Curators: Dorothee Bienert & Antje Weitzel

From September 2 until October 8, 2006, Kunstraum Kreuzberg/Bethanien will present the results of the exhibition series How to Do Things? – In the Middle of (No)where… that were produced during the residencies of twenty-eight artists in Budapest, Kiev, Bucharest, Copenhagen, and Berlin.

Initiated by Dorothee Bienert and Antje Weitzel, the project took
artists and cultural producers from fourteen countries of an imaginary
“Central Europe”, arbitrarily created by a finger on the map, and
brought them together at various locations over the course of a year.
The circle includes the old EU, the new EU, EU aspirants, and non-EU
countries: The Netherlands, Denmark, Germany, Poland, Lithuania, White
Russia, the Ukraine, Moldavia, Romania, Slovenia, Hungary, Austria, the
Czech Republic, and Slovakia. How to Do Things? – In the Middle of (No)where… playfully
defies real and mental borders and raises questions regarding the
geographical-territorial notion of present-day Europe and its
underlying identity constructs.

Within the broad thematic scope of social utopias, the artists were
invited to develop new projects during a month-long residency at a
location unfamiliar to them and to present them in an exhibition at the
partner institutions. The term social utopias serves
as an impetus to reflect on diverse European realities and contexts and
to discuss collective visions and goals as well as questions about
participation and the power of agency.
All of the artistic projects can be viewed together for the first time
at the exhibition at Kunstraum Kreuzberg/Bethanien. The works range
from personal observations of cultural traditions and heterogeneous
European realities of life to examinations of local situations to
abstracter reflections on identity, public sphere, and representation.

The artists will be present at the opening on the 1st of September and,
on the 2nd and 3rd of September from 3:00 p.m. to 6:30 p.m. in the
Casino/Bethanien, will present their works and recount their
experiences in Budapest, Kiev, Bucharest, Copenhagen, and Berlin. An
exhibition catalogue will be available.

Special Event: Ponzi’s 360° Pararsite, September 2, 2006, 9 p.m., General Public, Schönhauser Allee 167c, 10435 Berlin

A project of uqbar – Gesellschaft fuer Repraesentationsforschung e.V.
The project was realized with the support of the European Commission –
Culture 2000, the Hauptstadtkulturfonds, the European Cultural
Foundation, the Allianz Kulturstiftung, the Institut für
Auslandsbeziehungen ifa, the Danish Arts Council, the Minstry of
Culture of the Republic of Lithuania.

Kunstraum Kreuzberg / Bethanien
Mariannenplatz 2, 10997 Berlin
Opening hours: daily 12 a.m. – 7 p.m.
Tel.: +49(30)90298-1455, Fax: 90298-1453
bethanien@kunstraumkreuzberg.de

Artists: Jake Borndal, Sanford Biggers, caraballo-farman, Maureen
Connor, Ben Coonley, Daily Dancer, Kan Xua, Kaoru Katayama, Mike
Kelley, Rodney McMillian,Trine Lise Nedreaas, Christodoulos Panayiotou,
Laura Parnes, Barbara Pollack, Ron Rocheleau’s ConcreteTV, Valeska
Soares, Michael Smith, Jennifer Sullivan, William Wegman, Wild Record
Collection, and Michael Zansky

Everybody Dance Now takes its title from the opening line
of the 1990 C&C Music Factory song. This exhibition, curated by
Kathleen Goncharov, showcases work by an international cast of
contemporary artists as well as excerpts from popular culture venues
such as public access television, You Tube, and Google Video. The show
celebrates the universal human urge to move to the beat (although dogs,
frogs, bears, ponies, ghosts, and alligators sometimes act as
surrogates for people). The title of the exhibition is literal…everyone
dances when all these characters move to the groove and show off their
collective talent (or lack there of).

Although many of the works in the exhibition are amusing, they often
have a dark humor and address such serious issues as gender and racial
stereotypes, war, violence, media manipulation, globalization, and
cultural conflict. Other videos deal with more personal matters that
concern us all, such as aging, mortality, the dilemmas of adolescence,
and the sexual insecurities that follow us through life.

Dog Duet, by video pioneer William Wegman, features the artist’s famous weimaraners who perform in perfect synch. Trine Lise Nedreaas’ poetic
work is a life size projection that depicts an 87 year-old man dancing
the tango with an invisible partner in an abandoned ballroom. Valeska Soares’ subject
is similar but her dancers perform with imaginary partners on a
mirrored floor in a Brazilian nightclub designed by Oscar Niemeyer.

