9 604.986.1351

http://www.presentationhousegall.com

HANNA-MARI BLENCKE @ daniel hug

Monday, September 11th, 2006

daniel hug 510 bernard street, los angeles, ca 90012 usa

HANNA-MARI BLENCKE
Sniffing Aeter

Reception: Saturday, September 16th, 7pm
September 16 – October 14, 2006

Daniel Hug is pleased to present Hanna-Mari Blencke’s second solo exhibition in Los Angeles. Blencke will show new sculptures and paintings.

Hanna-Mari Blencke was in born in 1976 in Erlangen, Germany. She studied at Akademie der Bildende Kuenste in Nuremberg, Germany, UIAH in Heilsinki, Finland and at the HFG in Karlsruhe, Germany. Her most recent solo exhibition titled Freunde im All, Ziele im Umland was at Galerie Christine Mayer in Munich, Germany. Daniel Hug presented her first solo exhibition in Los Angeles in 2005.

For further information please contact Daniel Hug, Tel. 323-221-0016 www.danielhug.com

This show opens concurrently with RENTAL GALLERY’s opening of Adamski Gallery from Aachen, Germany in Chinatown, Los Angeles

Beat Streuli opens September 15 at Murray Guy

Monday, September 11th, 2006

BEAT STREULI

BEAT STREULI
Bruxelles Midi

15 September– 21 October 2006
opening reception Friday 15 Sept 6-8pm

Murray Guy is pleased to announce their third solo show of Swiss photographer Beat Streuli.

In his photographic and video works, Streuli reveals the infinite complexity of urban life, the ultimate social arena. From a chaotic plethora of information, he slows down the rush of human traffic to a chronicle of moments. The seemingly random, through the selective process of personal observation, instills the prosaic with drama and grace.

The three-screen video projection Porte de Flandre/Bruxelles, shown in the north gallery, was shot at a tram stop in a section of Brussels with a predominantly muslim immigrant community. Whilst the presence of such communities is the topic of much current discussion, Streuli does not focus on the community’s “marginality”. He is not illustrating statistics or clichés, nor is he making any political statement. Rather, he observes the inhabitants of this most “European” of cities as an integral part of the urban milieu. At the same time, in the densely woven, interacting pattern of surfaces built by people, architecture, traffic and advertising, he elevates their image to star status.

The close cropping and extremely shallow depth of field accentuates details; hair shines, skin shimmers and the attire of his subjects, both under the constraint of cultural tradition and fashionably accessorized with designer sunglasses, jewelry and high tech gadgets, accentuates the particular allure of their gestures, posture and facial expression, as they absent-mindedly and matter-of-factly move through their daily lives. The movement is slowed down allowing the viewer to become a voyeur of the glamour of the ordinary.

In the south gallery, individuals are captured in still photographs as portraits. By wallpapering the exhibition space with these larger-than-life portraits, not only does Streuli emulate ubiquitous advertising billboards, but also places the viewer right in the midst of the crowd milling around a large street market near the Bruxelles-Midi train station. Although the people depicted remain anonymous, a sense of individual lives emerges. We are implicated in the intimacy of these works through the shared experience of negotiating public space, the natural state of watching and being scrutinized by fellow urbanites.

Concurrently with the show there will be a large-scale exhibition of Streuli’s video works, Cities 2001-2005 September 20 - November 5 at the University Gallery, UMass, Amherst, MA: www.umass.edu/fac/universitygallery. In addition, to coincide with the journal magazine’s feature of Streuli’s photographs in the upcoming fall issue, an exhibition of wallpaper and video opens September 23 at the journal gallery, 619 East 6th Street, New York: www.thejrnl.com

Beat Streuli was born in 1957 in Switzerland and lives in Brussels and Düsseldorf. His photographs, videos and window installations have been exhibited in galleries and museum all over the world. Permanent installations of his work include those at the Lufthansa Aviation Center, Frankfurt Airport, Germany, the ETH University and the Triemli Hospital Zurich, Switzerland, the Style Company Building, Osaka, Japan and the immigration hall of Dallas Fort Worth International Airport, Texas.
Gallery hours are Tuesday – Saturday 10am – 6pm.
For further information please contact the gallery at 212-463 7372 or info@murrayguy.com

M u r r a y G u y

453 West 17 Street
New York NY 10011
Tel 212 463 7372
Fax 212 463 7319

www.murrayguy.com

Computing the social by vydavy sindikat at LMAKprojects (Williamsburg)

Monday, September 11th, 2006

vydavy sindikat
An exhibition by vydavy sindikat
Curated by Sara Reisman for LMAKprojects in Williamsburg

September 15 - October 22, 2006.

Opening reception and performance: Friday, September 15, 7pm

LMAK Projects(Williamsburg)
60 North 6th Street (between Wythe and Kent Avenues)
Brooklyn, NY
tel: (718)599-0089
www.lmakprojects.com

Gallery hours: Saturday and Sunday, 12 – 6pm and by appointment

The Brooklyn-based group experiment vydavy sindikat –Russian for “you collective” – is featured in the upcoming solo exhibition entitled Computing the Social. Based on a series of Public Gatherings that were staged throughout New York City from 2004 through 2006, vydavy sindikat’s show at LMAKprojects in Williamsburg will include photography, video, screen prints and newspaper documentation related to their performative interventions in the public realm.

Computing the Social refers to the formula vydavy sindikat developed for an architectural competition called “One Land Two Systems” that solicited proposals for an alternative master plan for the unrecognized Palestinian village of Ein Hud. What began as an attempt to find common ground among disparate players in contested territory evolved into vydavy sindikat’s Public Gatherings project. This undertaking embodies cultural theories dealing with social exchange in public space. In spite of its theoretical concerns, the project engages participants in a natural and unpretentious interchange.

The ephemera related to the Public Gatherings includes data compiled at the location of each gathering – where participants were from and how they learned about the gathering – is used to understand how networks connect people in real time and space to create community both intentionally and spontaneously: computing the social.

For more information about vydavy sindikat, please visit http://magazinnik.com/vydavy/announcements.htm
For information about performances during the run of the exhibition, visit www.lmakprojects.com

Friday, September 15th in Williamsburg @ Black and White Art Gallery

Monday, September 11th, 2006


SEPTEMBER 15 – OCTOBER 23, 2006
Opening reception: FRIDAY, SEPTEMBER 15TH, 6–9 PM

KONSTANTINOS STAMATIOU
AIRBOX II // multi-media installation // indoor

ROBERLEY BELL
at Play // site-specific installation // outdoor

WILLIAMSBURG // 483 Driggs Avenue, Brooklyn NY 11211 // t. 718-599-8775 // f. 718-599-8798
HOURS: Friday - Monday 12 PM – 6 PM and by Appointment
info@blackandwhiteartgallery.com // www.blackandwhiteartgallery.com