August 30th, 2006

Announcing the installation of Time Top by Jerry Pethick


Jerry Pethick
TIME
TOP
Catriona Jeffries gallery is very
pleased to announce the installation in Vancouver of Time Top
by Jerry Pethick. After being submerged for over two years in the
Pacific Ocean off the coastal shores of Gibsons, north of
Vancouver, Time Top has been installed on the north shore of
False Creek just west of the Cambie Bridge. Pethick’s
Time Top alludes to an imaginary time and space
vehicle that appeared in Clarence Gray and William Pitt’s lively
science-fiction comic strip, “Brick Bradford,” in 1935. The artist,
who read the comic strip as a child, saw the Time Top as a
“short-lived imaginative threshold which allowed free access to the past
and future, not as intergalactic travel but as one of our own world at different
times … a symbol of intelligent technology, an imaginary device inducing
wonderment.” The comic’s last installment left the Time
Top decelerating over the Pacific and revolving at terrific
speed. Five decades later, Pethick’s sculpture readdresses
the potential for a relic or enigmatic object
to move sideways through epistemologies and stir up fresh
perceptions.
 
Commissioned by Concord Pacific Group Inc. through
the City of Vancouver Public Art Program, Jerry Pethick’s Time Top was
cast and fabricated in bronze by the Harman Foundry in Sechelt, B.C.
Then, fitted with an electrical umbilical delivering a low-voltage positive
charge to the structure, it was transported to Gibsons Marina to
be immersed in sea water for two years in order to accumulate a
deposit of minerals and small barnacle-like sea creatures. Formally known as
“Electro-deposition of Minerals in Sea Water,” this accretion technology
has been developed since 1974 by architect and marine scientist, Prof. Wolf
H. Hilbertz, and coral ecologist, Dr. Thomas J. Goreau. When Time
Top
’s accretion process was complete, the encrusted bronze was
hoisted from the ocean, placed on a barge and floated down to the
intertidal shoal on False Creek’s north side. A series of granite cap stones
installed on the facing sea wall function like historical petroglyphs, inscribed
with images and text from the original comic strip.
 
Time Top was Jerry Pethick’s last
major work prior to his death in 2003. The work will be formally launched
on October 5, 2006
.


August 30th, 2006

Malmö Konsthall presents Malm2: Contemporary Art from the Öresund Region

Ulf Carlsson “Vad ska vi spela ikväll?”, 2006 frigolit, fotbollsspelare Konstverket ingår i Malm2.
Ulf Carlsson “Vad ska vi spela ikväll?”, 2006 frigolit, fotbollsspelare Konstverket ingår i Malm2.


It is now almost two years since the first exhibition, Malm1, was
presented. Now it is time to present the second edition. The twelve
artists featured in Malm1 have each chosen an artist for this year’s
exhibition. The relay baton has been passed on to the next group of
artists, who are exhibiting in Malm2:

Ulf Carlsson Born 1962 in Döderhult, Sweden. Lives and works in Malmö.
Ylva Friberg Born 1973 in Stockholm, Sweden. Lives and works in Malmö.
Leif Holmstrand Born 1972 in Eksjö, Sweden. Lives and works in Malmö.
Peter Holst Henckel Born 1966 in Frederiksberg, Denmark. Lives and works
in Copenhagen.
Sophia Kalkau Born 1960 in Copenhagen, Denmark. Lives and works in
Copenhagen.
David Krantz Born 1965 in Stockholm, Sweden. Lives and works in Malmö.
Truls Melin Born 1958 in Malmö, Sweden. Lives and works in Copenhagen.
Julie Nord Born 1970 in Copenhagen, Denmark. Lives and works in Copenhagen.
Hans Egede Scherer Born 1975 in Helsingborg, Sweden. Lives and works in
Malmö.
Tina Scherzberg Born 1973 in Mülheim an der Ruhr, Germany. Lives and works
in Copenhagen.
Andreas Schulenburg Born 1975 in Hamburg, Germany. Lives and works in
Copenhagen.
Eva Steen Christensen Born 1969 in Copenhagen, Denmark. Lives and works in
Copenhagen.