Performance artist Michael Smith’s character “Mike” is a
parody of the “everyman” who craves social acceptance but like most of
us ultimately ends up a loser. Smith contributes excerpts of his
dancing alter ego from videos he’s made over the past twenty-five
years. Another everyman, an unabashed nerd, the Daily Dancer, who posts on the Internet, trips over his vacuum cleaner while dancing to Aretha Franklin’s Respect. TV personality Stephen Colbert dances to the hymn King of Glory in an Internet clip and another found video teaches black people how to “dance like a white guy.”

Mike Kelley’s contributes two short videos from his Day is Done project in which adults reenact the “extracurricular” activities depicted in photographs from old high school yearbooks. Laura Parnes and Jennifer Sullivan also look at adolescents, in particular participants in amateur talent shows. Rodney McMillian dances to a Prince song in a disturbing blue mask and Sanford Biggers makes the connection between Hip Hop and Kung Fu. Maureen Connor’s video installation recalls 1950s insecurities and gender stereotypes in a children’s dance class. Barbara Pollack collaborates
with her 18 year old son on a two-channel video where he and his
friends dance in a simulated mosh pit and perform a tableaux of an
infamous photograph from Abu Ghraib. Michael Zansky also deals
with failed US policies and asks whether we are dancing our way back
into the primordial slime led by Godzilla, who bears a striking
resemblance to Rona
ld Reagan.

Kaoru Katayama, a Japanese artist living in Spain explores
cultural confusion in a video of traditional dancers from Salamanca who
try to use their native steps while dancing to techno music. Christodoulos Panayiotou’s video
is documentation of Slow Dance Marathon, a performance in which total
strangers slow dance over a twenty-four hour period to sentimental pop
love songs. Kan Xua has a hilarious and surprising take on Chinese revolutionary opera and caraballo-farman’s floor projection is a ballet of vibrators. Ben Coonley’s mechanical ponies talk and do The Pony to a Chubby Checker song as well as teach themselves the Texas two-step.

Continuing with the animal theme, the collaborators responsible for Manhattan Neighborhood Network’s Wild Record Collection feature
their toy polar bear Snuffles and his stuffed animal friends who dance
to cuts from their collection of thousands of LPs. Another MNN
favorite, Ron Rocheleau’s Concrete TV, features brilliantly edited clips of strip club dancers, car crashes and brief scenes from popular movies. Jake Borndal creates a special TV and Internet lounge for viewing these programs and found footage.

Everybody Dance Now presents work that ranges from the
ridiculous to the sublime; some are profound and others are downright
silly, but they all reflect the human condition through the urge to
dance.

Artists in the exhibition include Jake Borndal, Sanford Biggers,
caraballo-farman, Maureen Connor, Ben Coonley, Daily Dancer, Kan Xua,
Kaoru Katayama, Mike Kelley, Rodney McMillian, Trine Lise Nedreaas,
Christodoulos Panayiotou, Nam June Paik, Laura Parnes, Barbara Pollack,
Ron Rocheleau’s Concrete TV, Valeska Soares, Michael Smith, Jennifer
Sullivan, William Wegman, The Wild Record Collection, and Michael
Zansky.
***

Kathleen Goncharov is an independent curator and critic. She has served
as Adjunct Curator at the Nasher Museum of Art at Duke University, US
Commissioner to the 50th Venice Biennale, Public Art Curator at
Massachusetts Institute of Technology, and Curator of the Collection at
The New School. She lives and works in New York City.

This exhibition is presented by The EFA Gallery, a program of the
Elizabeth Foundation for the Arts. With additional support from The
Milton and Sally Avery Foundation, The Helen Keeler Burke Charitable
Foundation, Peter C. Gould, Materials for the Arts, and Carnegie
Corporation Inc.

The EFA Gallery is a curatorial project space. Through the gallery, The
Elizabeth Foundation for the Arts supports the creative work of
independent curators. Curators build the framework in which we
understand artists and the art they make. At their best, they redefine
how we look at culture. The Elizabeth Foundation for the Arts believes
in the essential importance of art in a civil society. The value of the
artist’s creative spirit is not limited by age, race, nationality or
acceptance by others.

Curated by Mandla Reuter

Catalogue available at Revolver, Frankfurt
http//www.revolver-books.de

aMAZElab is a non-profit cultural lab based in Milano, which works for
the diffusion and knowledge of contemporary cultures. Founded and
directed by Claudia Zanfi and Gianmaria Conti, promotes projects and
events on social-territorial research, cultural interchanges and
micro-geographies.

Activities:
At its 5° birthday, aMAZElab develops over 2006 summer/autumn a series
of activities and appointments for reflection and research, such as:

4/10 September 2006
Alexandria, Egypt
A garden for all.
(workshop)
Partecipation with Gudran Association for Art and Development to
implement a rural area near Alexandria, an old fisherman village. The
artistic workshop will encourage local people to produce art and crafts
and renew their own village. The project will implement the
construction of green areas: a public garden for all.

20 September/10 October 2006
Nicosia, Cyprus
Transcrossing memories.
(urban installations)
“The Memory Box”
is a mobile device to collect popular history from the common people.
This bilateral intervention will serve as a travelling public space
open to everyone, and will host various presentations, artistic
projects, readings, video, debates, performances etc… The project is
held in collaboration with Artos Foundation Nicosia, Ashik Mene Studio, Art schools, theoreticians, architects and artists in Cyprus, from both sides.

The “Memory Box” is a concept by Gianmaria Conti, designed in collaboration with Bauhaus University, Weimar (Germany).

Publications:
During the event in Nicosia, aMAZElab will present its publications,
produced during the first 5 years of activities, with contributions by:
Carlos Basualdo, Reinaldo Laddaga, Michel de Certeau, Hou Hanrou,
Marietjca Potrc, Angela Vettese, Marti Peran, Zizis Kotionis, Pablo
Leon de la Barra, Filippo Fabbrica, Michelangelo Pistoletto, Stefano
Boeri, Franco Farinelli, Paul Domela, Zygmunt Bauman, Slawek
Sierakowski, Michael Wilson, Paolo Virno, Socrates Stratis, Sebastian
Cichocki, Stefan Tiron, Bart Lootsma, Liviana Dan, Mihnea Mircan, Lev
Manovich, Mihai Oroveanu, Lilia Dragneva, Cosmin Costinas, Eyal
Wiezman, Kamal Boullata, Jean-Francois Chevrier, Heriberto Yepez, Raul
Zamudio, Hans Ulrich Obrist, Bartolomeo Pietromarchi, Yorgos
Tzirtzilakis (others).

- GOING PUBLIC ’03. Politics, subject and places, produced
during “International Philosophical Meeting” in Modena (Italy) on
sociological concepts of mobility and moltitude. Artists invited for
projects in situ: Gianni Motti (I/CH), Maria Papadimitriou (Gr), Los
Carpinteros (Cuba), Multiplicity (I) (others…).
- DOVE VAI?, newspaper on the platform, free press by Raimond Chavez + Gilda Mantilla (Colombia/Perù)
- GOING PUBLIC ’04. Maps, confines and new geografies,
artists and geographers from Gibraltar to Middle East, on concept of
borders and its flexibility. Special presentation by: Torolab
(Tijuana), Thomas Hirschhorn (F), A12 (I), Chantal Akerman (B), Ofri
Cannani,(IL), Hassan Khan (Egypt)
Socrates Stratis (Cyprus), (others…).
- POSTACARDS FROM THE BORDER,
a book as collection of postcards, chosen by different immigrants in
Modena (Italy), during a workshop on the territory by aMAZElab.
- GOING PUBLIC’05 (1° section). Communities and Territories,
a long term project on peripheries, communities and territories, held
in Larissa (Greece). Workshop and projects by: Rirkrit Tiravanija,
Personal Cinema, Pablo Leon de la Barra, Nikos Charalambidis, Maja
Bajevic, Adrian Paci, Fabiana de Barros, (others….).
- ARGONAUT NEWS, special press project by Hariklia Hari (Gr) on the Farkadona community.
- GOING PUBLIC’05 (2° section). From Balkans to the Baltic,
public art project with artists architects and writers from East
Europe: Pawel Althamer, Calin Dan, Dan Perjovschi, Stefan Rusu, Medusa
Group, Pavel Braila (others…)
- VERSION MAGAZINE n.8, by
Mircea Cantor, Cirpian Muresan, Gabriela Vanga, production of a special
project, printed in italian/romanian, on different aspect of culture
and visuals.