The aim of the Malm exhibitions is to promote and present every other
year contemporary art from our part of the world here at Malmö
Konsthall. Artists from the Öresund Region are invited to take part and
given the opportunity to exhibit new work. The purpose is to give us a
broader insight into the dynamic and exciting art scene which is in our
immediate vicinity and which so many people elsewhere in the world are
talking about and exhibiting. Malmö has been called the City of Art,
and we now wish to highlight the entire Öresund Region as an
interesting and exciting art region. (Malm is the Swedish word for ore,
from which one or more valuable elements or minerals can be extracted.)

The exhibition has the nature of a relay race, in which the artists
featured in the most recent exhibition select the participants in the
next one. The artists in Malm1 were Eric Andersen, Martin Erik
Andersen, Nathalie Djurberg, Keld Helmer-Petersen, Lisa Jeannin, Jesper
Just, Peter Land, Tova Mozard, Johan Röing, John Skoog, Astrid
Svangren, and Kirstine Vaaben.

Welcome to the press viewing on Thursday 7 September at 11 am.
The opening is on Friday 8 September from 7-9 pm.
You are welcome to contact me for further information!
Kind regards
Lena Leeb-Lundberg
+46(0)40-34 12 94, +46 (0)708-34 12 94 or lena.leeb@malmo.se.
Information is also available at our website: http://www.konsthall.malmo.se

Next exhibition:
SARAH SZE
2 December 2006 - 18 February 2007
Sarah Sze, born in 1969 in Boston, USA
Lives and works in New York

Her sculptures are often large, spread-out, and airy, almost floating
structures that respond to and work with the surrounding architecture.
They consist of many different small objects close to everyday life,
which have been carefully and thoughtfully linked into a complex
network. With a technique that is both painterly and sculptural, and
with the interplay between the individual parts and the whole, Sarah
Sze explores the boundaries between art and everyday life.

Malm2: Contemporary Art
from the Öresund Region
9 September – 5 November 2006

Malmö Konsthall
S:t Johannesgatan 7
Box 17 127
SE-200 10 Malmö, Sweden
info.konsthall@malmo.se

http://www.konsthall.malmo.se


August 30th, 2006

Destricted: Tate Modern, Starr Auditorium

Hoist, Matthew Barney, 2004

“Hoist”, Matthew Barney, 2004, 14 min 36 sec


Straight from the Sundance Film Festival and Critics Week selection at
the 2006 Cannes Film Festival, Tate Modern presents the public premiere
of Destricted,
which brings together sex and art in a series of films created by some
of the world’s most acclaimed artists and directors, including Marina Abramovic, Marco Brambilla, Matthew Barney, Larry Clark, Gaspar Noe, Richard Prince and Sam Taylor-Wood.

The seven films are explicit in content, highlighting controversial
issues about the representation of sexuality in art, opening up for
debate the question of whether art can be disguised as pornography, or
vice-versa, and leaving the viewer free to choose his or her own line
through these intersections of art and sexuality.

On Saturday 9 September at 19.00 a panel discussion explores the wider critical context for Destricted. Following a selection of films from the programme, the contested issues around art and pornography are discussed by artist Larry Clark; Los Angeles-based critic and curator Bruce Hainley; Catherine Millet, Art Press editor and author of The Sexual Life of Catherine M.(2002); and critic and curator Neville Wakefield.

Contains adult themes and explicit sexual content
Admission for over 18s only

Programme
duration 115 minutes

Balkan Erotic Epic
Marina Abramovic, 2005, 13 min
Performance art legend Marina Abramovic delves into Balkan folklore to create an instructional series of mise en scènes that explore the crude, magical and mysterious rites of ethnic fertility and virility.

Hoist
Matthew Barney, 2004, 14 min 36 sec
American fabulist Matthew Barney stages the erotics of sexual encounter
as it takes place between ‘green man’ and the lubricated drive shaft of
a customised deforestation vehicle destined for the Carnival de Bahia.

Sync
Marco Brambilla, 2005, 2 min
American artist and filmmaker Marco Brambilla ransacks porn-film
archives to produce a witty, fast-moving montage of money shots.