Photos (from left to wright):
n.1 Ofri Cnaani, Both members of this club, video 2004 (courtesy galleria Pack, Milano)
n.2 Torolab, SOS Tijuana project, 2004
n.3 Rirkrit Tiravanija, Video Demo Station, 2001-2005 (installation for Going Public ’05, Larissa)
n.4 Zaphos Xagoraris, Silent Cities, sound installation Cyprus 2004
n.5 Dan Perjovschi, East/West, 2005 (logo for Going Public ’05, Modena)
n.6 Ursula Biemann, Balck Sea Files, 2005 video installation
n.7 Maria Papadimitirou, Ground Hotel, special project for Going Public ’05, Larissa
n.8 aMAZElab, Postcards from the border, workshop at railway station, Modena
n.9 Pawel Althamer, Clay Soil, 2005, workshop and perfomance with polish ladies, Modena.

Galerie Altair, Palma de Mallorca; Galeria Altxerri, San Sebastian; ART
AFFAIRS Gallery, Amsterdam; Art Seasons, Singapore; Aussereuropäische
Kunst Dierking, Cologne; Galerie Baer, Dresden; Gallery N. von Bartha,
London; Baukunst Galerie, Cologne; Samuelis Baumgarte, Bielefeld; Beck
& Eggeling, Düsseldorf; Galerie Benden & Klimczak, Viersen /
Cologne; Galerie Renate Bender, Munich; Galerie Bergner + Job, Mainz;
Gallery Bhak, Seoul; Galerie Andreas Binder, Munich; Galleri Bo
Bjerggaard, Copenhagen; Galerie Boisserée, Cologne; Galerie Peter
Borchardt, Hamburg; Ben Brown Fine Arts, London; Projektraum Viktor
Bucher, Vienna; Buchmann Galerie, Berlin; Galerie Bugdahn + Kaimer,
Düsseldorf; Luis Campana Galerie, Cologne; Galeria Ferran Cano, Palma
de Mallorca; Galerie Gisela Capitain, Cologne; Charim Galerie, Vienna;
Chosun Gallery, Seoul; Cokkie Snoei, Rotterdam; Galerie Conrads,
Düsseldorf; Galerie Michael Cosar, Düsseldorf; Galerie Crone, Berlin;
Deweer Art Gallery, Otegem; Die G
alerie, Frankfurt/Main; Conny Dietzschold Gallery, Sydney; D N A,
Berlin; Galerie Elke Dröscher, Hamburg; Galeria Heinrich Ehrhardt,
Madrid; Elahe Gallery, Tehran; Galerie Johannes Faber, Vienna; Galerie
Fahnemann, Berlin; Galleri Faurschou, Copenhagen; lukasfeichtner
galerie, Vienna; Fiebach & Minninger Galerie, Cologne; Galeria
Xavier Fiol, Palma de Mallorca; Fischer Kunsthandel & Edition,
Berlin; Galerie Forsblom, Helsinki; Galerie SixFriedrichLisaUngar,
Munich; Galerie Moderne – Silkeborg, Silkeborg; Klemens Gasser &
Tanja Grunert, New York; Galeria Gentili, Montecatini Terme; Galerie
Annie Gentils, Antwerp; Galerie Wolfgang Gmyrek GmbH, Düsseldorf;
Galeria Pablo Goebel Fine Arts, Mexico; Bärbel Grässlin,
Frankfurt/Main; Galerie Karsten Greve, Cologne; van der grinten
galerie, Cologne; Barbara Gross Galerie, Munich; Grossetti Arte
Contemporanea, Milan; Galerie Haas, Zürich / Berlin; Hachmeister
Galerie, Münster; Hammelehle + Ahrens, Cologne; Häusler Contemporary,
Munich; Galerie Reinhard Hauff, Stuttgart; Galerie Rolf Hengesbach,
Cologne; Galerie Marianne Hennemann, Bonn; Galerie Henze &
Ketterer, Wichtrach/Berne; Herrmann + Wagner, Berlin; Galerie Kai
Hilgemann, Berlin; Galerie Ernst Hilger, Vienna; Galerie Hoffmann,
Friedberg; Galerie Hohenlohe, Vienna; Galerie Heinz Holtmann, Cologne;
Galerie Hübner, Frankfurt/Main; Galerie Grita Insam, Vienna; Galerie
Johnen & Schöttle, Cologne; Juliana Gallery, Seoul; Galleri K,
Oslo; mike karstens graphics, Münster; Galerie Jule Kewenig, Palma de
Mallorca; Bernhard Knaus Fine Art, Mannheim; Galerie Koch, Hanover;
Galerie Dorothea v. d. Koelen, Mainz; Christine König Galerie, Vienna;
Leo Koenig, Inc., New York; Galerie Martin Kudlek, Cologne; Galerie
Kugler, Innsbruck; Galerie Kusseneers, Antwerp; L.A. Galerie,
Frankfurt/Main / Beijing; Galerie Lahumière, Paris; Galerie Löhrl,
Mönchengladbach; Galerie Marie-José van de Loo, Munich; Diana
Lowenstein Fine Arts, Miami; Galerie Ludorff, Düsseldorf; Galeria
Maior, Pollenca; manus presse, Stuttgart; Galerie Brigitte March,
Stuttgart;Galeria Miguel Marcos, Barcelona; Galerie Maulberger, Munich;
Mario Mauroner, Vienna; Galeria Max Estrella, Madrid; Galerie Hans
Mayer, Düsseldorf; Mirko Mayer Galerie/m-projects, Cologne; Hubertus
Melsheimer, Cologne; Galerie Karlheinz Meyer, Karlsruhe; Galerie
Mezzanin, Vienna; Galerie Mueller-Roth, Stuttgart; Galerie nächst St.
Stephan, Vienna; Galerie Christian Nagel, Cologne / Berlin; Galerie
Neher, Essen; Galeria Nieves Fernandez, Madrid; Galerie Georg
Nothelfer, Berlin; Nusser & Baumgart Contemporary, Munich;
Alexander Ochs Galleries, Berlin / Beijing; Galerie Onrust, Amsterdam;
Galerie Orangerie-Reinz, Cologne; Oriol Galeria d’Art, Barcelona; The
Paragon Press, London; Park Ryu Sook Gallery, Seoul; Pilar Parra &
Romero, Madrid; Galeria Pelaires, Palma de Mallorca; Galerie Karl
Pfefferle, Munich; photonet, Wiesbaden; Galerij Guy Pieters,
Knokke-Heist; POLIGRAFA Obra Grafica, Barcelona; Pyo Gallery, Seoul;
Thomas Rehbein Galerie, Cologne; Galerie Michel Rein, Paris; Galerie
Remmert & Barth, Düsseldorf; Galerie J.-L. + T. Richard, Paris;
Galerie Rieder, Munich; Felix Ringel Galerie, Düsseldorf; J.P.
Ritsch-Fisch Galerie, Strasbourg; Margarete Roeder Gallery, New York;
Galerie Stefan Röpke, Cologne / Madrid; Galerie Rothamel, Erfurt /
Frankfurt/Main; Galerie Rothe, Frankfurt/Main; Kenny Schachter ROVE,
London; Rubicon Gallery, Dublin; Galerie Tanya Rumpff, Haarlem;
Ruzicska – Galerie, Salzburg; RUZICSKA / WEISS, Düsseldorf; Galerie RX,
Paris; Sala Maior, Porto; Galerie Salis + Vertes, Salzburg; Galerie
Scheffel, Bad Homburg v.d.H.; Galerie Aurel Scheibler, Berlin; Galerie
Schlichtenmaier, Grafenau; Galerie Schmela, Düsseldorf; Schönewald Fine
Arts, Düsseldorf; Galerie Willy Schoots, Eindhoven; Galerie Schübbe
Projekt, Düsseldorf; Galerie Michael Schultz, Berlin; Galerie
Schwarzer, Düsseldorf; Sejul Gallery, Seoul; Galerie Sfeir-Semler,
Hamburg / Beirut; Gallery Shilla, Daegu; Galerie Sho Contemporary Art,
Tokyo; Sies + Höke Galerie, Düsseldorf; Galerie Simonis, Düsseldorf;
Galerie Sollertis, Toulouse; Springer + Winckler Galerie, Berlin;
Galerie Springmann, Freiburg; Sprüth / Magers, Cologne / Munich;
Edition Staeck, Heidelberg; Galerie Steinek, Vienna; Stills Gallery,
Paddington; Storms Galerie, Munich; Galerie Hans Strelow, Düsseldorf;
Galerie Michael Sturm, Stuttgart; Galerie Jiri Svestka, Prague; Galerie
Peter Tedden, Düsseldorf; Galerie Terminus, Munich; Galerie E. & K.
Thoman, Innsbruck; Galerie Thomas, Munich; Galerie Wilma Tolksdorf,
Frankfurt / Berlin; Galleria Torbandena, Trieste; Torch Gallery,
Amsterdam; TZR Galerie für Bildende Kunst, Bochum; Galerie Utermann,
Dortmund; Vanguardia, Bilbao; Völcker + Freunde Galerie, Berlin;
Galerie Voss, Düsseldorf; VOUS ETES ICI, Amsterdam; edith wahlandt
galerie, Stuttgart; Galerie Ursula Walbröl, Düsseldorf; Galerie
Heinz-Martin Weigand, Ettlingen/Karlsruhe; Wetterling Gallery,
Stockholm; Galerie Esther Woerdehoff, Paris; Galerie Susanne Zander,
Cologne; Galerie Thomas Zander, Cologne.