Impaled
Larry Clark, 2005, 38 min
Larry Clark, cult anthropologist of American adolescence, directs a
sensitive yet frank investigation into how, for the generation growing
up in the 1980s, pornography has shaped the way they think about sex
and sexual fantasy. The result is a riveting documentary about desire
and sexual initiation.

We Fuck Alone
Gaspar Noé, 2006, 23 min
Gaspar Noé, maker of Irreversible,
the controversial art-house movie whose brutal depiction of rape that
left audiences physically sick, now promises to turn you on with a
cinematically erotic journey into masturbatory fantasy.

House Call
Richard Prince, 12 min
American iconographer Richard Prince appropriates a segment of video
that captures iconic 1970s porn and re-shoots it in the manner of the
cowboys, girlfriends and outlaws that first made him famous.

Death Valley
Sam Taylor-Wood, 2004, 7 min 58 sec, music by Matmos and Andrew Hale
British art star Sam Taylor-Wood directs a porn star in a droll elegy to masturbation and the great American outdoors.

Commissioned by Destricted. Destricted is created by London-based
Mel Agace, Andrew Hale and New York-based art critic, curator and
cultural commentator Neville Wakefield.

The forthcoming DVD is distributed by Revolver Entertainment.


Destricted
Wednesday 6 September 2006, 18.30
Saturday 9 September 2006, 15.00
Sunday 10 September 2006, 15.00
Tuesday 12 September 2006, 18.30
Wednesday 13 September 2006, 18.30

Panel discussion
Saturday 9 September 2006, 19.00

Tate Modern
Starr Auditorium
Bankside
London SE1 9TG

For tickets phone 020 7887 8888
or visit http://www.tate.org.uk/modern


http://www.destricted.com

August 30th, 2006


August 30th, 2006

MCA presents thirty years of Juan Davila

Juan Davila
“Guacolda del Carmen Gallardo” 2004, oil on canvas, 120 x 90 cm, Courtesy of the artist, © the artist


Museum of Contemporary Art , Australia (MCA)

One of Australia’s most influential and respected painters Juan Davila
will be presented in a new light this spring at the Museum of
Contemporary Art, with a major solo exhibition spanning thirty years of
artistic practice.

Juan Davila opens 9 September 2006 and features seminal works
such as Davila’s epic 1980s murals, rarely seen Chilean pieces and new
work created specifically for the show.

The Chilean-born artist, who relocated to Australia in 1974, is a
passionate advocate for art’s role to debate issues of social and
political significance. Davila’s complex, beautiful and challenging
paintings are known for their thorough interrogation of cultural,
sexual and social identities, within an international context.

Incorporating text, found objects, appropriated imagery, photography
and other media Davila’s paintings represent insightful critiques of
themes including the Australian political system, the cultural aspects
of late capitalism, the structures of the art world and sexuality.

More recently, Davila addressed the treatment of refugees in Australian
detention centres in a series of nightmarish ‘Woomera’ landscapes
referencing the suffering of detainees.

Internationally recognised for his innovation in painting, Davila is
represented in every major public collection in Australia, as well as
New York’s Metropolitan Museum of Art and the Museo Extremeño e
Iberoamericano de Arte Contemporáneo in Spain. He has exhibited widely
throughout Australia, South and North America and Europe and was
included in the 1982 and 1984 Biennale of Sydney.

A substantial monograph devoted to the artist, co-published by
Melbourne University Publishing, will be released to accompany the
exhibition, including full colour plates of over 150 works. The
beautifully produced book features a powerful selection of paintings,
installations and works on paper from the early 1970s to the present,
as well as a selection of the artist’s incisive essays and written
commentary on key works. Newly commissioned texts by British curator
and critic Guy Brett and Australian art historian and curator Roger
Benjamin examine the contexts and development of Davila’s work,
indicating the scope and sources of his art in Latin American popular
culture, Australian visual culture, the history of art and political
history.

Juan Davila is an MCA National touring exhibition and will show
at the National Gallery of Victoria International from 30 November 2006
to 4 February 2007. Juan Davila is represented by Kalli Rolfe
Contemporary Art.

Juan Davila
9 September to 12 November 2006

Museum of Contemporary Art , Australia (MCA)
140 George Street
The Rocks
Sydney, Australia
Admission: (MCA members free)

http://www.mca.com.au/

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