An independent panel of experts has selected twenty-five promising young galleries for the ’New Contemporaries’ programme.
Sponsored by SK Stiftung Kultur der Sparkasse Köln/Bonn, the programme
supports young galleries and helps to ease their entry into the art
market. The galleries selected are:

Allsopp Contemporary, London; Aschenbach + Hofland Galleries,
Amsterdam; Galeria Jean Brolly, Paris; Galerie Lena Brüning, Berlin;
Galerie Asim Chughtai, Berlin; Sebastian Fath Contemporary, Mannheim;
Figge / von Rosen Galerie, Cologne; Grusenmeyer Art Gallery, Deurle;
Galerie Andreas Huber, Vienna; Galerie Parisa Kind, Frankfurt/Main;
Knäpper + Baumgarten, Stockholm; layr:wuestenhagen, Vienna; Motive
Gallery, Amsterdam; Véronique Nosbaum Galerie, Contern; Galerie Rupert
Pfab, Düsseldorf; Program - Galeria Sztuki, Warsaw; Galerie Schleicher
+ Lange, Paris; Galerie Schmidt Maczollek, Cologne; Sixtyseven Gallery,
New York; Galerie Jacky Strenz, Frankfurt/Main, Galerie Olaf Stüber,
Berlin; VAN HORN, Düsseldorf; Vartai Gallery, Vilnius; Wandergalerie,
Munich; Galerie Eva Winkeler, Frankfurt/Main.

‘New Talents’, the ART COLOGNE sponsorship programme for young
artists, was set up in 1980. This year, twenty-three young artists have
been selected. ART COLOGNE 2006 also sees the launch of a new programme
titled ‘Hidden Treasures’. This introduces five artists in solo
shows on 40 square metre stands. The programme offers a platform to
artists who have their niche in art history but are currently neglected
or undervalued by the market, despite the fact that their work is held
in museums and private collections. The artists selected should be aged
over forty, if still alive. Their work should demonstrate that it has
had a major influence on younger generations of artists. ‘Hidden
Treasures’ is designed to attract the interest of collectors, curators,
museum experts and art-market newcomers. The programme offers
opportunities for collectors to buy works of solid value at reasonable
prices. It is a totally new concept unrivalled in the international art
fair world
. The ART COLOGNE Selection Committee will be launching the ‘Hidden
Treasures’ programme with the work of the following artists:

William N. Copley (Schönewald Fine Arts), Klaus vom Bruch (Galerie
nächst St. Stephan), Valie Export (Charim Galerie), Fred Sandback
(Margarete Roeder Gallery), Auguste Herbin (Galerie Lahumière), and
Paco Knöller (Galerie Karsten Greve).

‘Open Space’, the innovative exhibition programme launched in
2005, is – like the ‘Hidden Treasures’ programme – another unique
feature of ART COLOGNE. In an open-plan exhibition area, leading
international galleries will be showing work by forty artists. ‘Open
Space’ is a curated project with all the features of a sales
exhibition. The list of exhibitors will be published in early October.

ART COLOGNE and the City of Cologne will be hosting a wide range of
special shows. In addition, an exciting programme of major museum
exhibitions in the cities of Aachen, Bonn, Düsseldorf, Duisburg,
Frankfurt/Main, Krefeld, Leverkusen, Mönchengladbach, Neuss and
Wuppertal will add to the ART COLOGNE experience.
For further details go to: http://www.artcologne.com

ART COLOGNE:
1 – 5 November 2006
Open daily 12 noon – 8 p.m.
AXA Art Professional Preview: 31 October 2006, 12 noon – 5 p.m.
Vernissage: 31 October 2006, 5 p.m. – 9 p.m.

The exhibition has been realized in cooperation with the Galerie im
Taxispalais, Innsbruck, where Sanja Ivekovic’s first comprehensive solo
exhibition was shown in 2001.

Kölnischer Kunstverein
Die Brücke
Hahnenstraße 6
50667 Köln

http://www.koelnischerkunstverein.de